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Pelagio Palagi
Pelagio Palagi (25 May 1775 – 6 March 1860) was an Italian painter, sculptor and interior decorator. Biography Early life Pelagi was born in Bologna. Starting at a very young age the study of perspective, architecture, figurative and portrait painting, and collecting by Carlo Filippo Aldrovandi, he continued his studies at the school of nudes of the Accademia Clementina of Bologna. His formation and first works overlapped with the arrival of the Napoleonic troops in the city; thanks to the request of his mentor, who was a member of the Senate and representative of the Bolognese provisional government, Palagi designed uniforms, medals, and emblems with the symbols of ''Liberté, égalité, fraternité'' to be used in letters and cards for the Directory. Later, the new emerging bourgeoisie entrusted him with the creation of the monumental sepulchres of Edoardo Pepoli (1801), Girolamo Bolognini Amorini (1803), and Luigi Sampieri (1804) at the Certosa di Bologna. He also dec ...
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Amadeus VI Of Savoy
Amadeus VI (4 January 1334 – 1 March 1383), nicknamed the Green Count ( it, Il Conte Verde) was Count of Savoy from 1343 to 1383. He was the eldest son of Aymon, Count of Savoy, and Yolande Palaeologina of Montferrat. Though he started under a regency, he showed himself to be a forceful leader, continuing Savoy's emergence as a power in Europe politically and militarily. He participated in a crusade against the Turks who were moving into Europe. Early years When his father died in 1343, Amadeus inherited the County of Savoy. Since he was only nine years old, his father's will left two cousins as co-regents: Amadeus III of Geneva and Louis II of Vaud. The two agreed to a document limiting their power as regents. Neither could make any significant decision without the other, and the decisions of both were subject to review by the resident council of nobles representing all bailis in the county. Shortly after Amadeus took the county, his cousin Joan of Savoy renewed h ...
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Landscape Art
Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains A mountain is an elevated portion of the Earth's crust, generally with steep sides that show significant exposed bedrock. Although definitions vary, a mountain may differ from a plateau in having a limited summit area, and is usually higher th ..., valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cas ...
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Pelagio Palagi - Newton's Discovery Of The Refraction Of Light - WGA16864
Pelagio is a masculine given name. Notable people with the name include: * Pelagio Antonio de Labastida y Dávalos (1816–1891), Mexican Roman Catholic prelate * Pelagio Galvani (c. 1165 – 1230), Spanish cardinal * Pelagio Luna (1867–1919), Argentine politician Music * Pelagio (Mercadante), opera See also *Pelagius (other) *Pelayo (other) Pelayo is the Spanish form of the Latin name Pelagius. It may refer to: * Pelagius of Asturias, founder of the Kingdom of Asturias and beginner of the ''Reconquista'' * Pelagius of Córdoba, tenth-century Christian martyr * Pelagius of Oviedo, bish ... {{given name Masculine given names ...
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Francesco Teodoro Arese Lucini
Francesco Teodoro Arese Lucini (Milan, 30 January 1778 – Milan, 30 April 1835) was a prominent member of the Milanese resistance to the Austrian Empire, early proponent of Italian unification, and member of the House of Arese. He was held in the Špilberk Castle and sentenced to death (later commuted) by Francis I, Emperor of Austria for his former alliance with Eugène de Beauharnais, Viceroy of the Napoleonic Kingdom of Italy, and for conspiring to liberate Lombardy and unite it with Piedmont. Gallery File:Giuseppe Sogni Francesco Arese Lucini.jpg, Giuseppe Sogni, ''Portrait of Count Arese'', 1855 File:Filippo Pelagio Palagi Bildnis des Conte Colonnello Teodoro Arese Lucini.jpg, Pelagio Palagi Pelagio Palagi (25 May 1775 – 6 March 1860) was an Italian painter, sculptor and interior decorator. Biography Early life Pelagi was born in Bologna. Starting at a very young age the study of perspective, architecture, figurative and po ..., ''Portrait of Colonel Teod ...
