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Partita For Orchestra
William Walton's ''Partita for Orchestra'' is a three-movement work for large orchestra, composed for, dedicated to and first performed by the Cleveland Orchestra and its conductor George Szell. The work was composed in 1957 and premiered on 30 January 1958. Background and first performances In the 1940s Walton had been among the composers from whom the Chicago Symphony Orchestra had commissioned a work to mark its fiftieth anniversary; his contribution was the ''Scapino'' comedy overture. Towards the end of 1955 the Cleveland Orchestra invited him, and nine other composers, to write a piece for its fortieth anniversary season in 1958. Before starting work on the piece he had to complete two other commissioned works, and he was further delayed by injuries in a car crash in early 1957, but he finally began the Cleveland work in April of that year and completed it in October. Walton decided on a quasi-symphonic form, in three movements. As the work was to be extrovert and not over- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Walton
Sir William Turner Walton (29 March 19028 March 1983) was an English composer. During a sixty-year career, he wrote music in several classical genres and styles, from film scores to opera. His best-known works include ''Façade'', the cantata '' Belshazzar's Feast'', the Viola Concerto, the First Symphony, and the British coronation marches ''Crown Imperial'' and '' Orb and Sceptre''. Born in Oldham, Lancashire, the son of a musician, Walton was a chorister and then an undergraduate at Christ Church, Oxford. On leaving the university, he was taken up by the literary Sitwell siblings, who provided him with a home and a cultural education. His earliest work of note was a collaboration with Edith Sitwell, ''Façade'', which at first brought him notoriety as a modernist, but later became a popular ballet score. In middle age, Walton left England and set up home with his young wife Susana on the Italian island of Ischia. By this time, he had ceased to be regarded as a mode ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siciliana
The siciliana or siciliano (also known as sicilienne or ciciliano) is a musical style or genre often included as a movement within larger pieces of music starting in the Baroque music, Baroque period. It is in a slow Meter (music)#Compound meter, or time signature, time with lilting rhythms, making it somewhat resemble a slow jig or tarantella, and is usually in a minor key. It was used for arias in Baroque operas, and often appears as a movement in instrumental works. Loosely associated with Sicily, the siciliana evokes a pastoral mood, and is often characterized by dotted note, dotted rhythms that can distinguish it within the broader musical genre of the pastorale. History and notable examples In a 2006 book, Raymond Monelle found musicologists' attempts to trace the style to any authentic tradition in Sicily inconclusive, though he did trace its origins back to Italian Renaissance madrigals from the 1500s, in triple time with dotted rhythms.Raymond Monelle (2006). ''The M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coda (music)
In music, a coda (; ; plural ) is a passage (music), passage that brings a piece (or a movement (music), movement) to an end. It may be as simple as a few bar (music), measures, or as complex as an entire section (music), section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and Variation (music), variation movements during the Classical era. In a sonata form movement, the recapitulation (music), recapitulation section will, in general, follow the exposition (music), exposition in its thematic content, while adhering to the home key (music), key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Façade (entertainment)
''Façade'' is a series of poems by Edith Sitwell, best known as part of ''Façade – An Entertainment'' in which the poems are recited over an instrumental accompaniment by William Walton. The poems and the music exist in several versions. Sitwell began to publish some of the ''Façade'' poems in 1918, in the literary magazine ''Wheels''. In 1922 many of them were given an orchestral accompaniment by Walton, Sitwell's protégé. The "entertainment" was first performed in public on 12 June 1923 at the Aeolian Hall (London), Aeolian Hall in London, and achieved both fame and notoriety for its unconventional form. Walton arranged two suites of his music for full orchestra. When Frederick Ashton made a Façade (ballet), ballet of ''Façade'' in 1931, Sitwell did not wish her poems to be part of it, and the orchestral arrangements were used. After Sitwell's death, Walton published supplementary versions of ''Façade'' for speaker and small ensemble using numbers dropped between the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rondo
The rondo or rondeau is a musical form that contains a principal theme (music), theme (sometimes called the "refrain") which alternates with one or more contrasting themes (generally called "episodes", but also referred to as "digressions" or "couplets"). Some possible patterns include: Musical_form#Labeling_procedures, ABACA, ABACAB, ABACBA, or ABACABA (with the letter 'A' representing the refrain). The rondo form emerged in the Baroque music, Baroque period and became increasingly popular during the Classical period (music), Classical period. The earliest examples of compositions employing rondo form are found within Italian operatic arias and choruses from the first years of the 17th century. These examples use a multi-couplet rondo or "chain rondo" (ABACAD) known as the Italian rondo. Rondo form, also known in English by its French spelling rondeau, should not be confused with the unrelated but similarly-named Formes fixes, forme fixe Rondeau (forme fixe), rondeau, a 14th- an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glossary Of Music Terminology
