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Petrarchan
The Petrarchan sonnet, also known as the Italian sonnet, is a sonnet named after the Italian poet Francesco Petrarca, although it was not developed by Petrarch himself, but rather by a string of Renaissance poets.Spiller, Michael R. G. The Development of the Sonnet: An Introduction. London: Routledge, 1992. 5 Dec. 2015. Because of the structure of Italian, the rhyme scheme of the Petrarchan sonnet is more easily fulfilled in that language than in English. The original Italian sonnet form consists of a total of fourteen hendecasyllabic lines in two parts, the first part being an octave and the second being a sestet. Form The rhyme scheme for the octave is typically ABBAABBA. The sestet is more flexible. Petrarch typically used CDECDE or CDCDCD for the sestet. Some other possibilities for the sestet include CDDCDD, CDDECE, or CDDCCD (as in Wordsworth'sNuns Fret Not at Their Convent's Narrow Room" a sonnet about sonnets). This form was used in the earliest English sonnets by Wyatt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonnet Studies
A sonnet is a fixed poetic form with a structure traditionally consisting of fourteen lines adhering to a set rhyming scheme. The term derives from the Italian word ''sonetto'' (, from the Latin word ''sonus'', ). Originating in 13th-century Sicily, the sonnet was in time taken up in many European-language areas, mainly to express romantic love at first, although eventually any subject was considered acceptable. Many formal variations were also introduced, including abandonment of the quatorzain limit – and even of rhyme altogether in modern times. Romance languages Sicilian Giacomo da Lentini is credited with the sonnet's invention at the Court of Frederick II in the Sicilian city of Palermo. The Sicilian School of poets who surrounded Lentini then spread the form to the mainland. Those earliest sonnets no longer survive in the original Sicilian language, however, but only after being translated into Tuscan dialect. The form consisted of a pair of quatrains followed by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonnet
A sonnet is a fixed poetic form with a structure traditionally consisting of fourteen lines adhering to a set Rhyme scheme, rhyming scheme. The term derives from the Italian word ''sonetto'' (, from the Latin word ''sonus'', ). Originating in 13th-century Sicily, the sonnet was in time taken up in many European-language areas, mainly to express romantic love at first, although eventually any subject was considered acceptable. Many formal variations were also introduced, including abandonment of the quatorzain limit – and even of rhyme altogether in modern times. Romance languages Sicilian Giacomo da Lentini is credited with the sonnet's invention at the Court of Frederick II, Holy Roman Emperor, Frederick II in the Sicilian city of Palermo. The Sicilian School of poets who surrounded Lentini then spread the form to the mainland. Those earliest sonnets no longer survive in the original Sicilian language, however, but only after being translated into Tuscan dialect. The form c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Volta (literature)
The volta is a rhetorical shift or dramatic change in thought and/or emotion. Turns are seen in all types of written poetry. In the last two decades, the volta has become conventionally used as a word for this, stemming supposedly from technique specific mostly to sonnets. Volta is not, in fact, a term used by many earlier critics when they address the idea of a turn in a poem, and they usually are not discussing the sonnet form. It is a common Italian word more often used of the idea of a time or an occasion than a turnabout or swerve. Terminology The turn in poetry has gone by many names. In "The Poem in Countermotion", the final chapter of ''How Does a Poem Mean?'', John Ciardi speaks thus of the "fulcrum" in relation to the non-sonnet poem "O western wind" (O Western Wind/when wilt thou blow/The small rain down can rain//Christ! my love were in my arms/and I in my bed again): 'The first two lines are a cry of anguish to the western wind (in England, the wind of spring). The lam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Wyatt (poet)
Sir Thomas Wyatt (150311 October 1542) was a 16th-century English politician, ambassador, and lyric poetry, lyric poet credited with introducing the sonnet to English literature. He was born at Allington Castle near Maidstone in Kent, though his family was originally from Yorkshire. His family adopted the Lancastrian side in the Wars of the Roses. His mother was Anne Skinner, and his father Henry Wyatt (courtier), Henry, who had earlier been imprisoned and tortured by Richard III of England, Richard III, had been a Privy Councillor of Henry VII of England, Henry VII and remained a trusted adviser when Henry VIII ascended the throne in 1509. Thomas followed his father to court after his education at St John's College, Cambridge. Entering the King's service, he was entrusted with many important diplomatic missions. In public life, his principal patron was Thomas Cromwell, after whose death he was recalled from abroad and imprisoned (1541). Though subsequently acquitted and release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petrarch
Francis Petrarch (; 20 July 1304 – 19 July 1374; ; modern ), born Francesco di Petracco, was a scholar from Arezzo and poet of the early Italian Renaissance, as well as one of the earliest Renaissance humanism, humanists. Petrarch's rediscovery of Cicero's letters is often credited with initiating the 14th-century Italian Renaissance and the founding of Renaissance humanism. In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarch's works, as well as those of Giovanni Boccaccio, and, to a lesser extent, Dante Alighieri. Petrarch was later endorsed as a model for Italian style by the . Petrarch's sonnets were admired and imitated throughout Europe during the Renaissance and became a model for lyrical poetry. He is also known for being the first to develop the concept of the "Dark Ages (historiography), Dark Ages". [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyme Scheme
