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Pasdeloup Orchestra
The Pasdeloup Orchestra (also referred to as Orchestre des Concerts Pasdeloup) is the oldest symphony orchestra in France. History Founded in 1861 by Jules Pasdeloup with the name Concerts Populaires, it is the oldest orchestra still in existence in Paris. Aimed at an audience hitherto absent from evening concerts, the orchestra presented cheap Sunday concerts in the vast rotonda of the Cirque d'hiver in Paris. The opening concert (27 October 1861), with an orchestra of 80 musicians, consisted of the following programme: * Overture to ''Oberon'' by Carl Maria von Weber * Beethoven’s Pastoral Symphony * Mendelssohn's Violin Concerto with Jean Alard * the Emperor's Hymn by Joseph Haydn. Rehearsals took place on Tuesday and Thursday at the Conservatoire and on Saturday at the Cirque d'hiver (musicians were paid 15 francs per concert with rehearsals). The first leader was Lancien, of the orchestra of the Paris Opéra. Early concerts included music by Berlioz and Wagner. The ent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rehearsal At The Cirque D'Hiver By John Singer Sargent
A rehearsal is an activity in the performing arts that occurs as preparation for a performance in music, theatre, dance and related arts, such as opera, musical theatre and film production. It is undertaken as a form of Practice (learning method), practising, to ensure that all details of the subsequent performance are adequately prepared and coordinated. The term ''rehearsal'' typically refers to ensemble activities undertaken by a group of people. For example, when a musician is preparing a piano concerto in their music studio, this is called ''practising'', but when they practice it with an orchestra, this is called a ''rehearsal''. The music rehearsal takes place in a music rehearsal space. A rehearsal may involve as few as two people, as with a small play for two actors, an art song by a singer and piano, pianist or a Folk music, folk duo of a singer and guitarist. On the other end of the spectrum, a rehearsal can be held for a very large orchestra with over 100 performers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Wolff (conductor)
Albert Louis Wolff (19 January 1884 – 20 February 1970) was a French conductor and composer of Dutch descent. Most of his career was spent in European venues, with the exception of two years that he spent as a conductor at the Metropolitan Opera and a few years in Buenos Aires during the Second World War. He is most known for holding the position of principal conductor with the Opéra-Comique in Paris for several years. He was married to the French mezzo-soprano Simone Ballard. Biography Early life and education Wolff was born in Paris, of Dutch parents, though he was a French citizen from birth, never lived in the Netherlands, and never had a Dutch passport. When only 12 years old, he began his musical education at the Paris Conservatoire. There, he studied with such teachers as André Gedalge, Xavier Leroux, and Paul Antonin Vidal. At the same time he played the piano in cabarets and was organist at the Église Saint-Thomas-d'Aquin (Paris) for four years. Upon graduation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Duparc (composer)
Eugène Marie Henri Fouques Duparc (21 January 1848 – 12 February 1933) was a French composer of the late Romantic period. Biography Son of Charles Fouques-Duparc and Amélie de Guaita. Henri Fouques-Duparc was born in Paris. He studied piano with César Franck at the Jesuit College in the Vaugirard district and became one of his first composition pupils. Following military service in the Franco-Prussian War, he married Ellen MacSwiney, from Scotland, on 9 November 1871. In the same year, he joined Saint-Saëns and Romain Bussine to found the Société Nationale de Musique. Duparc is best known for his 17 mélodies ("art songs"), with texts by poets such as Baudelaire, Gautier, Leconte de Lisle and Goethe. A mental illness, diagnosed at the time as " neurasthenia", caused him abruptly to cease composing at age 37, in 1885. He devoted himself to his family and his other passions, drawing and painting. But increasing vision loss after the turn of the century eve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonie Espagnole
The ''Symphonie espagnole'' in D minor, Op. 21, is a work for violin and orchestra by Édouard Lalo. History The work was written in 1874 for violinist Pablo Sarasate, and premiered in Paris on February 7, 1875. Although called a "Spanish Symphony" (see also Sinfonia concertante), it is considered a violin concerto by musicians today. The piece has Spanish motifs throughout, and launched a period when Spanish-themed music came into vogue. (Georges Bizet's opera ''Carmen'' premiered a month after the ''Symphonie espagnole''.) The ''Symphonie espagnole'' is one of Lalo's two most often played works, the other being his Cello Concerto in D minor. Structure The piece has five movements: A typical performance runs just over half an hour. One of the shorter recordings, conductor Eugene Ormandy's 1967 recording with the Philadelphia Orchestra, featuring violinist Isaac Stern, runs 32 minutes and 43 seconds. It was common practice until the middle of the 20th century for pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Lalo
