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Pacchimiriam Adiyappa
Pacchimiriam Adiappayya was a famous court musician at the Maratha kingdom of Thanjavur in the 18th century. He belongs to Kannada Madhwa Brahmin community. Famous musicians Veena Venkatamaramana Das of Vijayanagaram and Veena Seshanna of Mysore are his descendants. He was a composer of Carnatic music. Some of his famous disciples were Syama Sastri, one of the Trinity of Carnatic composers, and Ghanam Krishna Iyer. His compositions are in the Telugu language Telugu (; , ) is a Dravidian language spoken by Telugu people predominantly living in the Indian states of Andhra Pradesh and Telangana, where it is also the official language. It is the most widely spoken member of the Dravidian language f .... Pacchimiriam Adiappayya's most famous composition is the varnam ''Viriboni'' in '' Bhairavi'' ragam. See also * List of Carnatic composers References * M. V. Ramana, Pre-trinity composers of Tamil Nadu Carnatica.net Carnatic composers {{Carnatic-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maratha
The Marathi people (Marathi: मराठी लोक) or Marathis are an Indo-Aryan ethnolinguistic group who are indigenous to Maharashtra in western India. They natively speak Marathi, an Indo-Aryan language. Maharashtra was formed as a Marathi-speaking state of India in 1960, as part of a nationwide linguistic reorganization of the Indian states. The term "Maratha" is generally used by historians to refer to all Marathi-speaking peoples, irrespective of their caste; however, now it may refer to a Maharashtrian caste known as the Maratha. The Marathi community came into political prominence in the 17th century, when the Maratha Empire was established under Chhatrapati Shivaji; the Marathas are credited to a large extent for ending Mughal rule over India. History Ancient to medieval period During the ancient period, around 230 BC, Maharashtra came under the rule of the Satavahana dynasty, which ruled the region for 400 years.India Today: An Encyclopedia of Life in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thanjavur
Thanjavur (), also Tanjore, Pletcher 2010, p. 195 is a city in the Indian state of Tamil Nadu. Thanjavur is the 11th biggest city in Tamil Nadu. Thanjavur is an important center of South Indian religion, art, and architecture. Most of the Great Living Chola Temples, which are UNESCO World Heritage Monuments, are located in and around Thanjavur. The foremost among these, the Brihadeeswara Temple, is located in the centre of the city. Thanjavur is also home to Tanjore painting, a painting style unique to the region. Thanjavur is the headquarters of the Thanjavur District. The city is an important agricultural centre located in the Kaveri Delta and is known as the ''Rice bowl of Tamil Nadu''. Thanjavur is administered by a municipal corporation covering an area of and had a population of 290,720 in 2011. Roadways are the major means of transportation, while the city also has rail connectivity. The nearest airport is Tiruchirapalli International Airport, located away fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kannada Language
Kannada (; ಕನ್ನಡ, ), originally romanised Canarese, is a Dravidian language spoken predominantly by the people of Karnataka in southwestern India, with minorities in all neighbouring states. It has around 47 million native speakers, and was additionally a second or third language for around 13 million non-native speakers in Karnataka. Kannada was the court language of some of the most powerful dynasties of south and central India, namely the Kadambas, Chalukyas, Rashtrakutas, Yadava Dynasty or Seunas, Western Ganga dynasty, Wodeyars of Mysore, Nayakas of Keladi Hoysalas and the Vijayanagara empire. The official and administrative language of the state of Karnataka, it also has scheduled status in India and has been included among the country's designated classical languages.Kuiper (2011), p. 74R Zydenbos in Cushman S, Cavanagh C, Ramazani J, Rouzer P, ''The Princeton Encyclopedia of Poetry and Poetics: Fourth Edition'', p. 767, Princeton Univ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madhwa Brahmin
Madhva Brahmins (also often referred as Madhvas or Sadh-Vaishnavas), are Hindu Brahmin communities in India, who follow Sadh Vaishnavism and Dvaita philosophy propounded by Madhvacharya. They are found mostly in the Indian states of Karnataka, Maharashtra, Goa, Tamil Nadu, Kerala, Telangana and Andhra Pradesh. History The Madhwa community traces its philosophical origins to Madhvacharya, the first said Sadh Vaishnava acharya, who lived around 13th century. The Ashta Mathas of Udupi were established by Madhvacharya by his disciples. Other Acharyas who established mathas after Madhvacharya include Padmanabha Tirtha, Naraharitirtha, Akshobhya Tirtha, Jayatirtha, Sripadaraja, Vyasatirtha, Vadiraja Tirtha, Vijayendra Tirtha, Raghavendra Tirtha. The affiliations of the Madhwa philosophy extended in the form of temples and monasteries from Udupi in the South India to Dwaraka in West India to Gaya in the East India to Badrinath in the North India. The town of Udupi is famous f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veene Sheshanna
