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Pene Pati
Pene Pati (born 1987) is a Samoan-born New Zealand operatic tenor. He has been singing on international stages since 2017 and has had a successful career, with some calling him one of the most prominent young opera artists. His tone is often compared to that of Luciano Pavarotti and his style in French opera as in Italian bel canto is appreciated. He recorded a first CD as a soloist with Warner Classics, praised by numerous critics upon its release in March 2022. Biography Childhood Pene Pati's family emigrated to Māngere, a suburb of Auckland, in 1989 where he spent his childhood and youth, singing with his family, then in a choir linked to the rugby team to which he belonged at college. He enjoyed singing despite not knowing much about opera composers, and his teacher encouraged him to persevere in the field. In 2011, he was invited by tenor Dennis O'Neill to study in Cardiff, UK, to acquire good bel canto technique. There he also met the soprano Kiri Te Kanawa, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samoa
Samoa, officially the Independent State of Samoa and known until 1997 as Western Samoa, is an island country in Polynesia, part of Oceania, in the South Pacific Ocean. It consists of two main islands (Savai'i and Upolu), two smaller, inhabited islands (Manono Island, Manono and Apolima), and several smaller, uninhabited islands, including the Aleipata Islands (Nuʻutele, Nuʻulua, Fanuatapu and Namua). Samoa is located west of American Samoa, northeast of Tonga, northeast of Fiji, east of Wallis and Futuna, southeast of Tuvalu, south of Tokelau, southwest of Hawaii, and northwest of Niue. The capital and largest city is Apia. The Lapita culture, Lapita people discovered and settled the Samoan Islands around 3,500 years ago. They developed a Samoan language and Culture of Samoa, Samoan cultural identity. Samoa is a Unitary state, unitary Parliamentary system, parliamentary democracy with 11 Districts of Samoa, administrative divisions. It is a sovereign state and a membe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operalia
Plácido Domingo's Operalia, The World Opera Competition is an annual international competition for opera singers, founded by Plácido Domingo in 1993. Overview The competition's parent organization, Operalia Foundation, is a nonprofit organization based in Beverly Hills, California, with postal address in New York City's Upper West Side. The competition itself takes place in different cities each year. Cities which have hosted the competition include Paris at both the Palais Garnier and Théâtre du Châtelet, Mexico City in one of the Televisa Recording Studios, Madrid at the Teatro de la Zarzuela, Bordeaux at the Grand Théâtre, Tokyo at the , Hamburg at the Laeiszhalle, Puerto Rico at the Luis A. Ferré Performing Arts Center, Los Angeles at both UCLA's Royce Hall and the Dorothy Chandler Pavilion, Washington, D.C. at George Washington University's Lisner Auditorium, Austria, Germany and Switzerland, Madrid at the Teatro Real, Valencia at the Palau de les Arts Reina Sofía ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra-Comique
The Opéra-Comique () is a Paris opera company which was founded around 1714 by some of the popular Théâtre de la foire, theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne (theatre), Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opera
The Paris Opera ( ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elisir D'amore
''L'elisir d'amore'' (; ''The Elixir of Love'') is a (comic melodrama, opera buffa) in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's (1831). The opera premiered on 12 May 1832 at the Teatro della Canobbiana in Milan. Background Written in haste in a six-week period, ''L'elisir d'amore'' was the most often performed opera in Italy between 1838 and 1848 and has remained continually in the international opera repertory. Today it is one of the most frequently performed of all Donizetti's operas: it appears as number 13 on the Operabase list of the most-performed operas worldwide in the five seasons between 2008 and 2013. There are a large number of recordings. It contains the popular tenor aria " Una furtiva lagrima", a ''romanza'' that has a considerable performance history in the concert hall. Donizetti insisted on a number of changes from the original libretto by Scribe. The b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nadine Sierra