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Bourbon Restoration In France
The Bourbon Restoration was the period of French history during which the House of Bourbon returned to power after the first fall of Napoleon on 3 May 1814. Briefly interrupted by the Hundred Days War in 1815, the Restoration lasted until the July Revolution of 26 July 1830. Louis XVIII and Charles X, brothers of the executed king Louis XVI, successively mounted the throne and instituted a conservative government intended to restore the proprieties, if not all the institutions, of the Ancien Régime. Exiled supporters of the monarchy returned to France but were unable to reverse most of the changes made by the French Revolution. Exhausted by decades of war, the nation experienced a period of internal and external peace, stable economic prosperity and the preliminaries of industrialization. Background Following the French Revolution (1789–1799), Napoleon Bonaparte became ruler of France. After years of expansion of his French Empire by successive military victories, a coa ...
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Andrea Appiani
Andrea Appiani (31 May 17548 November 1817) was an Italian neoclassical painter. Life Born in Milan, it had been intended that he follow his father's career in medicine but instead entered the private academy of the painter Carlo Maria Giudici (1723–1804) where he received instruction in drawing, copying mainly from sculpture and prints. From there, he then joined the class of the fresco painter Antonio de' Giorgi, which was held at the Ambrosiana picture gallery in Milan. At the same time, he also frequented the studio of Martin Knoller, where his knowledge of painting in oils was deepened. Also, he studied anatomy at the Ospedale Maggiore in Milan with the sculptor Gaetano Monti. Appiani's interest in aesthetic issues was stimulated by the classical poet Giuseppe Parini, whom he drew in two fine pencil portraits. In 1776 he entered the Brera Academy of Fine Arts to follow the painting courses of Giulio Traballesi, receiving a mastery of the fresco technique. Among hi ...
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Giuseppe Bossi
Giuseppe Bossi (11 August 1777 – 9 November 1815) was an Italian painter, arts administrator and writer on art. He ranks among the foremost figures of Neoclassical culture in Lombardy, along with Ugo Foscolo, Giuseppe Parini, Andrea Appiani or Manzoni. Biography He was born in the town of Busto Arsizio, near Milan. He was educated at the college of Monza; and his early fondness for drawing was fostered by the director of the college. He then studied at the Brera Academy of Fine Arts at Milan, and spent the years 1795–1801 in Rome, where he drew Roman remains and honed his skills in drawing anatomy at the morgue of a hospital and formed an intimate friendship with Canova, who made a portrait bust of Boss He met Jacques-Louis David in Lyon in 1802, though his own style employed a less rigorously classicizing technique. On his return to Milan he fell in with the circle of progressive young artists that formed the ''Cameretta Portiana''. He became assistant secretary, a ...
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Accademia Di Brera
The Accademia di Belle Arti di Brera ("academy of fine arts of Brera"), also known as the or Brera Academy, is a state-run tertiary public academy of fine arts in Milan, Italy. It shares its history, and its main building, with the Pinacoteca di Brera, Milan's main public museum for art. In 2010 an agreement was signed to move the accademia to a former military barracks, the Caserma Magenta in via Mascheroni. In 2018 it was announced that Caserma Magenta was no longer a viable option, with the former railway yard in Via Farini now under consideration as a potential venue for the campus extension. History The academy was founded in 1776 by Maria Theresa of Austria. In typical Enlightenment fashion, it shared premises with other cultural and scientific institutions – the astronomical observatory, the Orto Botanico di Brera, the Scuole Palatine for philosophy and law, the Gymnasium, laboratories for physics and chemistry, the Biblioteca di Brera, the agricultural society and, fr ...
