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Peter Schmoll Und Seine Nachbarn
( J. 8, Op. 8, ''Peter Schmoll and his Neighbours'') is the third opera by Carl Maria von Weber and the first for which the music has survived, though the libretto has not. It was written in 1801–2 when the composer was only 15 and premiered in Augsburg the following year. The libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ... is based on a novel by Carl Gottlob Cramer. Roles * The cook (contralto) * Hans Bast (bass) * Karl Pirkner (tenor) * Martin Schmoll (baritone) * Minette (soprano) * Niklas (tenor) * Peter Schmoll (bass) Recording *''Peter Schmoll und seine Nachbarn'' Busching/Schmidt/Pfeffer, Hagen Philharmonic Orchestra, Gerhard Markson (Marco Polo, 1994) References Sources * Holden, Amanda, ed. ''The New Penguin Opera Guide'', New York: Penguin P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Operas By Carl Maria Von Weber
The German composer Carl Maria von Weber (1786–1826) is best known for his operas, of which he wrote 10 between 1798 and 1826. His first four exist in various states: ''Die Macht der Liebe und des Weins'' ( 1798) is completely lost; two fragments survive for ''Das Waldmädchen'' (1800); the libretto to '' Peter Schmoll und seine Nachbarn'' (1803) is lost; and only three numbers from ''Rübezahl'' ( 1804–05) survive. Weber's mature operas—''Silvana'' (1810), '' Abu Hassan'' (1811), ''Der Freischütz'' (1821), ''Die drei Pintos'' ( 1820–21), ''Euryanthe'' (1823), ''Oberon'' (1826)—all survive intact; they were all performed within his lifetime, except ''Die drei Pintos'' which was posthumously completed by Gustav Mahler. His contributions to the genre were crucial in the development of German ''Romantische Oper'' (German Romantic Opera) and its national identity, exhibiting much influence on Richard Wagner. ''Der Freischütz'', his most famous and significant work, rema ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Maria Von Weber
Carl Maria Friedrich Ernst von Weber (18 or 19 November 17865 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic who was one of the first significant composers of the Romantic era. Best known for his operas, he was a crucial figure in the development of German '' Romantische Oper'' (German Romantic opera). Throughout his youth, his father, , relentlessly moved the family between Hamburg, Salzburg, Freiberg, Augsburg and Vienna. Consequently he studied with many teachers – his father, Johann Peter Heuschkel, Michael Haydn, Giovanni Valesi, Johann Nepomuk Kalcher and Georg Joseph Vogler – under whose supervision he composed four operas, none of which survive complete. He had a modest output of non-operatic music, which includes two symphonies; a viola concerto; bassoon concerti; piano pieces such as Konzertstück in F minor and '' Invitation to the Dance''; and many pieces that featured the clarinet, usually written for the virtuos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caroline Bardua
Caroline Bardua (also Karoline Bardua; 11 November 1781 in Ballenstedt, Anhalt-Bernburg – 2 June 1864) was a German painter. She was one of the first middle-class women who was able to create an existence for herself as an independent artist. Life Caroline Bardua was the daughter of Johann Adam Bardua, the valet of Alexius Frederick Christian, Duke of Anhalt-Bernburg, and Sophie Sabine Kirchner. Her first art instruction came from 1805 to 1807 under Hans Heinrich Meyer in Weimar. In Weimar she was also an acquaintance of Johann Wolfgang von Goethe, whose portrait she drew. From 1808 to 1811 she, together with Louise Seidler, was a student of Gerhard von Kügelgen in Dresden. In his workshop she and other students produced copies of paintings. She also became acquainted with Anton Graff and the then unknown Caspar David Friedrich. After the end of her apprenticeship with Kügelgen, Caroline and her sister, the singer Wilhelmine Bardua, traveled together to Paris and Frankfurt. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Gottlob Cramer
Carl Gottlob Cramer (3 March 1758 – 7 June 1817) was a popular German writer of heroic romance. His works include ''Friedrich von Eisenbart und Baron Sturmdrang'', ''Ritter Euros und seine Freunde'', and ''Freuden und Leiden des edlen Baron Just Friedrich auf der Semmelburg''. Carl Maria von Weber's opera ''Peter Schmoll und seine Nachbarn ( J. 8, Op. 8, ''Peter Schmoll and his Neighbours'') is the third opera by Carl Maria von Weber and the first for which the music has survived, though the libretto has not. It was written in 1801–2 when the composer was only 15 and premiered ...'' was written to a libretto by Josef Türk after Cramer's popular novel of the same name. References Sources * * * 1758 births 1817 deaths 18th-century German writers 18th-century German male writers {{Germany-writer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augsburg
Augsburg (; bar , Augschburg , links=https://en.wikipedia.org/wiki/Swabian_German , label=Swabian German, , ) is a city in Swabia, Bavaria, Germany, around west of Bavarian capital Munich. It is a university town and regional seat of the ''Regierungsbezirk'' Schwaben with an impressive Altstadt (historical city centre). Augsburg is an urban district and home to the institutions of the Landkreis Augsburg. It is the third-largest city in Bavaria (after Munich and Nuremberg) with a population of 300,000 inhabitants, with 885,000 in its metropolitan area. After Neuss, Trier, Cologne and Xanten, Augsburg is one of Germany's oldest cities, founded in 15 BC by the Romans as Augusta Vindelicorum, named after the Roman emperor Augustus. It was a Free Imperial City from 1276 to 1803 and the home of the patrician Fugger and Welser families that dominated European banking in the 16th century. According to Behringer, in the sixteenth century, it became "the dominant centre of early cap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Wilhelm Jähns
Friedrich Wilhelm Jähns (; 2 January 1809 – 8 August 1888) was a German music scholar, voice teacher, and composer. He is best known for his chronological catalog of the works of Carl Maria von Weber. Jähns was born and died in Berlin. His grave is preserved in the Protestant ''Friedhof I der Jerusalems- und Neuen Kirchengemeinde'' (Cemetery No. I of the congregations of Jerusalem's Church and New Church) in Berlin-Kreuzberg Kreuzberg () is a district of Berlin, Germany. It is part of the Friedrichshain-Kreuzberg borough located south of Mitte. During the Cold War era, it was one of the poorest areas of West Berlin, but since German reunification in 1990 it has b ..., south of Hallesches Tor. See also * List of compositions by Carl Maria von Weber - a complete listing of the Jähns Catalogue References * 1809 births 1888 deaths German Romantic composers German music educators Musicians from Berlin 19th-century classical composers German male classical co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a very detailed description of the ballet's story, scene by sce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Music Online
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German-language Operas
German ( ) is a West Germanic language mainly spoken in Central Europe. It is the most widely spoken and official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Italian province of South Tyrol. It is also a co-official language of Luxembourg and Belgium, as well as a national language in Namibia. Outside Germany, it is also spoken by German communities in France (Bas-Rhin), Czech Republic (North Bohemia), Poland (Upper Silesia), Slovakia (Bratislava Region), and Hungary (Sopron). German is most similar to other languages within the West Germanic language branch, including Afrikaans, Dutch, English, the Frisian languages, Low German, Luxembourgish, Scots, and Yiddish. It also contains close similarities in vocabulary to some languages in the North Germanic group, such as Danish, Norwegian, and Swedish. German is the second most widely spoken Germanic language after English, which is also a West Germanic language. German is one of the major ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Carl Maria Von Weber
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western culture#Music, Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number oper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
