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Pete LaRoca
Pete "La Roca" Sims (born Peter Sims; April 7, 1938 – November 20, 2012, known as Pete La Roca from 1957 until 1968) was an American jazz drummer and attorney. Born and raised in Harlem by a pianist mother and a stepfather who played trumpet, he was introduced to jazz by his uncle Kenneth Bright, a major shareholder in Circle Records and the manager of rehearsal spaces above the Lafayette Theater. Sims studied percussion at the High School of Music and Art and at the City College of New York, where he played tympani in the CCNY Orchestra. He adopted the name La Roca early in his musical career, when he played timbales for six years in Latin bands. In the 1970s, during a hiatus from jazz performance, he resumed using his original surname. When he returned to jazz in the late 1970s, he usually inserted "La Roca" into his name in quotation marks to help audiences familiar with his early work identify him. He told ''The New York Times'' in 1982 that he did so only out of neces ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harlem, New York City
Harlem is a neighborhood in Upper Manhattan, New York City. It is bounded roughly by the Hudson River on the west; the Harlem River and 155th Street on the north; Fifth Avenue on the east; and Central Park North on the south. The greater Harlem area encompasses several other neighborhoods and extends west and north to 155th Street, east to the East River, and south to Martin Luther King Jr. Boulevard, Central Park, and East 96th Street. Originally a Dutch village, formally organized in 1658, it is named after the city of Haarlem in the Netherlands. Harlem's history has been defined by a series of economic boom-and-bust cycles, with significant population shifts accompanying each cycle. Harlem was predominantly occupied by Jewish and Italian Americans in the 19th century, but African-American residents began to arrive in large numbers during the Great Migration in the 20th century. In the 1920s and 1930s, Central and West Harlem were the center of the Harlem Renaissance, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Night At The Village Vanguard
''A Night at the Village Vanguard'' is a live album by tenor saxophonist Sonny Rollins released on Blue Note Records in 1958. It was recorded at the Village Vanguard in New York City in November 1957 from three sets, two in the evening and one in the afternoon with different sidemen. For the afternoon set, Rollins played with Donald Bailey on bass and Pete LaRoca on drums; in the evening they were replaced respectively by Wilbur Ware and Elvin Jones. Recording The recording was made by Rudy Van Gelder, and was the first live recording made at the Village Vanguard. Reception The AllMusic review by Scott Yanow states: "This CD is often magical. Sonny Rollins, one of jazz's great tenors, is heard at his peak... Not only did Rollins have a very distinctive sound, but his use of time, his sly wit, and his boppish but unpredictable style were completely his own by 1957." Music critic Robert Christgau highly praised the album, writing: "Rollins is charged with venturing far out from th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marian McPartland
Margaret Marian McPartland OBE ( Turner;Hasson, Claire"Marian McPartland: Jazz Pianist: An Overview of a Career" PhD Thesis. Retrieved 12 August 2008. 20 March 1918 – 20 August 2013), was an English–American jazz pianist, composer, and writer. She was the host of '' Marian McPartland's Piano Jazz'' on National Public Radio from 1978 to 2011. After her marriage to trumpeter Jimmy McPartland in February 1945,Obituary: Marian McPartland telegraph.co.uk, 21 August 2013. she resided in the United States when not travelling throughout the world to perform. In 1969, she founded Halcyon Records, a recording company that issued albums for 10 years. In 2000, she was named a |
John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music took on an increasingly spiritual dimension, as exemplified on his most acclaimed album '' A Love Supreme'' (1965) and others. Decades after his death, Coltrane remains influential, and he has received numerous posthumous awards, including a special Pulitzer Prize, and was canoniz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slide Hampton
Locksley Wellington Hampton (April 21, 1932 – November 18, 2021) was an American jazz trombonist, composer and arranger. As his nickname implies, Hampton's main instrument was slide trombone, but he also occasionally played tuba and flugelhorn. Biography Early life and career Locksley Wellington Hampton was born on April 21, 1932, in Jeannette, Pennsylvania. Laura and Clarke "Deacon" Hampton raised 12 children, taught them how to play musical instruments and set out with them as a family band. The family first came to Indianapolis in 1938. The Hamptons were a very musical family in which mother, father, eight brothers, and four sisters, all played instruments. His sisters included Dawn Hampton and Virtue Hampton Whitted. Slide Hampton is one of the few left-handed trombone players. As a child, Hampton was given the trombone set up to play left-handed, or backwards; and as no one ever dissuaded him, he continued to play this way. At the age of 12, Slide played in his fami ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Bley
Paul Bley, CM (November 10, 1932 – January 3, 2016) was a jazz pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing and his early live performance on the Moog and ARP synthesizers. His music has been described by Ben Ratliff of the ''New York Times'' as "deeply original and aesthetically aggressive". Bley's prolific output includes influential recordings from the 1950s through to his solo piano recordings of the 2000s. Early life Bley was born in Montreal, Quebec, on November 10, 1932. His adoptive parents were Betty Marcovitch, an immigrant from Romania, and Joseph Bley, owner of an embroidery factory, who named him Hyman Bley. However, in 1993 a relative from the New York branch of the Bley family walked into the Sweet Basil Jazz Club in New York City and informed Bley that his father was actually his biological parent. At age five Bley began studying the violin, but at age seven, after his m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Friedman