Édouard-Victoire-Antoine Lalo (27 January 182322 April 1892) was a French composer. His most celebrated piece is the '' Symphonie espagnole'', a five-movement concerto for violin and orchestra, which remains a popular work in the standard repertoire. Biography Lalo was born in Lille, in the northernmost part of France. He attended that city's conservatoire in his youth. Beginning at age 16, he studied at the Paris Conservatoire under François Antoine Habeneck. Habeneck conducted student concerts at the Conservatoire from 1806 and became the founding conductor of the Orchestre de la Société des Concerts du Conservatoire in 1828. For several years, Lalo worked as a string player and teacher in Paris. In 1848, he joined with friends to found the Armingaud Quartet, in which he played the viola and later, second violin. His earliest surviving compositions are songs and chamber works (two early symphonies were destroyed). In 1865, Lalo married Julie Besnier de Maligny, a co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Saint-Saëns
Charles-Camille Saint-Saëns (; 9 October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Second Piano Concerto (1868), the First Cello Concerto (1872), ''Danse macabre'' (1874), the opera ''Samson and Delilah'' (1877), the Third Violin Concerto (1880), the Third ("Organ") Symphony (1886) and ''The Carnival of the Animals'' (1886). Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas. As a young man, Saint-Saëns was enthusiastic for the most modern music of the day, particularly that of Schum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Arlésienne (Bizet)
''L'Arlésienne'' is incidental music composed by Georges Bizet for Alphonse Daudet's drama of the same name, usually translated as ''The Girl from Arles''. It was first performed on 30 September 1872 at the Théâtre du Vaudeville in Paris.Macdonald, Hugh, The Bizet Catalog' Bizet's music consists of 27 numbers for chorus and small orchestra, ranging from pieces of background music (mélodrames) only a few measures long, to entr'actes.Macdonald, Hugh, The Bizet Catalog' The score achieves powerful dramatic ends with the most economic of means. Still, the work received poor reviews in the wake of the unsuccessful premiere and is not often performed now in its original form, although recordings are available. However, key pieces of the incidental music, most often heard in the form of two suites for orchestra, have become some of Bizet's most popular compositions. History Composition history In July 1872, Léon Carvalho, director of the Théâtre du Vaudeville in Paris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roma Symphony (Bizet)
The Symphony in C "Roma" is the second of Georges Bizet's symphonies. Unlike his first symphony, also in C major, which was written quickly at the age of 17, ''Roma'' was written over an eleven-year span, between the ages of 22 and 33 (he died at age 36). Bizet was never fully satisfied with it, subjecting it to a number of revisions, but died before finishing his definitive version. All four movements were performed in his lifetime, but never all on the same occasion. The full symphony in its latest revision was premiered in 1875, after his death.Allmusic/ref> It is perhaps because of Bizet's dissatisfaction that the work is often said to be "unfinished". However, in the form in which it exists today, it is a complete work and is fully scored. It has been recorded a number of times but is not often heard on the concert platform. Background Bizet won the Prix de Rome in 1857, which required him to spend the following two years studying free of charge at the French Academy i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Bizet
Georges Bizet (; 25 October 18383 June 1875) was a French composer of the Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, '' Carmen'', which has become one of the most popular and frequently performed works in the entire opera repertoire. During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he began many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, the son of a synagogue cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic pieces for the musical theat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Christophe Keck
Jean-Christophe Keck is a French musicologist and conductor, born in Briançon, in 1964. He is particularly noted as a specialist in the works of Jacques Offenbach, and is the director of the complete critical edition in progress, named after both, Offenbach Edition Keck (OEK).Keck, Jean-Christophe. Biographical note in CD 442 8964, Association des Concerts Pasdeloup/Universal, 2007. Biography As a child he played tuba in the Briançon town bandUne tranche de Keck? ''Lyre'' #02 Lettre d'information des Musiciens du Louvre, Grenoble, March–April–May 2006, p6-7. and after early studies at the école de musique de Briançon he attended for two years the Conservatoire de Marseille before entering the Conservatoire national supérieur de musique de Paris. There he followed courses in conducting with Jean-Sébastien Bérault, musicology and composition with Pierre Villette, vocal studies (tenor) with Christiane Eda-Pierre, and piano. He was struck early by a passion for the music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patrice Fontanarosa
Patrice Fontanarosa (born 4 September 1942 in Paris) is a French classical violinist and actor. Early life Fontanarosa is the elder son of the painters Lucien Fontanarosa (1912-1975) and Annette Faive-Fontanarosa (1911-1988). Education In 1959, Fontanarosa earned a music diploma with First Prize (music diploma), first prize in violin from Conservatoire de Paris. Career * Solo violin of I Virtuosi di Roma * 1976 to 1985, concertmaster of the Orchestre national de France * Music director of the Orchestre des Pays de Savoie when it was created in 1984 * Violinist of the Fontanarosa Fontanarosa formed the famous Fontanarosa Trio on data.bnf.fr with his sister Frédérique Fontanarosa, pianist, and their brother Renaud Fontanarosa, cellist. Teaching * Academic at the Conservatoire de Paris * Academic at ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
