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Peter Kubelka
Peter Kubelka (born 23 March 1934) is an Austrian filmmaker, architect, musician, curator and lecturer. His films, few in number, are known to be carefully edited and extremely brief. He is known for his 1966 '' Unsere Afrikareise'' (Our Trip to Africa), and for other very short and intricately edited films. '' Arnulf Rainer'', a short film which alternates black and clear film, and white noise and silence, is considered a seminal work inscribing the edges of film theory. Conflated with a later effort by Tony Conrad called, "The Flicker", a notion developed that "flicker films" were a subcategory of experimental or avant garde. There wasn't, and Kubelka was creating a "pure" film with only the elements of dark and light. While not ignoring Kubelka's efforts, Conrad created a similar piece with a very different concept, focused more on rhythm and perceptual distortion. Kubelka preferred the concrete. Kubelka also created two pieces '' Adebar'' (1957) and '' Schwechater'' (1958) tha ...
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Vienna
Vienna ( ; ; ) is the capital city, capital, List of largest cities in Austria, most populous city, and one of Federal states of Austria, nine federal states of Austria. It is Austria's primate city, with just over two million inhabitants. Its larger metropolitan area has a population of nearly 2.9 million, representing nearly one-third of the country's population. Vienna is the Culture of Austria, cultural, Economy of Austria, economic, and Politics of Austria, political center of the country, the List of cities in the European Union by population within city limits, fifth-largest city by population in the European Union, and the most-populous of the List of cities and towns on the river Danube, cities on the river Danube. The city lies on the eastern edge of the Vienna Woods (''Wienerwald''), the northeasternmost foothills of the Alps, that separate Vienna from the more western parts of Austria, at the transition to the Pannonian Basin. It sits on the Danube, and is ...
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Anthology Film Archives
Anthology Film Archives is an international center for the film preservation, preservation, film studies, study, and film distribution, exhibition of film and video, with a particular focus on independent film, independent, experimental film, experimental, and avant-garde cinema."About/Overview"
''Anthology Film Archives'' website.
The archive, film archive and theater is located at 32 Second Avenue (Manhattan), Second Avenue on the southeast corner of East 2nd Street, in a New York City historic district in the East Village, Manhattan, East Village neighborhood of Manhattan.


History

Anthology Film Archives evolved from roots and ...
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1934 Births
Events January–February * January 1 – The International Telecommunication Union, a specialist agency of the League of Nations, is established. * January 15 – The 8.0 1934 Nepal–Bihar earthquake, Nepal–Bihar earthquake strikes Nepal and Bihar with a maximum Mercalli intensity scale, Mercalli intensity of XI (''Extreme''), killing an estimated 6,000–10,700 people. * February 6 – 6 February 1934 crisis, French political crisis: The French far-right leagues rally in front of the Palais Bourbon, in an attempted coup d'état against the French Third Republic, Third Republic. * February 9 ** Gaston Doumergue forms a new government in France. ** Second Hellenic Republic, Greece, Kingdom of Romania, Romania, Turkey and Kingdom of Yugoslavia, Yugoslavia form the Balkan Pact. * February 12–February 15, 15 – Austrian Civil War: The Fatherland Front (Austria), Fatherland Front consolidates its power in a series of clashes across the country. * February 16 – The ...
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Living People
Purpose: Because living persons may suffer personal harm from inappropriate information, we should watch their articles carefully. By adding an article to this category, it marks them with a notice about sources whenever someone tries to edit them, to remind them of WP:BLP (biographies of living persons) policy that these articles must maintain a neutral point of view, maintain factual accuracy, and be properly sourced. Recent changes to these articles are listed on Special:RecentChangesLinked/Living people. Organization: This category should not be sub-categorized. Entries are generally sorted by family name In many societies, a surname, family name, or last name is the mostly hereditary portion of one's personal name that indicates one's family. It is typically combined with a given name to form the full name of a person, although several give .... Maintenance: Individuals of advanced age (over 90), for whom there has been no new documentation in the last ten ...
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Austrian Experimental Filmmakers
Austrian may refer to: * Austrians, someone from Austria or of Austrian descent ** Someone who is considered an Austrian citizen * Austrian German dialect * Something associated with the country Austria, for example: ** Austria-Hungary ** Austrian Airlines (AUA) ** Austrian cuisine ** Austrian Empire ** Austrian monarchy ** Austrian German (language/dialects) ** Austrian literature ** Austrian nationality law ** Austrian Service Abroad ** Music of Austria **Austrian School of Economics * Economists of the Austrian school of economic thought * The Austrian Attack variation of the Pirc Defence chess opening. See also * * * Austria (other) * Australian (other) * L'Autrichienne (other) is the feminine form of the French word , meaning "The Austrian". It may refer to: *A derogatory nickname for Queen Marie Antoinette of France ** ''L'Autrichienne'' (film), a 1990 French film on Marie Antoinette with Ute Lemper * ''L'Autrichienn ... {{disambig Lang ...
