Peterson-Berger
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Peterson-Berger
Olof Wilhelm Peterson-Berger ( 27 February 1867 — 3 December 1942) was a Swedes, Swedish composer and music critic. As a composer, his main musical influences were Edvard Grieg, Grieg, August Söderman and Richard Wagner, Wagner as well as Swedish folk idiom.Percy G. ''Wilhelm Peterson-Berger, An Introduction''. (Stockholm, Wilhelm Peterson-Berger Society) 1982. The composer Peterson-Berger was born in Ullånger. He studied at the Stockholm Conservatory from 1886 to 1889 and then in Dresden for a year. He is best known for three albums of Romantic nationalism, national romantic piano pieces entitled ''Frösöblomster I, II and III'' (''Flowers of Frösö''), which includes the often performed ''Vid Frösö kyrka'' (''At Frösö Church'') and ''Sommarsång'' (''Summer Song''). The sets, which were composed over a period of 18 years (1896 - 1914) and brought together afterwards as a collection have gained a reputation of representing a quintessential "Swedishness" in the roma ...
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Arnljot
''Arnljot'' is an opera by the Swedish composer Wilhelm Peterson-Berger. Written in 1906, it premiered April 13, 1910, and was revised in 1956. The origin to ''Arnljot'' is a melody that Wilhelm Peterson-Berger created when he first visited Jämtland in 1898. When he journeyed over Storsjön he was inspired by the nearby mountains, Oviksfjällen. The opera consists of three parts and the historical foundation of the opera is the character ''Arnljot Gelline'' that is mentioned in Snorri Sturluson saga about '' Olav Haraldsson (den Helige, Rex perpetuus Norvegiae)'' and the writings on Frösöstenen, the rune stone that is placed on Frösön. Out of these components, Wilhelm Peterson-Berger wrote his drama. Performance history The original performance of ''Arnljot'' as an opera was put on on April 13, 1910, at the Royal Opera in Stockholm Stockholm (; ) is the Capital city, capital and List of urban areas in Sweden by population, most populous city of Sweden, as ...
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Arnljot Opera
''Arnljot'' is an opera by the Swedish composer Wilhelm Peterson-Berger. Written in 1906, it premiered April 13, 1910, and was revised in 1956. The origin to ''Arnljot'' is a melody that Wilhelm Peterson-Berger created when he first visited Jämtland in 1898. When he journeyed over Storsjön he was inspired by the nearby mountains, Oviksfjällen. The opera consists of three parts and the historical foundation of the opera is the character ''Arnljot Gelline'' that is mentioned in Snorri Sturluson saga about '' Olav Haraldsson (den Helige, Rex perpetuus Norvegiae)'' and the writings on Frösöstenen, the rune stone that is placed on Frösön. Out of these components, Wilhelm Peterson-Berger wrote his drama. Performance history The original performance of ''Arnljot'' as an opera was put on on April 13, 1910, at the Royal Opera in Stockholm.
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Ran (opera)
''Ran'' is a 1903 Swedish-language opera in three acts by Wilhelm Peterson-Berger. Titled after the sea goddess Ran, the subject and Wagnerian influence precedes his better known opera on Nordic legend ''Arnljot ''Arnljot'' is an opera by the Swedish composer Wilhelm Peterson-Berger. Written in 1906, it premiered April 13, 1910, and was revised in 1956. The origin to ''Arnljot'' is a melody that Wilhelm Peterson-Berger created when he first visited J ...''. Successful in its day, the piano reduction of "Danslek" (playful dance) is the only excerpt remembered today.John H. Yoell ''The Nordic Sound: Explorations Into the Music of Denmark, ... '' 1974 p 182 DANSLEK FROM “ RAN ” ( Playful Dance from “ Ran ” ) ( 1900 ) A trite but tuneful tidbit from one of Peterson - Berger ' s ... Because of a heroic theme and frequent revivals , Arnljot leads all others in the claim for Sweden ' s “ national opera ." References {{DEFAULTSORT:Ran (opera) Swedish-language operas ...
