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Palma Cathedral
The Cathedral of Santa Maria of Palma, more commonly referred to as La Seu (a title also used by many other churches), is a Gothic Roman Catholic cathedral located in Palma, Mallorca, Spain. It is the Cathedral of the diocese of Mallorca, and is situated on the seashore of Palma, abutting the city walls and situated between the Royal Palace of La Almudaina and the Episcopal Palace of Mallorca. Its rose window, with a diameter of nearly 14 meters, is the second-largest extant Gothic rose window, while its 44-meter high nave is the eighth-highest in the world. The site of the cathedral was occupied by a mosque under Muslim rule. Construction on the cathedral began shortly after the reconquest of the island in 1229, and continued into the 17th century. Today, the cathedral is Palma's most popular tourist attraction. History The city of Palma, then called Madina Mayurqa, was conquered from its Almohad Muslim rulers in 1229, during the first stage of the conquest of Majorca. King ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palma, Majorca
Palma (, ; ), also known as Palma de Mallorca (officially between 1983 and 1988, 2006–2008, and 2012–2016), is the capital and largest city of the autonomous community of the Balearic Islands in Spain. It is situated on the south coast of Mallorca on the Bay of Palma. The Cabrera Archipelago, though widely separated from Palma proper, is administratively considered part of the municipality. History Palma was founded as a Roman camp upon the remains of a Talaiotic settlement. The city was subjected to several Vandal raids during the fall of the Western Roman Empire, then reconquered by the Byzantine Empire, then colonised by the Moors (who called it ''Medina Mayurqa'') and, in the 13th century, by James I of Aragon. Roman period After the conquest of Mallorca, the city was loosely incorporated into the province of Tarraconensis by 123 BC; the Romans founded two new cities: ''Palma'' on the south of the island, and '' Pollentia'' in the northeast – on the site of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rood Screen
The rood screen (also choir screen, chancel screen, or jubé) is a common feature in late medieval church architecture. It is typically an ornate partition between the chancel and nave, of more or less open tracery constructed of wood, stone, or wrought iron. The rood screen was originally surmounted by a rood loft carrying the Great Rood, a sculptural representation of the Crucifixion. In English, Scottish, and Welsh cathedrals, monastic, and collegiate churches, there were commonly two transverse screens, with a rood screen or rood beam located one bay west of the pulpitum, but this double arrangement nowhere survives complete, and accordingly the preserved pulpita in such churches is sometimes referred to as a rood screen. At Wells Cathedral the medieval arrangement was restored in the 20th century, with the medieval strainer arch supporting a rood, placed in front of the pulpitum and organ. Rood screens can be found in churches in many parts of Europe; however, in Catho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barcelona Cathedral
The Cathedral of the Holy Cross and Saint Eulalia (), also known as Barcelona Cathedral, is the seat of the Archbishop of Barcelona in Catalonia, Spain. The cathedral was constructed from the thirteenth to fifteenth centuries, with the principal work done in the fourteenth century. The cloister, which encloses the Well of the Geese ''(Font de les Oques)'', was completed in 1448. In the late nineteenth century, the neo-Gothic façade was constructed over the nondescript exterior that was common to Catalan churches. Its form is a pseudo-basilica, vaulted over five aisles, the outer two divided into chapels. The transept is truncated. The east end is a chevet of nine radiating chapels connected by an ambulatory. The high altar is raised, allowing a clear view into the crypt. The cathedral is dedicated to the Holy Cross and Eulalia of Barcelona, co-patron saint of Barcelona, a young virgin martyr who, according to Catholic tradition, suffered martyrdom during Roman times in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grisaille
Grisaille ( or ; , from ''gris'' 'grey') means in general any European painting that is painted in grey. History Giotto used grisaille in the lower registers of his frescoes in the Scrovegni Chapel in Padua () and Robert Campin, Jan van Eyck and their successors painted grisaille figures on the outsides of the wings of triptychs, including the ''Ghent Altarpiece''. Originally these were the sides on display for most of the time, as the doors were normally kept closed except on feast days or at the (paid) request of tourists. However, today these images are typically unseen in museums, the triptych displayed in its open state, flat against a wall. In these cases, imitation of sculpture was intended, as sculpture remained more expensive than a painting, even one by an acknowledged master. Limners often produced illuminated manuscripts in pen and watercolour, wash with a very limited colour range, and many artists such as Jean Pucelle (active 1320–1350) and Matthew Paris sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wedding At Cana
The wedding at Cana (also called the marriage at Cana, wedding feast at Cana or marriage feast at Cana) is a story in the Gospel of John at which the first miracle attributed to Jesus takes place. In the Gospel account, Jesus, his mother and his disciples are invited to a wedding at Cana in Galilee. When his mother notices that the wine () has run out, Jesus delivers a sign of his divinity by turning water into wine at her request. The location of Cana has been subject to debate among biblical scholars and archaeologists; several villages in Galilee are possible candidates. The account is taken as evidence of Jesus' approval of marriage and earthly celebrations. It has now been used as an argument against teetotalism. Grape juice was called wine in Isaiah 16:10 and Jeremiah 48:33, but Leviticus 10:9 was the alcoholic type of wine. Biblical account The second chapter of the Gospel of John states that Jesus was at a wedding () in Cana with his disciples. Jesus' mother (unnam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feeding The Multitude
