|
Pebbles, Volume 7 (CD)
''Pebbles, Volume 7'' is a compilation album among the CDs in the Pebbles series; it is subtitled Chicago 2. The previous CD in the series, '' Pebbles, Volume 6'' also features bands from Chicago, as does the LP ''Highs in the Mid-Sixties, Volume 4''. Release data This album was released on AIP Records in 1994 as #AIP-CD-5024. Despite the similar catalogue number, there is no relation between the tracks on this CD and the tracks on the corresponding LP. Notes on the tracks The Ides of March had a hit song with "Vehicle", and another of their early songs, "Roller Coaster" was included on the '' Pebbles, Volume 10'' LP. The Cryan Shames had a regional Midwest hit with "Sugar and Spice" that reached No.49 on the national charts; this cut is the flip side. Gary and the Knight Lites is just one of many similar band names (including Gary and the Nite Lites, the Light Nites, and the Knight Lights) used by this multi-racial band before renaming themselves the American Breed and hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garage Rock
Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional. In the US and Canada, surf rock—and later the Beatles and other beat groups of the British Invasion—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of acts produced regional hits, and some had national hits, usually played on AM radio stations. With the advent of psychedelia, numerous garage bands incorporated exotic elements int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The American Breed
The American Breed was an American rock band from Chicago in the 1960s. The band was originally called Gary & The Knight Lites before adopting the name The American Breed in 1967. The band had a number of charting songs in 1967–68, the best-known of which was " Bend Me, Shape Me". The band broke up in 1970, and members went on to form Rufus after the split. History The American Breed originated as a group formed in 1961 by Gary Loizzo in Cicero, Illinois, United States, called Gary & The Knight Lites. Gary & The Knight Lites was influenced by The Everly Brothers and rhythm & blues songs, and they were joined in their first recording session by Charles "Chuck" Colbert whose father owned the recording studio. Songs they recorded included "I'm Glad She's Mine", and "Will You Go Steady". Other releases included "I Don't Need Your Help" and "I Can't Love You Anymore", also they also recorded "One, Two, Boogaloo" as The Light Nites. They recorded until 1966 before becoming Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Cryan Shames
The Cryan' Shames are an American garage rock band from Hinsdale, Illinois. Originally known as The Travelers, the band was formed by Tom Doody ("Toad"), Gerry Stone ("Stonehenge"), Dave Purple ("Grape") of The Prowlers, Denny Conroy from Possum River, and Jim Fairs from The Roosters, Jim Pilster ("J.C. Hooke", so named because he was born without a left hand and wore a hook), and Bill Hughes. The band's most successful song was their cover of The Searchers' " Sugar and Spice". History In 1966, upon learning that another band was already using the name “Tommy and the Travelers”, they needed to find another name. J.C. Hooke was familiar with the Tommy of that band, and JC asked Tommy if he would be interested in joining their band instead; when Tommy Krein (Last name pronounced Cryan) declined, JC remarked that it was "a cryan' shame," thus naming the band. After the Cryan' Shames signed with Bob Monaco, the promotion manager for Destination Music, their first single wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liner Notes
Liner notes (also sleeve notes or album notes) are the writings found on the record sleeve, sleeves of LP record albums and in booklets that come inserted into the compact disc jewel case or the equivalent packaging for cassettes. Origin Liner notes are descended from the program notes for musical concerts, and developed into notes that were printed on the inner sleeve used to protect a traditional 12-inch vinyl record, i.e., long playing or gramophone record album. The term descends from the name "record liner" or "album liner". Album liner notes survived format changes from vinyl LP to cassette to CD. These notes can be sources of information about the contents of the recording as well as broader cultural topics. Contents Common material Such notes often contained a mix of factual and anecdotal material, and occasionally a discography for the artist or the issuing record label. Liner notes were also an occasion for thoughtful signed essays on the artist by another party, often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let It Out (Let It All Hang Out)
"Let It Out (Let It All Hang Out)" is a 1967 song by the Hombres and the title track of their album of the same name. It is, according to AllMusic journalist Stewart Mason, a "deadpan southern-fried parody" of Bob Dylan's "Subterranean Homesick Blues". Background The song's spoken intro – "A preachment, dear friends, you are about to receive on John Barleycorn, nicotine and the temptations of Eve" – dates to the 1947 novelty recording "Cigareetes, Whuskey and Wild, Wild Women" by Red Ingle and His Natural Seven, and is followed by a raspberry. Go Girl, Go The song's B-side, "Go Girl, Go", has the singer complaining about having to "stand in line" to see his girlfriend now that she is a "hip-swingin', fringe-slingin' Watusi go go girl". It is featured in the compilation album '' Essential Pebbles, Volume 1'', where it is incorrectly titled "Go Go Girl" in the track listing, and attributed to "unknown artist". Cover versions *In 1970, Jonathan King reached number 26 in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Can't Explain
