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Paeon (prosody)
In prosody a paeon (or paean) is a metrical foot used in both poetry and prose. It consists of four syllables, with one of the syllables being long and the other three short. Paeons were often used in the traditional Greek hymn to Apollo called paeans. Its use in English poetry is rare. Depending on the position of the long syllable, the four paeons are called a first, second, third, or fourth paeon. The cretic or amphimacer metrical foot, with three syllables, the first and last of which are long and the second short, is sometimes also called a paeon diagyios. Use in prose The paeon (particularly the first and fourth) was favored by ancient prose writers since, unlike the dactyl, spondee, trochee, and iamb, it was not associated with a particular poetic meter, such as the hexameter, tetrameter, or trimeter, and so produced a sound not overly poetical or familiar. Regarding the use of the paeon in prose, Aristotle writes: :All the other meters then are to be disregarded for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prosody (linguistics)
In linguistics, prosody () is the study of elements of speech, including intonation, stress, rhythm and loudness, that occur simultaneously with individual phonetic segments: vowels and consonants. Often, prosody specifically refers to such elements, known as ''suprasegmentals'', when they extend across more than one phonetic segment. Prosody reflects the nuanced emotional features of the speaker or of their utterances: their obvious or underlying emotional state, the form of utterance (statement, question, or command), the presence of irony or sarcasm, certain emphasis on words or morphemes, contrast, focus, and so on. Prosody displays elements of language that are not encoded by grammar, punctuation or choice of vocabulary. Attributes of prosody In the study of prosodic aspects of speech, it is usual to distinguish between auditory measures ( subjective impressions produced in the mind of the listener) and objective measures (physical properties of the sound wave and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trochee
In poetic metre, a trochee ( ) is a metrical foot consisting of a stressed syllable followed by an unstressed syllable, unstressed one, in qualitative meter, as found in English, and in modern linguistics; or in quantitative meter, as found in Latin and Ancient Greek, a heavy syllable followed by a light one (also described as a long syllable followed by a short one). In this respect, a trochee is the reverse of an iamb (poetry), iamb. Thus the Latin word , because of its short-long rhythm, in Latin metrical studies is considered to be an iamb, but since it is stressed on the first syllable, in modern linguistics it is considered to be a trochee. The adjective form is ''trochaic''. The English word ''trochee'' is itself trochaic since it is composed of the stressed syllable followed by the unstressed syllable . Another name formerly used for a trochee was a choree ( ) or choreus. Etymology ''Trochee'' comes from French language, French , adapted from Latin , originally from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aristotle
Aristotle (; 384–322 BC) was an Ancient Greek philosophy, Ancient Greek philosopher and polymath. His writings cover a broad range of subjects spanning the natural sciences, philosophy, linguistics, economics, politics, psychology, and the arts. As the founder of the Peripatetic school of philosophy in the Lyceum (classical), Lyceum in Athens, he began the wider Aristotelianism, Aristotelian tradition that followed, which set the groundwork for the development of modern science. Little is known about Aristotle's life. He was born in the city of Stagira (ancient city), Stagira in northern Greece during the Classical Greece, Classical period. His father, Nicomachus (father of Aristotle), Nicomachus, died when Aristotle was a child, and he was brought up by a guardian. At around eighteen years old, he joined Plato's Platonic Academy, Academy in Athens and remained there until the age of thirty seven (). Shortly after Plato died, Aristotle left Athens and, at the request ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trimeter
In poetry Poetry (from the Greek language, Greek word ''poiesis'', "making") is a form of literature, literary art that uses aesthetics, aesthetic and often rhythmic qualities of language to evoke meaning (linguistics), meanings in addition to, or in ..., a trimeter (Greek for "three measure") is a metre of three metrical feet per line. Examples: : When here // the spring // we see, : Fresh green // upon // the tree. See also * Anapaest * Dactyl * Tristich * Triadic-line poetry References Types of verses {{Poetry-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetrameter
In poetry, a tetrameter is a line of four metrical feet. However, the particular foot can vary, as follows: * '' Anapestic tetrameter:'' ** "And the ''sheen'' of their ''spears'' was like ''stars'' on the ''sea''" (Lord Byron, " The Destruction of Sennacherib") ** "Twas the ''night'' before ''Christ''mas when ''all'' through the ''house''" (" A Visit from St. Nicholas") ** "And since ''birth'' I've been ''cursed'' with this ''curse'' to just ''curse'' / And just ''blurt'' this ber''serk'' and biz''arre'' shit that ''works''" (Eminem, " The Way I Am") * ''Iambic tetrameter:'' ** "Be''cause'' I ''could'' not ''stop'' for ''Death''" ( Emily Dickinson, eponymous lyric) * '' Trochaic tetrameter:'' ** "''Pet''er, ''Pet''er, ''pump''kin-''eat''er" ( English nursery rhyme) * '' Dactylic tetrameter:'' ** ''Pic''ture your ''self'' in a ''boat'' on a ''riv''er with ..(The Beatles, " Lucy in the Sky with Diamonds") * '' Spondaic tetrameter:'' ** ''Long sounds move slow'' * '' Pyrrhic tetra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hexameter
