Phaéton (Saint-Saëns)
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Phaéton (Saint-Saëns)
''Phaéton'' (''Phaethon''), Op. 39, is a symphonic poem for orchestra, composed by Camille Saint-Saëns in 1873. It is the second in his genre's tetralogy, preceded by ''Le Rouet d'Omphale'' and followed by Danse macabre (Saint-Saëns), ''Danse macabre'' and ''La jeunesse d'Hercule''. The work was premiered at the Théâtre du Châtelet in 7 December 1873, performed by the Concert National conducted by Édouard Colonne. Despite its initial cool reception, the work has managed to remain in the borders of the repertoire, but is largely overshadowed in popularity by Danse Macabre. Background Hector Berlioz was an early influence of Camille Saint-Saëns, and his four programmatic symphonies paved the way for the introduction of the symphonic poem by Franz Liszt. While César Franck was the first French composer to write a symphonic poem between 1845–46, titled ''Ce qu'on entend sur la montagne'', it was neither performed nor published during the composer's lifetime. Unaware o ...
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Camille Saint-Saëns
Charles-Camille Saint-Saëns (, , 9October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano Concerto No. 2 (Saint-Saëns), Second Piano Concerto (1868), the Cello Concerto No. 1 (Saint-Saëns), First Cello Concerto (1872), ''Danse macabre (Saint-Saëns), Danse macabre'' (1874), the opera ''Samson and Delilah (opera), Samson and Delilah'' (1877), the Violin Concerto No. 3 (Saint-Saëns), Third Violin Concerto (1880), the Symphony No. 3 (Saint-Saëns), Third ("Organ") Symphony (1886) and ''The Carnival of the Animals'' (1886). Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, Paris, La Madeleine, the official church of the Second French Empire, Fr ...
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Columbia University Press
Columbia University Press is a university press based in New York City New York, often called New York City (NYC), is the most populous city in the United States, located at the southern tip of New York State on one of the world's largest natural harbors. The city comprises five boroughs, each coextensive w ..., and affiliated with Columbia University. Founded in 1893, it is currently directed by Jennifer Crewe (2014–present) and publishes titles in the humanities and sciences, including the fields of literary and cultural studies, history, social work, sociology, religion, film, and international studies. History Columbia University Press was founded in May 1893. In 1933, the first four volumes of the ''History of the State of New York'' were published. In the early 1940s, the Press' revenues rose, partially thanks to the ''Encyclopedia'' and the government's purchase of 12,500 copies for use by the military. Columbia University Press is notable for publishing r ...
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Piano Reduction
In music, a reduction is an arrangement or transcription of an existing score or composition in which complexity is lessened to make analysis, performance, or practice easier or clearer; the number of parts may be reduced or rhythm may be simplified, such as through the use of block chords. Orchestral An orchestral reduction is a sheet music arrangement of a work originally for full symphony orchestra (such as a symphony, overture, or opera), rearranged for a single instrument (typically piano or organ), a smaller orchestra, or a chamber ensemble with or without a keyboard (e.g. a string quartet). A reduction for solo piano is sometimes called a piano reduction or ''piano score''. During opera rehearsals, a répétiteur (piano player) will typically read from a piano reduction of the opera. When a choir is learning a work scored for choir and full orchestra, the initial rehearsals will usually be done with a pianist playing a piano reduction of the orchestra part. Be ...
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La Madeleine, Paris
The Church of Sainte-Marie-Madeleine (, ), or less formally, La Madeleine (), is a Catholic parish church on Place de la Madeleine in the 8th arrondissement of Paris. It was planned by Louis XV as the focal point of the new Rue Royal, leading to the new Place Louis XV, the present Place de la Concorde. It was dedicated in 1764 by Louis XV, but work halted due to the French Revolution. Napoleon Bonaparte had it redesigned in the neoclassical architecture, Neoclassical style to become a monument to the glory of his armies. After his downfall in 1814, construction as a church resumed, but it was not completed until 1842. The building is surrounded on all four sides by Corinthian order, Corinthian columns. The interior is noted for its frescoes on the domed ceiling, and monumental sculptures by François Rude, Carlo Marochetti and other prominent 19th-century French artists. The exterior and interior of the church are undergoing a major project of cleaning and restoration, which b ...