Nadine Sierra (born May 14, 1988) is an American soprano. She is best known for her interpretation of Gilda in Verdi's ''Rigoletto,'' and Lucia in Donizetti's ''Lucia di Lammermoor.'' Currently performing in leading roles in the top opera houses around the world, she received the 1st Prize and People's Choice Award 2013 at the Neue Stimmen competition, is the 2017 Richard Tucker Music Foundation, Richard Tucker Music Foundation Award Winner, and was awarded the Beverly Sills Artists Award in 2018.Mcphee, Ryan"Nadine Sierra Named Metropolitan Opera's 2018 Beverly Sills Artist Award Winner" ''Playbill'', April 24, 2018 Her debut album on the Universal Music Group label, ''There's a Place for Us'', was released on August 24, 2018, and her second album, ''Made for Opera'', was released March 4, 2022.Zahr, Oussama"Nadine Sierra: Made For Opera" ''The New Yorker'', March 25, 2022. Biography A native of Fort Lauderdale, Florida, she trained at Mannes College The New School for Music, T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Bolena
''Anna Bolena'' is a tragic opera (''tragedia lirica'') in two acts composed by Gaetano Donizetti. Felice Romani wrote the Italian libretto after Ippolito Pindemonte's ''Enrico VIII ossia Anna Bolena'' and Alessandro Pepoli's ''Anna Bolena'', both recounting the life of Anne Boleyn, the second wife of England's King Henry VIII. It is one of four operas by Donizetti dealing with the Tudor period in English history—in composition order, '' Il castello di Kenilworth'' (1829), ''Anna Bolena'' (1830), '' Maria Stuarda'' (named for Mary, Queen of Scots, it appeared in different forms in 1834 and 1835), and '' Roberto Devereux'' (1837, named for a putative lover of Queen Elizabeth I of England). The leading female characters of the latter three operas are often referred to as "the Three Donizetti Queens." ''Anna Bolena'' premiered on 26 December 1830 at the Teatro Carcano in Milan, to "overwhelming success." Weinstock notes that only after this success did Donizetti's teacher, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bryan Hymel
Bryan Hymel (born August 8, 1979) is an American operatic tenor who was born and raised in New Orleans, Louisiana and graduated from Jesuit High School and Loyola University New Orleans. Early years Bryan Hymel came to the attention of opera houses at the age of 19, when he was a winner in the Verdi Aria Competition at the Aspen Music Festival in Aspen, Colorado. A year later he was a grand finalist in the Metropolitan Opera National Council Auditions—where he was the youngest participant—and he received an encouragement grant from the George London Foundation for Singers. After graduating from Loyola University New Orleans with a bachelor's degree in Vocal Performance, he participated in the Merola Opera Program at the San Francisco Opera. Following his time there he attended the prestigious Academy of Vocal Arts in Philadelphia, where he was further able to hone his craft. Career Early career Hymel made his professional debut in 1998 as the Philistine messenger in ''Sams ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roméo Et Juliette
''Roméo et Juliette'' (, ''Romeo and Juliet'') is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré, based on ''Romeo and Juliet'' by William Shakespeare. It was first performed at the Théâtre Lyrique (Théâtre-Lyrique Impérial du Châtelet), Paris on 27 April 1867. This opera is notable for the series of four duets for the main characters and the waltz song ''"Je veux vivre"'' for the soprano. Performance history Gounod's opera ''Faust'' had become popular at the Théâtre Lyrique since its premiere in 1859 (it was performed over 300 times between 1859 and 1868) and this led to a further commission from the director Léon Carvalho. Walsh, T. J. ''Second Empire Opera – The Théâtre-Lyrique Paris 1851–1870.'' John Calder, London, 1981. Behind the scenes there were difficulties in casting the lead tenor, and Gounod was said to have composed the last act twice, but after the public general rehearsal and first night it was hail ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play '' Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by the Count Monterone, whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Francisco Opera
The San Francisco Opera (SFO) is an American opera company founded in 1923 by Gaetano Merola (1881–1953) based in San Francisco, California. History Gaetano Merola (1923–1953) Merola's road to prominence in the Bay Area began in 1906 when he first visited the city. In 1909, he returned as the conductor of the International Opera Company of Montreal, one of the many visiting troupes that frequented the bustling city. Continued visits over the next decade convinced him that an opera company in San Francisco was viable. Merola moved back into the city in 1921 while living with Mrs. Oliver Stine's support Oliver Stine. He drafted plans for a new, locally-owned opera company that would not rely on visiting troupes, a common practice for some opera companies since the Gold Rush. By the next year, Merola organized a trial season at Stanford University. The first performance occurred in the Stanford Cardinal's football stadium on June 3, 1922, with operatic tenor Giovanni Mart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
