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Pasha (Hinduism)
Pasha (), often translated as "noose" or "lasso", is a supernatural weapon depicted in Hindu iconography. Hindu deities such as Ganesha, Yama, Shyamala devi and Varuna are depicted with the pasha in their hands. Pasha is a common attribute of Ganesha, the Lord of removing obstacles; a pasha represents his power to bind and free obstacles. Yama, the god of death, uses the Pasha to extract a soul from a being's body at the time of death. In sculpture, it is depicted as two or three bound into one or a double loop. The Sanskrit word "pasha" originally meant "knot" or "loop". In general usage, the pasha is used to bind a foe's arms and legs or for hunting animals. Pasha represents worldly attachment as well as power of a deity to capture and bind evil and ignorance. Ananda Coomaraswamy explores the connection of pasha to worldly bonds. In the Shaiva Siddhanta school of Hinduism, pasha is part of the trinity Pati-pashu-pasha, meaning "Master, animal, tether", symbolizing God, man an ...
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Pasha Ganesha
Pasha (; ; ) was a high rank in the Ottoman Empire, Ottoman political and military system, typically granted to governors, generals, dignitary, dignitaries, and others. ''Pasha'' was also one of the highest titles in the 20th-century Kingdom of Egypt and it was also used in Morocco in the 20th century, where it denoted a regional official or governor of a district. Etymology The English word ''pasha'' comes from Turkish language, Turkish ('; also ()). The Oxford English Dictionary attributes the origin of the English borrowing to the mid-17th century. The etymology of the Turkish word itself has been a matter of debate. Contrary to titles like emir (''amīr'') and bey (sir), which were established in usage much earlier, the title ''pasha'' came into Ottoman Empire, Ottoman usage right after the reign of Osman I (d. 1324), though it had been used before the Ottomans by some Anatolian beyliks, Anatolian Turkish rulers of the same era. Old Turkish had no fixed distinction betwe ...
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Noose
A noose is a loop at the end of a rope in which the knot tightens under load and can be loosened without untying the knot. The knot can be used to secure a rope to a post, pole, or animal but only where the end is in a position that the loop can be passed over. Tying The knot is tied by forming a turn in the end of a rope, and then passing a bight in the standing part through. The noose knot is a slipped version of the overhand knot. Use in hanging The knot most closely associated with execution is the hangman's knot, which is also known as the "hangman's noose". Tying is similar to the original noose, but many turns are wrapped around the loop. The reason for this was to make the hanging more humane, as it would break the person's neck, killing the person instantly, rather than strangling them to death. A similar method is also commonly used for suicide. Search engines such as Google provide the phone number for a suicide helpline if a search for "how to tie a noose" ...
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Astra (weapon)
An () is a supernatural weapon in Hindu epics. It is presided over by a specific deity and imbued with spiritual and occult powers. The term came to denote any weapon that was released from the hand (such as an arrow), compared to holding it (such as a sword). The bearer of an ''astra'' is an ''astradhari'' (). History Astras are supernatural weapons invoked using ''mantras''. In battle, a warrior would use a mantra to convert any weapon (usually an arrow) into a divine weapon. Astras comprise four classes of weapons. The origin of Astras is elaborated in the ''Ahirbudhnya Samhita'', a dialogue between Sage Narada and Shiva. When Narada asks Shiva about the origin of Astras, the god recounts a story: Eons ago, before the universe was created, Vishnu assumed many forms for his own amusement. Eventually, he assumed the form of Brahma and created the universe. In order to protect the universe from wicked beings of his own creation, Vishnu created the Sudarshana Chakra. However, only ...
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Hindu Iconography
Over the millennia of its development, Hinduism has adopted several iconography, iconic symbols, forming part of Hindu iconography, that are imbued with spiritual meaning based on either the Hindu scriptures, scriptures or cultural traditions. The exact significance accorded to any of the icons varies with region, period and denomination of the followers. Over time some of the symbols, for instance the Swastika has come to have wider association while others like Om are recognized as unique representations of Hinduism. Other aspects of Hindu iconography are covered by the terms murti, for icons and mudra for gestures and positions of the hands and body. Hindu sacraments Hindu sacraments are physical pieces of that help objects or markings that are considered sacred and used as a sign of devotion by the followers of Hinduism. These are often objects associated with a puja (Hinduism), puja (prayer) or religious ceremony. Murti Murtis (Sanskrit: मूर्ति) are sa ...
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Ganesha
Ganesha or Ganesh (, , ), also known as Ganapati, Vinayaka and Pillaiyar, is one of the best-known and most worshipped Deva (Hinduism), deities in the Hindu deities, Hindu pantheon and is the Supreme God in the Ganapatya sect. His depictions are found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends Ganesha in world religions, to Jains and Buddhists and beyond India. Although Ganesha has many attributes, he is readily identified by his Asiatic Elephant, elephant head and four arms. He is widely revered, more specifically, as the remover of obstacles and bringer of good luck; the patron of The arts, arts and Science, sciences; and the Deva (Hinduism), deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked during writing sessions as a patron of letters and learning., Vigna means obstacles Nasha means destroy. These ideas ar ...
