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Parody Mass
A parody mass is a musical setting of the mass, typically from the 16th century, that uses multiple voices of a pre-existing piece of music, such as a fragment of a motet or a secular ''chanson'', as part of its melodic material. It is distinguished from the two other most prominent types of mass composition during the Renaissance, the ''cantus firmus'' and the paraphrase mass. Etymology In the sense considered here, the term ''parody mass'' applies to masses where a polyphonic fragment from another work is used as the basis of a new composition. The term ''imitation mass'' has been suggested instead of ''parody mass'', as being both more precise and closer to the original usage, since the term ''parody'' is based on a misreading of a late 16th-century text. In contradistinction, masses which incorporated only a single voice of the polyphonic source, treated not as a ''cantus firmus'' ('Tenor Mass') but elaborated and moving between different parts, are referred to by writers on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (music)
The Mass () is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental '' obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earliest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford English Dictionary
The ''Oxford English Dictionary'' (''OED'') is the principal historical dictionary of the English language, published by Oxford University Press (OUP), a University of Oxford publishing house. The dictionary, which published its first edition in 1884, traces the historical development of the English language, providing a comprehensive resource to scholars and academic researchers, and provides ongoing descriptions of English language usage in its variations around the world. In 1857, work first began on the dictionary, though the first edition was not published until 1884. It began to be published in unbound Serial (literature), fascicles as work continued on the project, under the name of ''A New English Dictionary on Historical Principles; Founded Mainly on the Materials Collected by The Philological Society''. In 1895, the title ''The Oxford English Dictionary'' was first used unofficially on the covers of the series, and in 1928 the full dictionary was republished in 10 b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josquin Des Prez
Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive—and often Imitation (music), imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated Motif (music), motifs between voices. Josquin was a singer, and List of compositions by Josquin des Prez, his compositions are mainly vocal. They include mass (music), masses, motets and secular chansons. Josqui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa Fortuna Desperata
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Missa may refer to: * Mass (liturgy) * Mass (music), a choral composition that sets liturgical text to music ** Missa brevis ** Missa solemnis (explains the term and lists several works) * Miss A, a Korean girl group * ''Missa pro defunctis'' and ''Missa defunctorum'', alternative names for the Requiem mass * For the etymological root of missa see Ite missa est * ''Missa'' (EP), a 1997 EP by Dir En Grey See also *Mass (other) *Missal (other) *Ordo missae Order of Mass Order of Mass is an outline of a Mass celebration, describing how and in what order liturgical texts and rituals are employed to constitute a Mass. The expression Order of Mass is particularly tied to the Roman Rite where the sections under that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Cerone
Pietro Cerone (1566–1625) was an Italian music theorist, singer and priest of the late Renaissance. He is most famous for an enormous music treatise he wrote in 1613, which is useful in the studying compositional practices of the 16th century. Life Cerone was born in Bergamo. While Italian, he spent most of his life in Spanish-dominated Naples, Sardinia, and later in Spain: he did most of his writing in Spanish. He was unusual in being an Italian musician in Spain; far more often in the 16th century, Spanish musicians went to Italy, as in the case of Victoria. In 1603 he returned to Naples, where he was a priest and singer until his death. It was in Naples that he wrote his two most famous treatises. Writings The first of these, in Italian, was ''Le regole più necessarie per l'introduzione del canto fermo'', which he published in 1609. It was a didactic and practical work on singing plainsong, which he probably used in his work at the Neapolitan church of Ss Annunziata ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Council Of Trent
The Council of Trent (), held between 1545 and 1563 in Trent (or Trento), now in northern Italy, was the 19th ecumenical council of the Catholic Church. Prompted by the Protestant Reformation at the time, it has been described as the "most impressive embodiment of the ideals of the Counter-Reformation.""Trent, Council of" in Cross, F. L. (ed.) ''The Oxford Dictionary of the Christian Church'', Oxford University Press, 2005 (). It was the last time an ecumenical council was organized outside the city of Rome. The Council issued key statements and clarifications of the Church's doctrine and teachings, including scripture, the biblical canon, sacred tradition, original sin, justification, salvation, the sacraments, the Mass, and the veneration of saintsWetterau, Bruce. ''World History''. New York: Henry Holt and Company, 1994. and also issued condemnations of what it defined to be heresies committed by proponents of Protestantism. The consequences of the council were als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Pierluigi Da Palestrina
Giovanni Pierluigi da Palestrina (between 3 February 1525 and 2 February 1526 – 2 February 1594) was an Italian composer of late Renaissance music. The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading composer of late 16th-century Europe. Born in the town of Palestrina in the Papal States, Palestrina moved to Rome as a child and underwent musical studies there. In 1551, Pope Julius III appointed him '' maestro di cappella'' of the Cappella Giulia at St. Peter's Basilica. He left the post four years later, unable to continue as a layman under the papacy of Paul IV, and held similar positions at St. John Lateran and Santa Maria Maggiore in the following decade. Palestrina returned to the Cappella Giulia in 1571 and remained at St Peter's until his death in 1594. Primarily known for his masses and motets, which number over 105 and 250 respectively, Palestrina had a long-lasting influence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) is a Periodization, period of history and a European cultural movement covering the 15th and 16th centuries. It marked the transition from the Middle Ages to modernity and was characterized by an effort to revive and surpass the ideas and achievements of classical antiquity. Associated with great social change in most fields and disciplines, including Renaissance art, art, Renaissance architecture, architecture, politics, Renaissance literature, literature, Renaissance exploration, exploration and Science in the Renaissance, science, the Renaissance was first centered in the Republic of Florence, then spread to the Italian Renaissance, rest of Italy and later throughout Europe. The term ''rinascita'' ("rebirth") first appeared in ''Lives of the Artists'' () by Giorgio Vasari, while the corresponding French word was adopted into English as the term for this period during the 1830s. The Renaissance's intellectual basis was founded in its version of Renaiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Chorus
A Greek chorus () in the context of ancient Greek tragedy, comedy, satyr plays, is a homogeneous group of performers, who comment with a collective voice on the action of the scene they appear in, or provide necessary insight into action which has taken place offstage. Historically, the chorus consisted of between 12 and 50 players, who variously danced, sang or spoke their lines in unison, and sometimes wore masks. The players used masks to change their emotions while they were performing. History A common theory for the origin of the Greek chorus stems from the ancient Greek poet Arion's invention of the tragedy, the stationary chorus, and satyrs' verses. In Aristotle's ''Poetics,'' he writes that " ragedy'sbeginnings, certainly, were in improvisation utoschediastikês as were also those for comedy, tragedy originating in impromptus by the leaders of dithyrambic choruses, and comedy in those of the leaders of the phallic performances which still remain customary in many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the preeminent polyphonic forms of Renaissance music. According to the English musicologist Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
