Peter-Ludwig Hertel
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Peter-Ludwig Hertel
Peter Ludwig Hertel (21 April 1817 – 13 June 1899) was a German composer of dance music and ballet music. He is best known as the composer of the ballet ''La fille mal gardée''. He also composed the music for the Faust ballet ''Satanella oder Metamorphosen'', and "Die Abenteuer von Flick und Flock" (The Adventure of Flick and Flock), both choreographed by Paul Taglioni. Hertel was born in Berlin. He studied violin and composition under the renowned musicians of his era, Eduard Rietz, Friedrich Schneider, Adolf Marx. From 1858 until his death he worked as a chapelmaster and composer at the Royal Opera House The Royal Opera House (ROH) is a theatre in Covent Garden, central London. The building is often referred to as simply Covent Garden, after a previous use of the site. The ROH is the main home of The Royal Opera, The Royal Ballet, and the Orch .... In 1860 he worked as a visiting conductor at London’s Covent Garden. References External links * fille mal gardee'' ...
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Composer
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and definition The term is descended from Latin, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters ..and yet wil be but bad composers". "Composer" is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who work in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms ' songwriter' or ' singer-songwriter' are more often used, p ...
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Dance Music
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient history (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still reproduce with a degree of certainty are old-fashioned dances. In the Baroque period, the major dance styles were noble court dances (see Baroque dance). In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and p ...
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Ballet (music)
Ballet as a music form progressed from simply a complement to dance, to a concrete compositional form that often had as much value as the dance that went along with it. The dance form, originating in France during the 17th century, began as a theatrical dance. It was not until the 19th century that ballet gained status as a "classical" form. In ballet, the terms 'classical' and 'romantic' are chronologically reversed from musical usage. Thus, the 19th century Classical period in ballet coincided with the 19th century Romantic era in music. Ballet music composers from the 17th–20th centuries, including the likes of Jean-Baptiste Lully, Pyotr Ilyich Tchaikovsky, Igor Stravinsky, and Sergei Prokofiev, were predominantly in France and Russia. Yet with the increased international notoriety seen in Tchaikovsky's and Stravinsky's lifetime, ballet music composition and ballet in general spread across the western world. History Until about the second half of the 19th century, the role o ...
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La Fille Mal Gardée
LA most frequently refers to Los Angeles, the second most populous city in the United States of America. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note *"L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson *'' L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper *Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 *"La", a song by Australian-Israeli singer-songwriter Old Man River *''La'', a Les Gordon album Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) *'' Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel *LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and governme ...
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Faust Ballet
Faust ( , ) is the protagonist of a classic German legend based on the historical Johann Georg Faust (). The erudite Faust is highly successful yet dissatisfied with his life, which leads him to make a deal with the Devil at a crossroads, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. "Faust" and the adjective "''Faustian''" imply sacrificing spiritual values for power, knowledge, or material gain. The Faust of early books – as well as the ballads, dramas, movies, and puppet-plays which grew out of them – is irrevocably damned because he prefers human knowledge over divine knowledge: "He laid the Holy Scriptures behind the door and under the bench, refused to be called doctor of theology, but preferred to be styled doctor of medicine". Chapbooks containing variants of this legend were popular throughout Germany in th ...
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