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Filippo Pelagio Palagi Bildnis Des Conte Colonnello Teodoro Arese Lucini
Filippo is an Italian male given name, which is the equivalent of the English name Philip, from the Greek ''Philippos'', meaning "amante dei cavalli".''Behind the Name''"Given Name Philip" Retrieved on 23 January 2016. The female variant is Filippa. The name may refer to: *Filippo I Colonna (1611–1639), Italian nobleman *Filippo II Colonna (1663–1714), Italian noblemen *Filippo Abbiati (1640–1715), Italian painter *Filippo Baldinucci (1624–1697), Italian historian *Filippo Brunelleschi (1377–1446), Italian architect *Filippo Carli (1876–1938), Italian sociologist *Filippo Castagna (1765–1830), Maltese politician *Filippo Coarelli (born 1936), Italian archaeologist *Filippo Coletti (1811–1894), Italian singer *Filippo di Piero Strozzi (1541–1582), French general *Filippo Salvatore Gilii (1721–1789), Italian priest and linguist *Filippo Grandi (born 1957), Italian diplomat *Filippo Illuminato (1930-1943), Italian partisan, recipient of the Gold Medal of Military ...
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Gaspare Landi
Gaspare Landi (6 January 1756 – 28 February 1830) was an Italian painter of the Neoclassic period, active in Rome and his native city of Piacenza. Biography Landi is said to have been a fun-loving youth, but in 1781 he procured a subsidy to study painting in Rome from patron and distant relative, Marquis Giambattista Landi. At age 25, he moved to Rome to work under Domenico Corvi and Pompeo Battoni. He is considered a rival of Vincenzo Camuccini. Two of his pictures were once in the Pinacoteca at Parma, ''Diomedes and Ulysses bearing off the Palladium'' (1783) and the ''Marriage of Abraham and Sarah''. Above one of the altars in the church of the Santa Casa at Loreto there is a later work by this Landi showing the ''Madonna addolorata''. A major work is his large canvas representing the fainting of Christ as he struggles along over the road to Calvary weighted down by the burden of the Cross, ''Lo Spasimo'' for San Giovanni in Canale at Piacenza. It hung opposite Vincenzo ...
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Felice Giani
Felice Giani (17 December 1758 – 10 January 1823) was an Italian painter of the Neoclassic style. His grand manner subjects often included Greco-Roman allusions or themes. Biography Born in San Sebastiano Curone near Alessandria, he moved to Pavia. In Pavia, he studied with Carlo Bianchi and Antonio Galli Bibiena. He moved to Bologna, in 1778, where he entered the studio of Domenico Pedrini and Ubaldo Gandolfi. He soon moved to Rome and found work in the decoration of the Palazzo Altieri. Between 1780 and 1786, he worked in various studios in Rome, under, for example, Pompeo Batoni and Christoph Unterberger. He then returned north to work in Faenza, where he worked with the quadratura painter Serafino Barozzi, and with Giovanni Battista Ballanti. In Faenza he was involved in a prolific series of projects including the fresco decoration of the Laderchi, Naldi and Milzetti Palaces. The latter is considered his masterpiece. In Bologna, he decorated the Palazzi Aldini, Mar ...
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Antonio Canova
Antonio Canova (; 1 November 1757 – 13 October 1822) was an Italian Neoclassical sculptor, famous for his marble sculptures. Often regarded as the greatest of the Neoclassical artists,. his sculpture was inspired by the Baroque and the classical revival, and has been characterised as having avoided the melodramatics of the former, and the cold artificiality of the latter.Jean Martineau & Andrew Robinson, ''The Glory of Venice: Art in the Eighteenth Century.'' Yale University Press, 1994. Print. Life Possagno In 1757, Antonio Canova was born in the Venetian Republic city of Possagno to Pietro Canova, a stonecutter, and Maria Angela Zardo Fantolini.. In 1761, his father died. A year later, his mother remarried. As such, in 1762, he was put into the care of his paternal grandfather Pasino Canova, who was a stonemason, owner of a quarry, and was a "sculptor who specialized in altars with statues and low reliefs in late Baroque style". He led Antonio into the art of scul ...
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