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Alberte Pagán
Alberte Pagán, born in O Carballiño in 1965, is a Galician filmmaker and writer. Film criticism Alberte Pagán is a recognized theorist and researcher.Villarmea 2016, p. 236. Writing in Galician, Spanish and English, he has published many articles, chapters and books on experimental cinema. His ''Introducción aos clásicos do cinema experimental'' was published in 1999 by the Centro Galego de Arte Contemporánea. He authored ''Imaxes do soño en liberdade. O cinema de Eugenio Granell'', a monograph on the film work of surrealist painter Eugenio Granell. In 2014 he published ''Andy Warhol'', a "complete and rigorous" monograph which vindicates the materiality of the artist's films. He has collected his in-depth interviews with Peter Kubelka, Malcolm Le Grice, Ken Jacobs, Taka Iimura, Phil Hoffman, and Bill Brand (film artist), Bill Brand in ''Emotional Materials / Personal Processes. Six Interviews with Experimental Filmmakers.'' Political filmmaking Alberte Pagán is a ...
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Peter Tscherkassky
Peter Tscherkassky (born October 3, 1958) is an Austrian avant-garde filmmaker who works primarily with found footage. All of his work is done with film and heavily edited in the darkroom, rather than relying on recent advances in digital film. Early life Tscherkassky was born October 3, 1958, in Vienna, Austria. He attended the Primary School in Mistelbach from 1965 to 1969 and Jesuit boarding school from 1969 to 1975 in Vienna. He attended BORG (high school) Mistelbach and graduated in June 1977. From 1977 to 1979 Tscherkassky studied journalism and political science as well as philosophy at the University of Vienna. His first encounter with avant-garde film was in January 1978 when he attended a five-day lecture series by P. Adams Sitney at the Austrian Film Museum. Film career Tscherkassky began filming in 1979 when he acquired Super-8 equipment and before the end of the year he had scripted and started off the shooting of ''Kreuzritter''. Throughout his career he conceived ...
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Peter Kubelka
Peter Kubelka (born 23 March 1934) is an Austrian filmmaker, architect, musician, curator and lecturer. His films, few in number, are known to be carefully edited and extremely brief. He is known for his 1966 '' Unsere Afrikareise'' (Our Trip to Africa), and for other very short and intricately edited films. '' Arnulf Rainer'', a short film which alternates black and clear film, and white noise and silence, is considered a seminal work inscribing the edges of film theory. Conflated with a later effort by Tony Conrad called, "The Flicker", a notion developed that "flicker films" were a subcategory of experimental or avant garde. There wasn't, and Kubelka was creating a "pure" film with only the elements of dark and light. While not ignoring Kubelka's efforts, Conrad created a similar piece with a very different concept, focused more on rhythm and perceptual distortion. Kubelka preferred the concrete. Kubelka also created two pieces '' Adebar'' (1957) and '' Schwechater'' (1958) tha ...
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Susanna Kubelka
Susanna Kubelka von Hermanitz (20 September 1942 – 6 May 2024) was an Austrian-born French novelist whose works were written in German. Biography She was born on 20 September 1942 in Linz, Austria. Having left high school she briefly worked as a primary school teacher before graduating in English literature. In 1977 she took a Ph.D. with a thesis on the way women were represented in the 18th-century English novel. Later she worked as a journalist for the Vienna newspaper ''Die Presse''. She lived and worked in Australia and England for four years. She was divorced and from 1981 she permanently settled down in Paris. She claimed to favour a vegetarian lifestyle. Her first book ''Over Forty at Last'' was published in 1980. Her most successful novel is ''Ophelia Learns to Swim'' of 1987. Her most extensive novel ''Das gesprengte Mieder'' (''The Broken Girdle''; not translated yet) came out in 2000. Her books have been translated into 29 languages and are published in Germany by ...
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Schwechater
''Schwechater'' is a 1958 experimental short film by Austrian filmmaker Peter Kubelka. It is the second entry in his trilogy of metrical films, between '' Adebar'' and ''Arnulf Rainer''. Originally commissioned to make an advertisement for , Kubelka edited footage from the shoot based on a complex set of rules, producing a rapid procession of images. Although the company was displeased with the commercial, ''Schwechater'' found favour as a work of avant-garde cinema. Description ''Schwechater'' contains 1,440 frames, making it exactly one minute long when projected at the standard rate of 24 frames per second. The film has no narrative, and it cuts between images quickly enough that they form flickering patterns.Sitney 1974, pp. 286–287. Four different moving images appear throughout the film. One shows a woman sitting at a table as beer is poured into her glass, and another shows her drinking the beer. There is also footage of a champagne glass filled with beer as well as a g ...
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Experimental Film
Experimental film or avant-garde cinema is a mode of filmmaking that does not apply standard cinematic conventions, instead adopting Non-narrative film, non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources. While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants. Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in ...
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Unsere Afrikareise
''Our Trip to Africa'' () is a 1966 Austrian avant-garde short film by Peter Kubelka, originally commissioned as a travel diary documenting a wild game hunt. Kubelka used intricate editing strategies to produce a work about anti-colonialism. Production Photography Kubelka was hired in 1961 by a couple from Wels, Austria, to document a hunting trip they were taking with three other people. The group traveled from Wels through Yugoslavia to Athens, Greece. From there, they took a ship to Cairo, Egypt and traveled up the Nile. Over the course of the trip, Kubelka recorded three hours of film and fourteen hours of audio. He shot on Gevaert color positive stock. Since the film stock was sensitive to overexposure, he often intentionally underexposed it. Kubelka used simple compositions whose quick recognisability became useful as part of his elaborate editing strategies. Editing Once the group returned to Vienna, the couple who commissioned the film expected Kubelka would take four ...
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