Donald Ernest Friedman (May 4, 1935 – June 30, 2016) was an American jazz pianist. He began playing in Los Angeles and moved to New York in 1958. In the 1960s, he played with both modern stylists and more traditional musicians. Early life Friedman was born on May 4, 1935, in San Francisco. Both of his parents immigranted to the United States: his father, Edward Friedman, was from Lithuania, and his mother, Alma Loew, was from Germany. He began playing the piano at the age of four, switching from classical music to jazz after his family moved to Los Angeles when he was fifteen. His early jazz piano influence was Bud Powell. Friedman briefly studied composition at Los Angeles City College. Later life and career On the West Coast, Friedman performed with Dexter Gordon, Chet Baker, Buddy DeFranco, and Ornette Coleman. He was also a member of Clark Terry's big band. Friedman moved to New York permanently in 1958. In the 1960s, Friedman played with both modern jazz and more tradi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Kuhn
Steve Kuhn (born March 24, 1938) is an American jazz pianist, composer, arranger, bandleader, and educator. Biography Kuhn was born in New York City, New York, to Carl and Stella Kuhn (née Kaufman), and was raised in Newton, Massachusetts. His parents were Hungarian-Jewish immigrants. At the age of five, he began studying piano under Boston piano teacher Margaret Chaloff, mother of jazz baritone saxophonist Serge Chaloff, who taught him the "Russian style" of piano playing. At an early age he began improvising classical music. As a teenager, he appeared in jazz clubs in the Boston area with Chet Baker, Coleman Hawkins, Vic Dickenson, and Serge Chaloff. After graduating from Harvard, he attended the Lenox School of Music where he was associated with Ornette Coleman, Don Cherry, and Gary McFarland. The school's faculty included Bill Evans, George Russell, Gunther Schuller, and the members of the Modern Jazz Quartet. This allowed Kuhn to play, study, and create with some o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Swallow
Steve Swallow (born October 4, 1940) is an American jazz bassist and composer, known for his collaborations with Jimmy Giuffre, Gary Burton, and Carla Bley. He was one of the first jazz double bassists to switch entirely to electric bass guitar. Biography Born in Fair Lawn, New Jersey, United States, Swallow studied piano and trumpet, as a child, before turning to the double bass at age 14. While attending a prep school, he began trying his hand in jazz improvisation. In 1960, he left Yale University, where he was studying composition, and settled in New York City, playing at the time in Jimmy Giuffre's trio along with Paul Bley. After joining Art Farmer's quartet in 1963, Swallow began to write. It is in the 1960s that his long-term association with Gary Burton's various bands began. In the early 1970s, Swallow switched exclusively to electric bass guitar, of which he prefers the five-string variety. Along with Monk Montgomery and Bob Cranshaw, Swallow was among the firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scott LaFaro
Rocco Scott LaFaro (April 3, 1936 – July 6, 1961) was an American jazz double bassist known for his work with the Bill Evans Trio. LaFaro broke new ground on the instrument, developing a countermelodic style of accompaniment rather than playing traditional walking basslines, as well as virtuosity that was practically unmatched by any of his contemporaries. Despite his short career, he remains one of the most influential jazz bassists, and was ranked number 16 on '' Bass Player'' magazine's top 100 bass players of all time. Early life Born in Newark, New Jersey, United States, the son of a big band musician, LaFaro was five when his family moved to Geneva, New York. He started playing piano in elementary school, bass clarinet in middle school, and tenor saxophone when he entered high school. He took up double bass at 18 before entering college because learning a string instrument was required of music education majors. After three months at Ithaca College, he concentrated on b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Garrison
James Emory Garrison (March 3, 1934 – April 7, 1976) was an American jazz double bassist. He is best remembered for his association with John Coltrane from 1961 to 1967. Career Garrison was raised in both Miami and Philadelphia where he learned to play bass. Garrison came of age in the 1950s Philadelphia jazz scene, which included fellow bassists Reggie Workman and Henry Grimes, pianist McCoy Tyner and trumpeter Lee Morgan. Between 1957 and 1962, Garrison played and recorded with trumpeter Kenny Dorham; clarinetist Tony Scott; drummer Philly Joe Jones; and saxophonists Bill Barron, Lee Konitz, and Jackie McLean, as well as Curtis Fuller, Benny Golson, Lennie Tristano, and Pharoah Sanders, among others. In 1961, he recorded with Ornette Coleman, appearing on Coleman's albums ''Ornette on Tenor'' and '' The Art of the Improvisers''. He also worked with Walter Bishop, Jr. and Cal Massey during the early years of his career. He formally joined Coltrane's quartet in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Evans
William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio. His use of impressionist harmony, interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continues to influence jazz pianists today. Born in Plainfield, New Jersey, United States, he was classically trained at Southeastern Louisiana University and the Mannes School of Music, in New York City, where he majored in composition and received the Artist Diploma. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell (composer), George Russell. In 1958, Evans joined Miles Davis's sextet, which in 1959, then immersed in modal jazz, recorded ''Kind of Blue'', the best-selling jazz album ever. In late 1959, Evans left the Miles Davis band and began his career as a leader, with bassist Scott LaFaro and drummer Paul Motian, a gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