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Cover Of Phaéton
Cover or covers may refer to: Packaging * Another name for a lid * Cover (philately), generic term for envelope or package * Album cover, the front of the packaging * Book cover or magazine cover ** Book design ** Back cover copy, part of copywriting * CD and DVD cover, CD and DVD packaging * Smartphone cover, a mobile phone accessory that protects a mobile phone People * Cover (surname) Arts, entertainment, and media Music Albums ;Cover * ''Cover'' (Tom Verlaine album), 1984 * ''Cover'' (Joan as Policewoman album), 2009 ;Covered * ''Covered'' (Cold Chisel album), 2011 * ''Covered'' (Macy Gray album), 2012 * ''Covered'' (Robert Glasper album), 2015 ;Covers * ''Covers'' (Beni album), 2012 * ''Covers'' (Regine Velasquez album), 2004 * ''Covers'' (Placebo album), 2003 * ''Covers'' (Show of Hands album), 2000 * ''Covers'' (James Taylor album), 2008 * ''Covers'' (Fayray album), 2005 * ''Covers'' (Deftones album), 2011 * ''Covers'' (The Smithereens album), 2018 ...
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Phaëton (Lully)
''Phaëton'' (LWV 61) is a ''tragédie en musique'' in a prologue and five acts by Jean-Baptiste Lully. Philippe Quinault wrote the French libretto after a story from Ovid's ''Metamorphoses''. It can be read as an allegorical depiction of the punishment awaiting those mortals who dare to raise themselves as high as the "sun" (i.e. the Sun King). ''Phaëton'' was the first lyric tragedy of Lully and Quinault to receive its world premiere at the Palace of Versailles, where it was given without stage machinery on or about 6 January 1683. The Paris Opera also performed it at the Théâtre du Palais-Royal (beginning on 27 April), where it was very successful with the general public. The performances ceased for thirty days of mourning following the death of the queen on 30 July 1683, but resumed thereafter and continued until 12 or 13 January 1684. The opera was revived at the Palais-Royal in 1692, 1702, 1710, 1721, 1730, and 1742. It was sometimes referred to as "the people's opera", ...
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Jean-Baptiste Lully
Jean-Baptiste Lully ( – 22 March 1687) was a French composer, dancer and instrumentalist of Italian birth, who is considered a master of the French Baroque music style. Best known for his operas, he spent most of his life working in the court of Louis XIV of France and became a French citizenship, subject in 1661. He was a close friend of the playwright Molière, with whom he collaborated on numerous ''comédie-ballets'', including ''L'Amour médecin'', ''George Dandin ou le Mari confondu'', ''Monsieur de Pourceaugnac'', ''Psyché (play), Psyché'' and his best known work, ''Le Bourgeois gentilhomme''. Biography Lully was born on November 28 or 29, 1632, in Florence, Grand Duchy of Tuscany, to Lorenzo Lulli and Caterina Del Sera, a Tuscan family of millers. His general education and his musical training during his youth in Florence remain uncertain, but his adult handwriting suggests that he manipulated a quill pen with ease. He used to say that a Franciscan friar gave him his ...
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Libretto
A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. The Italian language, Italian word (, ) is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language cognates, equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15- to 40-page books which were on sale to 19th century ballet audiences in Paris and contained ...
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The Guardian
''The Guardian'' is a British daily newspaper. It was founded in Manchester in 1821 as ''The Manchester Guardian'' and changed its name in 1959, followed by a move to London. Along with its sister paper, ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust Limited. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in its journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. S ...
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Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony, or Mahler's Second Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning ...
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Thematic Transformation
Thematic transformation (also known as thematic metamorphosis or thematic development) is a musical technique in which a leitmotif, or theme, is developed by changing the theme by using permutation ( transposition or modulation, inversion, and retrograde), augmentation, diminution, and fragmentation. It was primarily developed by Franz Liszt and Hector Berlioz. The technique is essentially one of variation. A basic theme is reprised throughout a musical work, but it undergoes constant transformations and disguises and is made to appear in several contrasting roles. However, the transformations of this theme will always serve the purpose of "unity within variety" that was the architectural role of sonata form in the classical symphony. The difference here is that thematic transformation can accommodate the dramatically charged phrases, highly coloured melodies and atmospheric harmonies favored by the Romantic composers, whereas sonata form was geared more toward the more objectiv ...
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Program Music
Program music or programmatic music is a type of instrumental art music that attempts to musically render an extramusical narrative. The narrative itself might be offered to the audience through the piece's title, or in the form of program notes, inviting imaginative correlations with the music. A well-known example is Sergei Prokofiev's ''Peter and the Wolf''. The genre culminates in the symphonic works of Richard Strauss that include narrations of the adventures of Don Quixote, ''Till Eulenspiegel'', the composer's domestic life, and an interpretation of Friedrich Nietzsche's philosophy of the Übermensch, ''Also Sprach Zarathustra''. Following Strauss, the genre declined and new works with explicitly narrative content are rare. Nevertheless the genre continues to exert an influence on film music, especially where this draws upon the techniques of 19th-century late romantic music. Similar compositional forms also exist within popular music, including the concept album and ...
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