Pharmaceutical Hallucinations
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Pharmaceutical Hallucinations
''Pharmaceutical Hallucinations'' () is a 1908 French short silent film by Georges Méliès. It was sold by Méliès's Star Film Company and is numbered 1416–1428 in its catalogues. The giant snail prop in the film had been previously used in Méliès's 1906 fantasy '' The Chimney Sweep''. The film's special effects are worked using stage machinery, pyrotechnics, substitution splices, and multiple exposure In photography and cinematography, a multiple exposure is the superimposition of two or more exposures to create a single image, and double exposure has a corresponding meaning in respect of two images. The exposure values may or may not be ide ...s. References External links * French black-and-white films Films directed by Georges Méliès French silent short films Articles containing video clips {{short-film-stub ...
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Georges Méliès
Marie-Georges-Jean Méliès ( , ; 8 December 1861 – 21 January 1938) was a French magic (illusion), magician, toymaker, actor, and filmmaker. He led many technical and narrative developments in the early days of film, cinema, primarily in the Fantasy film, fantasy and Science fiction film, science fiction genres. Méliès rose to prominence creating "trick films" and became well known for his innovative use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, Dissolve (film), dissolves, and Color motion picture film#Tinting and hand coloring, hand-painted colour. He was also one of the first filmmakers to use storyboards in his work. His most important films include ''A Trip to the Moon'' (1902) and ''The Impossible Voyage'' (1904). Early life and education Marie-Georges-Jean Méliès was born 8 December 1861 in Paris, son of Jean-Louis Méliès and his Netherlands, Dutch wife Johannah-Catherine Schuering. His ...
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Star Film Company
The Manufacture de Films pour Cinématographes, often known as Star Film, was a French film production company run by the illusionist and film director Georges Méliès. History On 28 December 1895, Méliès attended the celebrated first public demonstration of the Lumière Brothers' Kinetoscope. The event, held in a room at 14 Boulevard des Capucines in Paris with one hundred chairs and an entry price of 1, demonstrated the practicality of film cameras and projectors. According to later recollections by Méliès, he immediately approached Antoine Lumière and offered to buy a Lumière projector for his own experimentation; Lumière refused. Méliès went on to make repeated offers, all similarly turned down. Méliès next turned to the British film experimenter Robert W. Paul, and in February 1896, obtained an Animatographe projector for 1,000, along with a collection of short films, some by Paul and some by Edison Studios. Méliès projected these for the first time at his the ...
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Short Film
A short film is a film with a low running time. The Academy of Motion Picture Arts and Sciences (AMPAS) defines a short film as "an original motion picture that has a running time of not more than 40 minutes including all credits". Other film organizations may use different definitions, however; the Academy of Canadian Cinema and Television, for example, currently defines a short film as 45 minutes or less in the case of documentaries, and 59 minutes or less in the case of scripted narrative films (it is not made clear whether this includes closing credits). In the United States, short films were generally termed short subjects from the 1920s into the 1970s when confined to two 35 mm reels or less, and featurettes for a film of three or four reels. "Short" was an abbreviation for either term. The increasingly rare industry term "short subject" carries more of an assumption that the film is shown as part of a presentation along with a feature film. Short films are often s ...
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Silent Film
A silent film is a film without synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of inter- title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era, which existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in larger cities, an orchestra—would play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema p ...
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The Chimney Sweep (film)
''The Chimney Sweep'' () is a 1906 French silent film directed by Georges Méliès. Plot Jack, a kidnapped boy working as a chimney sweep, is roughly treated and often beaten by his brutal employer. Falling asleep after a long day, he dreams of his lost mother and the fairy tales he heard. The memories transform into a journey through Dream Country, led by the Fairy of Dreams, who turns Jack into a King amid the celebrations of a royal court. The dream ends abruptly when Jack is woken up by his employer for the day's work. Jack is busily at work when, behind some bricks inside a chimney, he comes across a box full of gold and money, hidden there many years ago. The employer tries to take possession of the treasure trove, but Jack runs away. A chase ensues through the neighborhood, with townspeople and servants joining in. Jack escapes and hides just before his employer falls into a pit. Finding him covered with mud, the onlookers plunge him into a cask of water. By good luck, Ja ...
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