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Yama
Yama (), also known as Kāla and Dharmarāja, is the Hindu god of death and justice, responsible for the dispensation of law and punishment of sinners in his abode, Naraka. He is often identified with Dharmadeva, the personification of ''Dharma'', though the two deities have different origins and myths. In Vedic tradition, Yama was considered the first mortal who died and espied the way to the celestial abodes; as a result, he became the ruler of the departed. His role, characteristics, and abode have been expounded in texts such as the ''Upanishads'', the ''Ramayana'', the ''Mahabharata'', and the ''Puranas''. Yama is described as the twin of the goddess Yami, and the son of the god Surya (sun) (in earlier traditions Vivasvat) and Sanjna. He judges the souls of the dead and, depending on their deeds, assigns them to the realm of the Pitris (forefathers), Naraka (hell), or to be reborn on the earth. Yama is one of the Lokapalas (guardians of the realms), appointed as the pro ...
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Varuna
Varuna (; , ) is a Hindu god. He is one of the earliest deities in pantheon, whose role underwent a significant transformation from the Vedic to the Puranic periods. In the early Vedic era, Varuna is seen as the god-sovereign, ruling the sky and embodying divine authority. He is also mentioned as the king of asuras, who gained the status of a deva, serving as the chief of the Adityas, a group of celestial deities. He maintains truth and ''ṛta'', the cosmic and moral order, and was invoked as an omniscient ethical judge, with the stars symbolizing his watchful eyes or spies. Frequently paired with Mitra, Varuna represents the magical and speculative aspects of sovereignty, overseeing the relationship between gods and humans. The transition from the Vedic to later periods saw Varuna's domain begin to shift from the firmament to waters. He became associated with celestial waters, marking the initial phase of his transformation. By the time of the '' Itihasa-Purana'', Varuna ha ...
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Sanskrit
Sanskrit (; stem form ; nominal singular , ,) is a classical language belonging to the Indo-Aryan languages, Indo-Aryan branch of the Indo-European languages. It arose in northwest South Asia after its predecessor languages had Trans-cultural diffusion, diffused there from the northwest in the late Bronze Age#South Asia, Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a lingua franca, link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting effect on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Indo-Aryan languages# ...
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Ananda Coomaraswamy
Ananda Kentish Muthu Coomaraswamy (, ''Āṉanta Kentiś Muthū Kumāracuvāmi''; ''Ānanda Kumārasvāmī''; 22 August 1877 − 9 September 1947) was a Ceylonese metaphysician, historian and a philosopher of Indian art who was an early interpreter of Indian culture to the West. He has been described as "the groundbreaking theorist who was largely responsible for introducing ancient Indian art to the West". Life Ananda Kentish Coomaraswamy was born in Colombo, British Ceylon, now Sri Lanka, to the Ceylon Tamil legislator and philosopher Sir Muthu Coomaraswamy of the Ponnambalam–Coomaraswamy family and his English wife Elizabeth Beeby. His father died when Ananda was two years old, and Ananda spent much of his childhood and education abroad. Coomaraswamy moved to England in 1879 and attended Wycliffe College, a preparatory school in Stroud, Gloucestershire, at the age of twelve. In 1900, he graduated from University College London (UCL), with a degree in geology and b ...
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Shaiva Siddhanta
Shaiva Siddhanta () is a form of Shaivism popular in a pristine form in Tamilnadu and Sri Lanka and in a Tantrayana syncretised form in Vietnam and Indonesia (as Siwa Siddhanta). It propounds a devotional philosophy with the ultimate goal of experiencing union with Shiva. The former draws primarily on the Tamil devotional hymns written by Shaiva saints from the 5th to the 9th century CE, known in their collected form as ''Tirumurai''. Tirumular, an aide of the prime Sangam age Vedic rishi Agastya, is considered to be the propounder of the term Siddhanta and its basic tenets in his ''magnum opus''. In the 12th century, Aghorasiva, the head of a branch monastery of the Amardaka order in Chidambaram, took up the task of formulating Shaiva Siddhanta. This is an earliest known Aghora Paddhati system of Shaiva Siddhanta of Adi Shaivas '' matha''s in Kongu Nadu. The Brahma Sutra Bhashya of Śrīkaṇṭhācārya Śivācārya is a further Agamic philosophical foundation of the phi ...
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Shiva
Shiva (; , ), also known as Mahadeva (; , , Help:IPA/Sanskrit, [mɐɦaːd̪eːʋɐh]) and Hara, is one of the Hindu deities, principal deities of Hinduism. He is the God in Hinduism, Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as ''The Destroyer'' within the Trimurti, the Hinduism, Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shaktism, Shakta tradition, the Supreme Goddess (Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta Tradition, Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an Omniscience, omniscient yogi who lives an Asceticism#Hinduism, ascetic life on Kailasa as well as a house ...
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Maya (illusion)
''Maya'' (; Devanagari: , IAST: ), literally "illusion" or "magic", has multiple meanings in Indian philosophy, Indian philosophies depending on the context. In later Vedic Sanskrit, Vedic texts, connotes a "magic show, an illusion where things appear to be present but are not what they seem"; the principle which shows "attributeless Absolute" as having "attributes". also connotes that which "is constantly changing and thus is spiritually unreal" (in opposition to an unchanging absolute (philosophy), Absolute, or Brahman), and therefore "conceals the true character of spiritual reality".Lynn Foulston and Stuart Abbott (2009), ''Hindu Goddesses: Beliefs and Practices'', Sussex Academic Press, , pp. 14-16. In the Advaita Vedanta school of Hindu philosophy, , "appearance", is "the powerful force that creates the cosmic illusion that the phenomenon (philosophy), phenomenal world is real". In this nondualist school, at the individual level appears as the lack of knowledge () of t ...
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