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Pentina
{{Refimprove, date=March 2008 The pentina is an accentual- syllabic poetic form, characterized by the use of five verses of five lines each, with a two-line envoi, for a total of 27 lines. It is similar to the French form, the sestina, which is characterized by six verses of six lines each, with a final 3-line envoi. Its creation in 1995 by American poetess and songwriter Leigh Harrison was documented in an article, "The Joys of the Pentina" (Medicinal Purposes Literary Review, Vol. II, No. XII, published in 2005). The Pentina form is also described in Lewis Turco's "The Book of Forms / Odd and Invented Forms" which was published in 2011 in the U.S. The pentina, like the sestina, does not utilize rhyme A rhyme is a repetition of similar sounds (usually, the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of perfect rhyming is consciously used for a musical or aesthetic ..., but relies on the use of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sestina
A sestina (, from ''sesto'', sixth; Old Occitan: ''cledisat'' ; also known as ''sestine'', ''sextine'', ''sextain'') is a fixed verse form consisting of six stanzas of six lines each, normally followed by a three-line envoi. The words that end each line of the first stanza are used as line endings in each of the following stanzas, rotated in a set pattern. The invention of the form is usually attributed to Arnaut Daniel, a troubadour of 12th-century Provence, and the first sestinas were written in the Occitan language of that region. The form was cultivated by his fellow troubadours, then by other poets across Continental Europe in the subsequent centuries; they contributed to what would become the "standard form" of the sestina. The earliest example of the form in English appeared in 1579, though they were rarely written in Britain until the end of the 19th century. The sestina remains a popular poetic form, and many sestinas continue to be written by contemporary poets. Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accentual Verse
Accentual verse has a fixed number of stresses per line regardless of the number of syllables that are present. It is common in languages that are stress-timed, such as English, as opposed to syllabic verse which is common in syllable-timed languages, such as French. Children's poetry Accentual verse is particularly common in children's poetry; nursery rhymes and the less well-known skipping-rope rhymes are the most common form of accentual verse in the English Language. The following poem, "Baa Baa Black Sheep," has two stresses in each line but a varying number of syllables. Bold represents stressed syllables, and the number of syllables in each line is noted. Baa, baa, black sheep, (4) Have you any wool? (5) Yes sir, yes sir, (4) Three bags full; (3) One for the mas-ter, (5) And one for the dame, (5) And one for the lit-tle boy (7) Who lives down the lane. (5) Accentual verse derives its musical qualities from its flexibility with unstressed syllables and tends to follow t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syllabic Verse
Syllabic verse is a poetic form having a fixed or constrained number of syllables per line, while stress, quantity, or tone play a distinctly secondary role — or no role at all — in the verse structure. It is common in languages that are syllable-timed, such as French or Finnish — as opposed to stress-timed languages such as English, in which accentual verse and accentual-syllabic verse are more common. Overview Many European languages have significant syllabic verse traditions, notably Italian, Spanish, French, and the Baltic and Slavic languages. These traditions often permeate both folk and literary verse, and have evolved gradually over hundreds or thousands of years; in a sense the metrical tradition is older than the languages themselves, since it (like the languages) descended from Proto-Indo-European. It is often implied — but it is not true — that word stress plays no part in the syllabic prosody of these languages. Indeed in most of these languages w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Form
Poetry (derived from the Greek '' poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the ''Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the Sanskrit ''R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Envoi
Envoi or envoy in poetry is used to describe: * A short stanza at the end of a poem such as a ballad, used either to address an imagined or actual person or to comment on the preceding body of the poem. * A dedicatory poem about sending the book out to readers, a postscript."envoy, n.1". OED Online. September 2019. Oxford University Press. https://www-oed-com.ezp.lib.unimelb.edu.au/view/Entry/63102?redirectedFrom=envoi (accessed October 31, 2019). * Any poem of farewell, including a farewell to life. The word ''envoy'' or ''l'envoy'' comes from the Old French, where it means ' hesending forth'. Originally it was a stanza at the end of a longer poem, which included a dedication to a patron or individual, similar to a tornada. More recent examples are dedicatory poems as part of a collection, or an individual poem about farewell or moving on. Envoi is both a type of poem, and is often used as a title. Form The envoi is relatively fluid in form. In ballades and chant royal, env ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lewis Turco
Lewis Putnam Turco (born May 2, 1934) is an Americans, American poet, teacher, and writer of fiction and non-fiction. Turco is an advocate for Formalism (literature), Formalist poetry (or New Formalism) in the United States. Life and work Turco took a keen interest in poetry as a teenager and after high school, while serving in the U.S. Navy aboard , he had work published in various little magazines and quarterlies. He graduated from the University of Connecticut in 1959, published his ''First Poems'' in 1960, and completed an MA at the University of Iowa in 1962 (at the Iowa Writers' Workshop). It was there that he cultivated an interest in formal verse and began, to use his words, "collecting forms." Turco collected these forms in the ''Book of Forms'', published in the 1960s, a time when it would seem odd to do so since most poets were writing free verse. Turco taught at Fenn College in Cleveland (now Cleveland State University) where he founded the Cleveland Poetry Center and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyme
A rhyme is a repetition of similar sounds (usually, the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of perfect rhyming is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word ''rhyme'' has come to be sometimes used as a shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme. Etymology The word derives from Old French ''rime'' or ''ryme'', which might be derived from Old Frankish ''rīm'', a Germanic term meaning "series, sequence" attested in Old English (Old English ''rīm'' meaning "enumeration, series, numeral") and Old High German ''rīm'', ultimately cognate to Old Irish ''rím'', Greek ' ''arithmos'' "number". Alternatively, the Old French words may derive from Latin ''rhythmus'', fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanza
In poetry, a stanza (; from Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of lines are typically referred to as '' verses''. The stanza in poetry is analogous with the paragraph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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