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Pallavur
Pallavur is a village situated in the Chittur Taluk, Palakkad district of Kerala, India. It is close to Kollengode Town, Nemmara and Koduvayur. Administration Pallavur is part of the Kollengode police station area. It is 3 km from Kunissery, 4 km from Kudallur, 5 km from Nemmara, and 20 km away from Palakkad city. The village stretches about 3–4 km2 and comes under the Pallassena Village Panchayat. Temple The village also has a Hindu temple called the Thrippallavurappan Temple, dedicated to the god Shiva. The temple is over 1,500 years old, and comes under the Malabar Devaswom Board. A large four-sided stone wall surrounds the temple, with an entrance on the southern side. ''Pallavur Trio'' Pallavur is famous for the ''Pallavur Trio'', a traditional percussion group from the village which specialised in styles like thayambaka, edakka, sopana sangeetham, melam and panchavadyam Panchavadyam (Malayalam: പഞ്ചവാദ്യം), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pallavur Appu Marar
Pallavur Appu Marar (1928-2002) was an Indian percussionist, widely considered to be a maestro in the Pallavur (Palakkad) style of thayambaka, edakka, sopana sangeetham, melam and panchavadyam. He was the eldest of the three brothers, the other two being Pallavur Manian Marar and Pallavur Kunhikuttan Marar, who formed the famed Pallavur trio. Biography Appu Marar was born in 1928, at Pallavur, a small hamlet in Palakkad district, in the south Indian state of Kerala, to Shankaran Marar and Ammini. His father, a nomad, left the young Appu and his mother, when he was one year old, throwing the family into poverty. Ammini was forced to remarry Subramania Iyer, and had two more sons, Manian and Kunhikuttan, who, years later, completed the ''Pallavur trio''. Appu started learning traditional percussion instruments at a very young age and had his ''arangettam'' (debut) on chenda, at Pallavur Shiva Temple, the age of 8. He, soon, became adept at playing chenda, edeka and timila, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thayambaka
Thayambaka or tayambaka is a type of solo chenda performance that developed in the south Indian state of Kerala, in which the main player at the centre improvises rhythmically on the beats of half-a-dozen or a few more chenda and ilathalam players around. Performance A thayambaka performance on the chenda has thus its focus on the stick-and-palm rolls produced on the itantala (treble) of the chenda, while the rhythm is laid by his fellow instrumentalists on the (bass) and (cymbals).Simon Broughton, Mark Ellingham. ''World Music'', vol. 2, p. 97 (contributor Rolf Killius). Rough Guides, 2000. Thayambaka, believed to have flourished during the feudal era, spans an average of 90 minutes. It begins at a slow pace before scaling on to a medium tempo and eventually culminating in high, frenzied speed. It has a skeletal pattern on which the performance progresses, but the main performer has the liberty to improvise and innovate to showcase his grip of rhythm, finesse of techn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pallassena
Pallassena or Pallassana is a village and gram panchayat in the Palakkad District, state of Kerala, India. It is close to Kollengode Town and Koduvayur and beside the river Gayatri, one of the tributaries of Bharatapuza. It is primarily notable for being the location of the Meenkulathi Temple. Demographics India census, Pallassena had a population of 23,158 with 11,303 males and 11,855 females. Onathallu Ritual Onathallu or Avittathallu is a festival celebrated by the natives of Pallassana Desham in the Chittur Thaluk in Palakkad district, in the southernmost state of India, Kerala. The festival is a tradition followed by the natives of the region in commemoration of the numerous wars they led and fought as part of the army of the Kolathiris. The name Pallassana refers to the fact that the group historically constituted the Pallava Sena or the Pallava Army, which eventually morphed into Pallassana or Pallasena, as it is known today. The tradition involves an enactment or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panchavadyam
Panchavadyam (Malayalam: പഞ്ചവാദ്യം), literally meaning an orchestra of five instruments, is basically a temple art form that has evolved in Kerala. Of the five instruments, four — timila, maddalam, ilathalam and idakka — belong to the percussion category, while the fifth, kombu, is a wind instrument. Much like any chenda melam, panchavadyam is characterised by a pyramid-like rhythmic structure with a constantly increasing tempo coupled with a proportional decrease in the number of beats in cycles. However, in contrast to a chenda melam, panchavadyam uses different instruments (though ilathalam and kompu are common to both), is not related very closely to any temple ritual and, most importantly, permits much personal improvisation while filling up the rhythmic beats on the timila, maddalam and idakka. Panchavadyam bases itself on the seven-beat thripuda (also spelt thripuda) thaalam ( taal) but amusingly sticks to the pattern of the eight-beat chemp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melam