A variety of musical terms is encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French and German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1 : "sifflet" or one foot organ stop ; I : usually for orchestral string instruments, used to indicate that the player should play the passage on the highest-pitched, thinnest string ; : Tierce organ stop ; 2 : two feet – pipe organ indication; see ; : pipe organ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andante (tempo)
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture. The others are meter, which is indicated by a time signature, and articulation, which determines how each note ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quaver
180px, Figure 1. An eighth note with stem extending up, an eighth note with stem extending down, and an eighth rest. 180px, Figure 2. Four eighth notes beamed together. An eighth note ( American) or a quaver (British) is a musical note played for one eighth the duration of a whole note (semibreve). Its length relative to other rhythmic values is as expected—e.g., half the duration of a quarter note (crotchet), one quarter the duration of a half note (minim), and twice the value of a sixteenth note. It is the equivalent of the ''fusa'' in mensural notation. Notation Eighth notes are notated with an oval, filled-in note head and a straight note stem with one note flag (see Figure 1). The stem is on the right of the notehead extending upwards or on the left extending downwards, depending primarily on where the notehead lies relative to the middle line of the staff. A related symbol is the eighth rest (or quaver rest), which denotes a silence for the same duration. Eighth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Barbirolli
Sir John Barbirolli ( Giovanni Battista Barbirolli; 2 December 189929 July 1970) was a British conductor and cellist. He is remembered above all as conductor of the Hallé Orchestra in Manchester, which he helped save from dissolution in 1943 and conducted for the rest of his life. Earlier in his career he was Arturo Toscanini's successor as music director of the New York Philharmonic, serving from 1936 to 1943. He was also chief conductor of the Houston Symphony from 1961 to 1967, and was a guest conductor of many other orchestras, including the BBC Symphony Orchestra, London Symphony Orchestra, the Philharmonia, the Berlin Philharmonic and the Vienna Philharmonic, with all of which he made recordings. Born in London of Italian and French parentage, Barbirolli grew up in a family of professional musicians. After starting out as a cellist, he was given the chance to conduct, from 1926 with the British National Opera Company, and then with Covent Garden's touring company. O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hallé
The Hallé is an English symphony orchestra based in Manchester, England. Since 1996, the orchestra has been resident at the Bridgewater Hall in Manchester. History 19th century In May 1857, the pianist and conductor Charles Hallé set up an orchestra to perform at the Manchester Art Treasures Exhibition, which it did until October. Hallé decided to continue working with the orchestra as a formal organisation, and it gave its first concert under those auspices on 30 January 1858. The orchestra's first home was the Free Trade Hall. By 1861 the orchestra was in financial trouble, and it performed only two concerts that year. In 1888 German violinist Willy Hess become leader of The Hallé, a role he held until 1895. From its opening in 1893 he was also the principal professor of violin at the Royal Manchester College of Music. 20th century Hans Richter served as music director from 1899 to 1911. During his tenure, the orchestra gave the first performance of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cleveland
Cleveland is a city in the U.S. state of Ohio and the county seat of Cuyahoga County. Located along the southern shore of Lake Erie, it is situated across the Canada–U.S. maritime border and approximately west of the Ohio-Pennsylvania state border. Cleveland is the most populous city on Lake Erie, the second-most populous city in Ohio, and the 53rd-most populous city in the U.S. with a population of 372,624 in 2020. The city anchors the Cleveland metropolitan area, the 33rd-largest in the U.S. at 2.18 million residents, as well as the larger Cleveland– Akron– Canton combined statistical area with 3.63 million residents. Cleveland was founded in 1796 near the mouth of the Cuyahoga River as part of the Connecticut Western Reserve in modern-day Northeast Ohio by General Moses Cleaveland, after whom the city was named. The city's location on the river and the lake shore allowed it to grow into a major commercial and industrial metropolis by the late 19th century, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Severance Hall
Severance Hall, also known as Severance Music Center, is a concert hall in the University Circle neighborhood of Cleveland, Cleveland, Ohio, home to the Cleveland Orchestra. Opened in 1931 to give the orchestra a permanent home, the building is named for patrons John L. Severance and his wife, Elisabeth Huntingdon DeWitt Severance. It is listed on the National Register of Historic Places as part of Cleveland’s Wade Park District. In addition to serving as the Cleveland Orchestra’s home and as a commencement site for Case Western Reserve University, Severance Hall is available to rent for concerts, weddings, corporate events, and receptions. On Severance Hall’s ground floor is Reinberger Chamber Hall, a separate 402-seat auditorium that is frequently used for more intimate performances and pre-concert lectures. History Founded in 1918, the Cleveland Orchestra first performed at Grays Armory in downtown Cleveland and moved to the Masonic Auditorium for concerts during the 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