In Christianity, feeding the multitude comprises two separate miracles of Jesus, reported in the Gospels, in which Jesus used modest resources to feed thousands of followers who had gathered to see him heal the sick. The first miracle, the "Feeding of the 5,000", is the only miracle—aside from the resurrection—recorded in all four gospels ( Matthew 14:13–21; Mark 6:31–44; Luke 9:12–17; John 6:1–14). The second miracle, the "Feeding of the 4,000", with seven loaves of bread and a few small fish, is reported in Matthew 15:32–39 and Mark 8:1–9 but not in Luke or John. The feeding of the 5,000 The Feeding of the 5,000 is also known as the "miracle of the five loaves and two fish"; the Gospel of John reports that Jesus used five loaves and two fish supplied by a boy to feed a multitude. According to the Gospel of Matthew, when Jesus heard that John the Baptist had been killed, he withdrew by boat privately to a solitary place. Luke specifies that the place was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miquel Barceló
Miquel Barceló Artigues (born 1957) is a Spanish painter. Career Barceló was born at Felanitx, Mallorca. After having studied at the Arts and Crafts School of Palma de Mallorca, Palma for two years, he enrolled at the Fine Arts School of Barcelona in 1974. However, he only studied at this school for a few months. A year later he returned to Mallorca to participate in the happenings and actions of protest of the group "Taller Llunàtic", a conceptual avantgarde group. He also took part in the creation of their artist periodical ''Neon de Suro'' (21 issues from 1957 to 1982). A year after his return to Mallorca, he had his first one-man show at the Palma Museum. Initially, the Avant-garde, Art Brut and American abstract Expressionism (e.g. Pollock had a big impact on him) influenced Barceló's work. On the other hand, he was always particularly interested in the Baroque paintings of Diego Velázquez, Tintoretto and Rembrandt. Jean Dubuffet inspired Barceló in adopting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James III Of Majorca
James III ( – ), known as James the Rash (or the Unfortunate), was King of Majorca from 1324 to 1344. He was the son of Ferdinand of Majorca and Isabella of Sabran. Life James was born in Catania, Sicily. Margaret of Villehardouin, James's maternal grandmother, fought to reclaim the Principality of Achaea from the Angevins of the Kingdom of Naples. However, Isabella died shortly after giving birth, and James was subsequently declared the Prince of Achaea, with his father assuming guardianship over him. In an attempt to gain control of the principality, Ferdinand launched an invasion of the Morea but met his demise in the Battle of Manolada in 1316. Despite this setback, starting from 1331, the feudal lords of Achaea gradually acknowledged James's rights. By 1333, this recognition became complete, even though the Angevin heirs of Philip I of Taranto persisted in pressing their claim. Upon the death of his uncle Sancho in 1324, James inherited the Kingdom of Majorca. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James II Of Aragon
James II (Catalan: ''Jaume II''; Aragonese: ''Chaime II;'' 10 April 1267 – 2 or 5 November 1327), called the Just, was the King of Aragon and Valencia and Count of Barcelona from 1291 to 1327. He was also the King of Sicily (as James I) from 1285 to 1295 and the King of Majorca from 1291 to 1298. From 1297 he was nominally the King of Sardinia and Corsica, but he only acquired the island of Sardinia by conquest in 1324. His full title for the last three decades of his reign was "James, by the grace of God, king of Aragon, Valencia, Sardinia and Corsica, and count of Barcelona" (Latin: ''Iacobus Dei gratia rex Aragonum, Valencie, Sardinie, et Corsice ac comes Barchinone''). Born at Valencia, James was the second son of Peter III of Aragon and Constance of Sicily. He succeeded his father in Sicily in 1285 and his elder brother Alfonso III in Aragon and the rest of the Spanish territories, including Majorca, in 1291. In 1295 he was forced to cede Sicily to the papacy, af ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the late 16th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestantism, Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia, the Ottoman Baroque architecture, Ottoman Empire and the Spanish colonization of the Americas, Spanish and Portuguese colonization of the Americas, Portuguese colonies in Latin America. In about 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mudéjar Art
Mudéjar art, or Mudéjar style, was a type of ornamentation and decoration used in the Iberian Peninsula, Iberian Christian kingdoms, primarily between the 13th and 16th centuries. It was applied to Romanesque architecture, Romanesque, Gothic art, Gothic and Renaissance architectural styles as constructive, ornamental and decorative motifs derived from those that had been brought to or developed in Al-Andalus. These motifs and techniques were also present in the art and crafts, especially Hispano-Moresque ware, Hispano-Moresque lustreware that was once widely exported across Europe from southern and eastern Spain at the time. The term ''Mudejar art'' was coined by the art historian José Amador de los Ríos, José Amador de los Ríos y Serrano in reference to the Mudéjars, who played a leading role in introducing Islamic derived decorative elements into the Iberian Christian kingdoms. The Mudéjars were the Muslims who remained in the former areas of Al-Andalus after the Christ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoni Gaudí
Antoni Gaudí i Cornet ( , ; ; 25 June 1852 – 10 June 1926) was a Catalans, Catalan architect and designer from Spain, widely known as the greatest exponent of Catalan ''Modernisme''. Gaudí's works have a style, with most located in Barcelona, including his magnum opus, main work, the Sagrada Família church. Gaudí's work was influenced by his passions in life: architecture, nature, and religion. He considered every detail of his creations and combined crafts such as ceramics, stained glass, wrought ironwork forging, and carpentry. He introduced new techniques in the treatment of materials, such as ''trencadís'' which used waste ceramic pieces. Influenced by Gothic Revival architecture, neo-Gothic art and Oriental techniques, Gaudí became part of the ''Modernista'' movement, which peaked in the late 19th and early 20th centuries. His work eventually transcended mainstream ''Modernisme'', developing into a unique style inspired by natural forms. Gaudí rarely drew det ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