Melam is a group of Maddalams and other similar percussion instruments' (Chenda) rhythmic performance. Those who play melam are called 'Melakaar'. In ancient Tamilakam (Tamil country) melam was used for all the occasions in temples (''Kovil Melam'', ''Naiyandi Melam'', ''Urumi Melam''), marriages (''Ketti Melam''), functions, funeral wake(''Parai Melam''). In Kerala the most traditional of all melams is the Pandi Melam, which is generally performed outside the temple. Another melam called the Panchari Melam, which is similar to Pandi Melam, but the Panchari Melam is played inside the temple. History Found in the list of Musical instruments used by Tamil people out in Tirumurai dated 6th to 11th century மத்தளந் துந்துபி வாய்ந்த முருடிவற்றால் எத்திசை தோறும் எழுந்தியம்ப - ஒத்துடனே மங்கலம் பாடுவார் வந்திற� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edakka
The ''idakka'' (), also spelt edaykka/edakka, is an hourglass-shaped drum from Kerala in south India. This handy percussion instrument is very similar to the pan-Indian damaru. While the damaru is played by rattling knotted cords against the resonators, the idakka is played with a stick. Like the damaru, the idakka's pitch may be bent by squeezing the lacing in the middle. The idakka is slung over the left shoulder and the right side of the instrument is gently beaten with a thin curve-ended stick. It is played in temples and in performances such as Kathakali and Mohiniattam classical dance. Etymology The Malayalam name idaykka or idakka is originated from the Sanskrit word श्रीढक्का (Śrīḍhakkā). In Sanskrit, a ḍhakkā is described as a double drum which makes ''ḍhak'' sound. ढक् इति गभीरशब्देन कायतीति (ḍhak iti gabhīraśabdēna kāyatīti). The sacred prefix Śrī is used to denote the auspiciousness ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinmaya Vidyalaya, Pallavur
Swami Chinmayananda Saraswati (born Balakrishna Menon; 8 May 1916 – 3 August 1993) was a Hindu spiritual leader and a teacher. In 1951, he founded Chinmaya Mission, a worldwide nonprofit organisation, in order to spread the knowledge of Advaita Vedanta, the Bhagavad Gita, the Upanishads, and other ancient Hindu scriptures. Through the Mission, Chinmayananda spearheaded a global Hindu spiritual and cultural renaissance that popularised these spiritual texts and values, teaching them in English all across India and abroad. Chinmayananda was originally a journalist and participated in the Indian independence movement. Under the tutelage of Swami Sivananda and later Tapovan Maharaj, he began studying Vedanta and took the vow of sannyasa. He gave his first ''jñāna yajña'', or lecture series about Hindu spirituality, in 1953, starting the work of the Mission. Today, Chinmaya Mission encompasses more than 300 centres in India and internationally and conducts educational, spiritual, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devaswom Boards In Kerala
Devaswom ( sa, dēvasvaṁ; ) are socio-religious trusts in India, whose members are nominated by the government and community. They oversee Hindu temples and their assets to ensure their smooth operation in accordance with traditional rituals and customs. The devaswom system notably exists in the state of Kerala, where most temples are either managed by Government of Kerala-controlled devaswoms or private bodies or families. The properties of each temple are deemed to be the personal property of the presiding deity of the temple, and are managed through a body of trustees who bear allegiance to that deity. The five Kerala devaswoms—Guruvayur, Travancore, Malabar, Cochin, and Koodalmanikyam—manage nearly 3,000 temples together. Revenues The five devaswoms earn about 1,000 crore rupees annually. Travancore Devaswom Board The Travancore Devaswom Board is an autonomous body formed by the Travancore Cochin Hindu Religious Institutions Act of 1950. Sabarimala is the main i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva
Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as "The Destroyer" within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess ( Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash as well as a householder with his wife Parvati and his three children, Ganesha, Ka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Temple
A Hindu temple, or ''mandir'' or ''koil'' in Indian languages, is a house, seat and body of divinity for Hindus. It is a structure designed to bring human beings and gods together through worship, sacrifice, and devotion.; Quote: "The Hindu temple is designed to bring about contact between man and the gods" (...) "The architecture of the Hindu temple symbolically represents this quest by setting out to dissolve the boundaries between man and the divine". The symbolism and structure of a Hindu temple are rooted in Vedic traditions, deploying circles and squares. It also represents recursion and the representation of the equivalence of the macrocosm and the microcosm by astronomical numbers, and by "specific alignments related to the geography of the place and the presumed linkages of the deity and the patron". A temple incorporates all elements of the Hindu cosmos — presenting the good, the evil and the human, as well as the elements of the Hindu sense of cyclic time and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