"I Can't Explain" is a song by the English rock band the Who, written by Pete Townshend, and produced by Shel Talmy. The song was issued as a single on 15 January 1965 in the United Kingdom, on the Brunswick label, and on the Decca label in America, in December 1964. It was the band's second single release and first under the Who name. The song has been covered by many artists, including David Bowie and Scorpions. Background "I Can't Explain" was the A-side of the group's first single as the Who; its predecessor, "Zoot Suit"/"I'm the Face," was released under the name the High Numbers. In the album's liner notes, Townshend noted the song's similarity to the contemporaneous hit " All Day and All of the Night" by the Kinks: "It can't be beat for straightforward Kink copying. There is little to say about how I wrote this. It came out of the top of my head when I was 18 and a half." In a 1994 issue of ''Q'' magazine, Roger Daltrey echoed Townshend's comments regarding the K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar And The Majestics
Oscar and the Majestics were an American garage punk band formed in Gary, Indiana in 1960. The band, led by Oscar Hamod, achieved regional acclaim and produced seven well-regarded singles in their heyday. As the group progressed, they experimented with psychedelic rock and soul influences which led to their most acclaimed piece, a cover song deemed " House of the Rising Sun 1969". History In 1960, Oscar Hamod, the lead vocalist, guitarist, and prime songwriter, formed the first lineup of the band, Oscar and the Majestics. Hamod took inspiration from his time spent at his father's nightclub, The Broadway Lounge, which was a venue for acts like Jimmy Reed and Albert King. After self teaching himself to play guitar, Hamod recruited his brothers Sam Hamod on bass guitar and Bud Hamod on drums. Soon after performing in local gigs, Bud Hamod dropped out of the band. The definitive lineup was complete when the band added Robert Wheeler on rhythm guitar and Vince Jacim as replacement on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hombres
The Hombres were an American garage rock band from Memphis, Tennessee, known primarily for the 1967 single, " Let It Out (Let It All Hang Out)". Origins Formed in 1966, The Hombres comprised Jerry Lee Masters (leader and bass player); Gary Wayne McEwen on guitar; B. B. Cunningham, Jr. (died October 14, 2012), on lead vocals and electronic organ; and John Will Hunter (died February 1976) on drums. Greatest hit Written by Masters, Hunter, McEwen and Cunningham and released on Verve Forecast Records, "Let It Out (Let It All Hang Out)" hit number 12 in 1967, and was revived on the soundtrack of the 2005 Cameron Crowe film, '' Elizabethtown''. On WLS, The Box Tops' "The Letter" (with Bill Cunningham) and The Hombres' "Let It Out" (with Bill Cunningham's brother B.B. Cunningham Jr.) were respectively number one and number two for two weeks in October 1967. The song's spoken introduction – "A preachment, dear friends, you are about to receive on John Barleycorn, nicotine and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cover Song
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song " Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Colony Six
New Colony Six (sometimes abbreviated as NC6) is an American garage and later soft rock band from Chicago, formed in 1964. Original members were Ray Graffia, Jr. (vocals), who was born March 28, 1946; Chic James (drums); Pat McBride (harmonica); Craig Kemp (organ); Wally Kemp (bass); and Gerry Van Kollenburg (guitar), who was born June 26, 1946. Ronnie Rice (vocals, keyboards, guitar) replaced Craig Kemp in 1966. There were numerous changes in the lineup over the years. Richie Unterberger characterized the group's sound as "a poppier American Them with their prominent organ, wobbly Lesley-fied guitar amplifications, and rave-up tempos", later devolving into "a cabaret-ish band with minor national hits to their credit by the end of the 1960s." Like Paul Revere & the Raiders - with whom NC6 shared a two-flat before either band hit the charts or knew that the other had nearly identical stage wear, they wore colonial outfits on stage. In late 1964, when New Colony Six (from St. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bend Me, Shape Me
"Bend Me, Shape Me" is a song written by Scott English and Larry Weiss. It was first recorded by The Outsiders as a track on their album '' In'' in 1966. The best-known version of the song is the 1967 single released by The American Breed that peaked at No. 5 on the US ''Billboard'' Hot 100 in early 1968, No. 3 in South Africa, and No. 24 on the UK Singles Chart. The American Breed's 2:05 single mix of this song was sped-up during mastering for release, while the widely available original 2:25 version was done at a normal speed. The following year, The American Breed released their last single, " Anyway That You Want Me", which borrowed its title phrase from "Bend Me, Shape Me". Co-songwriter Scott English later went on to write and sing " Brandy", which Barry Manilow later covered as his 1974 breakout hit " Mandy". The video was also released. The band members are seen working out in a gym and performing on stage. Chart history Weekly charts Year-end charts Cover ver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Cryan Shames
The Cryan' Shames are an American garage rock band from Hinsdale, Illinois. Originally known as The Travelers, the band was formed by Tom Doody ("Toad"), Gerry Stone ("Stonehenge"), Dave Purple ("Grape") of The Prowlers, Denny Conroy from Possum River, and Jim Fairs from The Roosters, Jim Pilster ("J.C. Hooke", so named because he was born without a left hand and wore a hook), and Bill Hughes. The band's most successful song was their cover of The Searchers' " Sugar and Spice". History In 1966, upon learning that another band was already using the name “Tommy and the Travelers”, they needed to find another name. J.C. Hooke was familiar with the Tommy of that band, and JC asked Tommy if he would be interested in joining their band instead; when Tommy Krein (Last name pronounced Cryan) declined, JC remarked that it was "a cryan' shame," thus naming the band. After the Cryan' Shames signed with Bob Monaco, the promotion manager for Destination Music, their first single wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