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Frösön
Frösön (, ; " Frey's island") is the largest island in the lake Storsjön, Jämtland, Sweden. Part of the city Östersund is located on the island. During most of recorded history Frösön was the regional centre of Jämtland, and it is the location of the Frösö Runestone, the northernmost in the world. The Swedish composer Wilhelm Peterson-Berger had a summer house (and from 1930 a permanent home) on the island. In 1896 Peterson-Berger composed a set of piano pieces entitled ''Frösöblomster'' (''Flowers of Frösön''), and his opera '' Arnljot'' from 1910 is partly based on the runic inscriptions on Frösö Runestone. History Frösön is named after the Norse god Freyr. It is the location of the " Frösö Runestone", the northernmost raised runestone in the world, dating from 1030-1050 AD. Frösön was a separate ''köping'' until 1974 but was merged with Östersund at that time. Hospital From 1915 to 1988, Frösön was the location of , a state-owned psychiatric ho ...
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The Doomsday Prophets
''The Doomsday Prophets'' (Swedish: ''Domedagsprofeterna'') is an opera by Wilhelm Peterson-Berger, to his own Swedish libretto, composed from 1912–17. It was first performed at the Royal Opera, Stockholm on 21 February 1919. Background Based on a story which the composer found in the journal ''Den svenska Mercurius'' (1759), the opera features several historical characters (Bure, Skytte, Queen Kristina), and is set in the university city of Uppsala just before the end of the Thirty Years' War in which Sweden became a major European power. The war increased people's worries about the end of the world and two academics claim to have calculated when Doomsday will take place. The opera's composition was completed during the First World War.The first performance was conducted by Armas Järnefelt. Roles *Captain Lennart Sporre *Elin, daughter of Klas Mugg *Lars Bryngelsson, student, sweetheart of Elin *Klas Mugg, Elin's father *Östen, brother of Lars * Johan Bure, professor ...
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August Söderman
Johan August Söderman (17 July 1832 – 10 February 1876) was a Swedish composer. He was born and died in Stockholm, and has traditionally been seen as the pre-eminent Swedish composer of the Romantic generation, known especially for his lieder and choral works, based on folk material, and for his theatre music, such as the incidental music to Ludvig Josephson's ''Marsk Stigs döttrar'' ("Marshal Stig's Daughter"), 1866, or his ''Svenskt festspel'' ("Swedish Festival Music"). Biography The son of a musical father and he was a pupil of the Royal Swedish Academy in Stockholm, he studied piano, but mastered the oboe and violin as well. In 1856–57 he studied counterpoint at the Leipzig Conservatory with Ernst Richter; there, in a musical culture that bore the imprint of Mendelssohn, he became familiar with the music of Robert Schumann and also with that of Richard Wagner. On his return to Stockholm he worked as a theatre conductor, and at the Royal Swedish Opera as choirm ...
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Ran (Goddess)
Ran, RaN and ran may refer to: Arts and entertainment * ''Ran'' (film), a 1985 film directed by Akira Kurosawa * "Ran" (song), a 2013 Japanese song by Luna Sea * ''Ran Online'', a 2004 MMORPG (massively multiplayer online role playing game) *''Ran'', a 1903 Swedish opera on the Nordic myth by Wilhelm Peterson-Berger People * Ran (surname), a Chinese surname * Ran (given name) * Ran Masaki (, born 1965), Japanese JAV actress * Ran Bosilek, Bulgarian children's book author born Gencho Stanchev Negentsov (1886–1958) * RaN, Nissim of Gerona (1320–1376), Rabbi Nissim ben Reuven (RaN, the Hebrew acronym of his name, ר"ן) Fictional or mythological characters * Rán, a goddess of the sea in Norse mythology * Ran (Shugo Chara!), in the manga series ''Shugo Chara!'' * Ran (Urusei Yatsura), in the manga series ''Urusei Yatsura'' * Ran, from the sprite webcomic ''Bob and George'' * Ran Aresu, from ''Inazuma Eleven'' * Ran Kotobuki, in the manga series ''Gals!'' * Ran Kuroki, a ...
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Instrumentation (music)
In music, instrumentation is the particular combination of musical instruments employed in a composition, and the properties of those instruments individually. Instrumentation is sometimes used as a synonym for orchestration. This juxtaposition of the two terms was first made in 1843 by Hector Berlioz in his ''Grand traité d'instrumentation et d'orchestration modernes'', and various attempts have since been made to differentiate them. Instrumentation is a more general term referring to an orchestrator's, composer's or arrangement, arranger's selection of instruments in varying combinations, or even a choice made by the performers for a particular performance, as opposed to the narrower sense of orchestration, which is the act of scoring for orchestra a work originally written for a solo instrument or smaller group of instruments. Instrumental properties Writing for any instrument requires a composer or arranger to know the instrument's properties, such as: * the instrument's parti ...
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