Hexameter is a metrical line of verses consisting of six feet (a "foot" here is the pulse, or major accent, of words in an English line of poetry; in Greek as well as in Latin a "foot" is not an accent, but describes various combinations of syllables). It was the standard epic metre in classical Greek and Latin literature, such as in the ''Iliad'', '' Odyssey'' and ''Aeneid''. Its use in other genres of composition include Horace's satires, Ovid's '' Metamorphoses,'' and the Hymns of Orpheus. According to Greek mythology, hexameter was invented by Phemonoe, daughter of Apollo and the first Pythia of Delphi. __TOC__ Classical hexameter In classical hexameter, the six feet follow these rules: * A foot can be made up of two long syllables a spondee; or a long and two short syllables, a dactyl * The first four feet can contain either one of them. * The fifth is almost always a dactyl, and last must be a spondee / trochee (together forming an adonic). Exceptions can o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Meter
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables coming ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iamb (foot)
An iamb ( ) or iambus is a metrical foot used in various types of poetry. Originally the term referred to one of the feet of the quantitative meter of classical Greek prosody: a short syllable followed by a long syllable (as in () "beautiful (f.)"). This terminology was adopted in the description of accentual-syllabic verse in English, where it refers to a foot comprising an unstressed syllable followed by a stressed syllable (as in ''abóve''). Thus a Latin word like , because of its short-long rhythm, is considered by Latin scholars to be an iamb, but because it has a stress on the first syllable, in modern linguistics it is considered to be a trochee. Etymology R. S. P. Beekes has suggested that the ''iambos'' has a Pre-Greek origin. An old hypothesis is that the word is borrowed from Phrygian or Pelasgian, and literally means "Einschritt", i. e., "one-step", compare ''dithyramb'' and '' thriambus'', but H. S. Versnel rejects this etymology and suggests instead a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spondee
A spondee (Latin: ) is a metrical foot consisting of two long syllables, as determined by syllable weight in classical meters, or two stressed syllables in modern meters. The word comes from the Greek , , 'libation'. Spondees in Ancient Greek and Latin Libations Sometimes libations were accompanied by hymns in spondaic rhythm, as in the following hymn by the Greek poet Terpander (7th century BC), which consists of 20 long syllables: "Zeus, Beginning of all things, Leader of all things, Zeus, I make a libation to Thee this beginning of (my) hymns." In hexameter poetry However, in most Greek and Latin poetry, the spondee typically does not provide the basis for a metrical line in poetry. Instead, spondees are found as irregular feet in meter based on another type of foot. For example, the epics of Homer and Virgil are written in dactylic hexameter. This term suggests a line of six dactyls, but a spondee can be substituted in most positions. The first line of Virgil's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metrical Foot
The foot is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry, including English accentual-syllabic verse and the quantitative meter of classical ancient Greek and Latin poetry. The unit is composed of syllables, and is usually two, three, or four syllables in length. The most common feet in English are the iamb, trochee, dactyl, and anapaest. The foot might be compared to a bar, or a beat divided into pulse groups, in musical notation. A metrical foot is, in classical poetry, a combination of two or more short or long syllables in a specific order; although this "does not provide an entirely reliable standard of measurement" in heavily accented Germanic languages such as English. In these languages it is defined as a combination of one stressed and one or two unstressed syllables in a specific order. In general, lines of verse can be classified according to the number of feet they contain, using the ter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dactyl (poetry)
A dactyl (; from Greek ) is a foot in poetic meter. In quantitative verse, often used in Greek or Latin, a dactyl is a long syllable followed by two short syllables, as determined by syllable weight. The best-known use of dactylic verse is in the epics attributed to the Greek poet Homer, the ''Iliad'' and the ''Odyssey''. In accentual verse, often used in English, a dactyl is a stressed syllable followed by two unstressed syllables—the opposite is the anapaest (two unstressed followed by a stressed syllable). An example of dactylic meter is the first line of Henry Wadsworth Longfellow's epic poem '' Evangeline'' (1847), which is in dactylic hexameter: :''This is the / forest prim- / eval. The / murmuring / pines and the / hemlocks, The first five feet of the line are dactyls; the sixth a trochee. Stephen Fry quotes Robert Browning's poem " The Lost Leader" as an example of the use of dactylic metre to great effect, creating verse with "great rhythmic dash and drive": ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cretic
A cretic ( ), also known as an amphimacer ( ) and sometimes paeon diagyios, is a metrical foot containing three syllables: long, short, long (– ᴗ –). In Greek poetry, lines made entirely of cretic feet are less common than other metres. An example is Alcman 58. However, any line mixing iambs and trochees could employ a cretic foot as a transition. In other words, a poetic line might have two iambs and two trochees, with a cretic foot in between. In later poets the cretic foot could be resolved into a paeonic (ᴗ ᴗ ᴗ – or – ᴗ ᴗ ᴗ) or sometimes even five short syllables (ᴗ ᴗ ᴗ ᴗ ᴗ).West (1987), p. 39. In Latin, cretics were used for composition both in comedy and tragedy. They are fairly frequent in Plautus but rarer in Terence. (See Metres of Roman comedy.) Words which include a cretic (e.g. Latin '' cīvitās'' and its various inflections) cannot be used in works composed in dactylic hexameter or dactylic pentameter. For Romance language poetry, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