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick: Function in writing These rhyme patterns have various effects, and can be used to: * Control flow: If every line has the same rhyme (AAAA), the stanza will read as having a very quick flow, whereas a rhyme scheme like ABCABC can be felt to unfold more slowly. * Structure a poem's message and thought patterns: For example, a simple couplet with a rhyme scheme of AABB lends itself to simpler direct ideas, because the resolution comes in the very next line. Essentially these couplets can be thought of as self-contained statements. This idea of rhyme schemes reflecting thought processes is often discussed particularly regarding sonnets. * Determine whether ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octave (poetry)
Octave has been derived from the Latin word ''octāva'', which means “eighth part.” It is a verse form that contains eight lines, which usually appear in an iambic pentameter. In simple words, it can be any stanza in a poem that has eight lines and follows a rhymed or unrhymed meter.The New Princeton Encyclopedia of Poetry and Poetics.''p. 223 Ed. Alex Preminger and T.V.F. Brogan. Princeton UP, 1993 An octave is a verse form consisting of eight lines of iambic pentameter (in English) or of hendecasyllables (in Italian). The most common rhyme scheme for an octave is ABBA ABBA. An octave is the first part of a Petrarchan sonnet The Petrarchan sonnet, also known as the Italian sonnet, is a sonnet named after the Italian poet Francesco Petrarca, although it was not developed by Petrarch himself, but rather by a string of Renaissance poets.Spiller, Michael R. G. The Devel ..., which ends with a contrasting sestet. In traditional Italian sonnets the octave always ends with a c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Colossus
"The New Colossus" is a sonnet by American poet Emma Lazarus (1849–1887). She wrote the poem in 1883 to raise money for the construction of a pedestal for the Statue of Liberty (''Liberty Enlightening the World''). In 1903, the poem was cast onto a bronze plaque and mounted inside the pedestal's lower level. History This poem was written as a donation to an auction of art and literary works; Mark Twain also contributed. conducted by the "Art Loan Fund Exhibition in Aid of the Frédéric Auguste Bartholdi, Bartholdi Pedestal Fund for the Statue of Liberty" to raise money for the pedestal's construction.. Lazarus's contribution was solicited by fundraiser William Maxwell Evarts. Initially, she refused but writer Constance Cary Harrison convinced her that the statue would be of great significance to immigrants sailing into the harbor. Lazarus was involved in aiding Jews, Jewish refugees to New York who had fled Pogroms in the Russian Empire#1881–1884, antisemitic pogroms in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London, 1802
"London, 1802" is a poem by the English Romantic poet William Wordsworth. In the poem Wordsworth castigates the English people as stagnant and selfish, and eulogises seventeenth-century poet John Milton. Composed in 1802, "London, 1802" was published for the first time in '' Poems, in Two Volumes'' (1807). Structure and synopsis Wordsworth begins the poem by wishing that Milton was still alive, for "England hath need of thee." This is because it is his opinion that England has stagnated morally by comparison to Milton's period. To this end, Wordsworth pleads for Milton to rather messianically "raise us up, return to us again; / And give us manners, virtue, freedom, power." In the six subsequent lines (the sestet) following the first eight lines (the octave), Wordsworth explains why Milton could improve the English condition. Milton's soul, he explains, was as bright and noble as a star and "dwelt apart" from the crowd, not feeling the urge to conform to norms. Milton's voice r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) is a Periodization, period of history and a European cultural movement covering the 15th and 16th centuries. It marked the transition from the Middle Ages to modernity and was characterized by an effort to revive and surpass the ideas and achievements of classical antiquity. Associated with great social change in most fields and disciplines, including Renaissance art, art, Renaissance architecture, architecture, politics, Renaissance literature, literature, Renaissance exploration, exploration and Science in the Renaissance, science, the Renaissance was first centered in the Republic of Florence, then spread to the Italian Renaissance, rest of Italy and later throughout Europe. The term ''rinascita'' ("rebirth") first appeared in ''Lives of the Artists'' () by Giorgio Vasari, while the corresponding French word was adopted into English as the term for this period during the 1830s. The Renaissance's intellectual basis was founded in its version of Renaiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sri Aurobindo
Sri Aurobindo (born Aurobindo Ghose; 15 August 1872 – 5 December 1950) was an Indian Modern yoga gurus, yogi, maharishi, and Indian nationalist. He also edited the newspaper Bande Mataram (publication), ''Bande Mataram''. Aurobindo studied for the Imperial Civil Service, Indian Civil Service at King's College, Cambridge, King's College, in Cambridge, England. After returning to India, he took up various civil service works under the Maharaja of the princely state of Baroda State, Baroda. He became increasingly involved in nationalist politics in the Indian National Congress and the nascent revolutionary movement in Bengal with the Anushilan Samiti. He was arrested in the aftermath of a number of bombings linked to his organization in a public trial where he faced charges of treason for Emperor v. Aurobindo Ghosh and others, Alipore Conspiracy and then released, after which he moved to Pondicherry (city), Pondicherry and developed a spiritual practice he called Integral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