Veene Sheshanna ( kn, ವೀಣೆ ಶೇಷಣ್ಣ) (1852—1926) was an exponent of the Veena, an Indian string instrument, which he played in the classical Carnatic music style. He was a concert musician at the court of the princely state of Mysore in southern India. Family Veene Sheshanna was born in Mysore in 1852 in a Madhwa Brahmin family of musicians. His father, Chikkaramappa, was a ''Vainika'' (player of the veena) in the court of the Maharaja of Mysore. The musical history of the family goes far back and Sheshanna was the descendant of Pachchimeeriyam Aadi Appayya, a noted composer of Carnatic music. According to contemporary practise in Mysore, Sheshanna was married at the age of twelve. His father died soon afterwards. Training and career Sheshanna displayed precocious musical talent as a young boy of five. At an early age, he caught the eye of the Maharaja and received expensive gifts from him. He learnt music from Mysore Sadashiva Rao and Veene Venkatasubbayya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music
Carnatic music, known as or in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu Texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulæ), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnatic and Hindustani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syama Sastri
Shyama Shastri (; 26 April 1762 – 1827) or Syama Sastri was a musician and composer of Carnatic music. He was the oldest among the Trinity of Carnatic music, Tyagaraja and Muthuswami Dikshitar being the other two. Early life and career Shyama Shastri, whose birth name was Venkata Subrahmanya, was born on 26 April 1762 in a Telugu Brahmin family. He was also known as one of the trinity of carnatic music. To later generations, he is better known by his adopted name Shyama Shastri or by his musical mudra (signature) Shyama Krishna. He was born in Tiruvarur, in what is now the state of Tamil Nadu. He received his instruction in the vedas, astrology, and other traditional subjects early on and learned music from his maternal uncle. He was later trained in music by Adiappayya, a noted durbar musician of Thanjavur. Although Śyāma Śastri did not compose as many '' kritis'' as his two prolific contemporaries, his compositions are still well known due to the literary, melod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghanam Krishna Iyer
Ghanam Krishna Iyer (1790–1854) was a composer of Carnatic music and was famous for his ''padams''. ''Padams'' are expressive songs of three of more stanzas, used generally as an accompaniment to classical dance. Krishna Iyer was a student of the famous composer, Pacchimiriam Adiyappa. He was also influenced by Saint Tyagaraja and Gopalakrishna Bharathi. The title ''Ghanam'', which associated with music means 'deep' or 'grand', relates to his style of singing. He met Tyagaraja and composed and sang ''Summa Summa Varuguma Sugam'' in raga Athana. His ''mudras'' included ''Muttukumaara'' and ''Velar''. See also *List of Carnatic composers References * Carnatic composers 1854 deaths 1790 births {{Carnatic-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telugu Language
Telugu (; , ) is a Dravidian language spoken by Telugu people predominantly living in the Indian states of Andhra Pradesh and Telangana, where it is also the official language. It is the most widely spoken member of the Dravidian language family and one of the twenty-two scheduled languages of the Republic of India. It is one of the few languages that has primary official status in more than one Indian state, alongside Hindi and Bengali. Telugu is one of six languages designated as a classical language (of India) by the Government of India. Telugu is also a linguistic minority in the states of Karnataka, Tamil Nadu, Maharashtra, Gujarat, Chhattisgarh, Orissa, West Bengal, and the union territories of Puducherry and Andaman and Nicobar Islands. It is also spoken by members of the Telugu diaspora spread across countries like United States, Australia, United Kingdom, Canada, New Zealand in the Anglosphere; Myanmar, Malaysian Telugu, Malaysia, Indian South Africans, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varnam
Varṇam is a type of composition in the Carnatic music system consisting of short metric pieces which encapsulate the main features (patterns of notes) of a '' raga''. Varnams capture the ''raga bhavam'', ''ranjaka prayogas'' ''visesha sancharas'', etc. ''Dhatu'' and ''janta prayogas'' (phrase usage) are usually part of a varnam. Understanding of these aspects is key to developing ''manodharma sangeetham'' (i.e., improvisation aspects of Carnatic music such as ''raga aalapana'', ''swara kalpana'', ''neraval'', etc.). Known for their complex structure, varnams are a fundamental form in Carnatic music. All varnams consist of lyrics, Bradnock (1992), p631 as well as ''swara'' passages, including a '' pallavi'', an '' anupallavi'', ''muktaayi swaras'', a '' charanam'', and '' chitta swaras''. There are different types of varnams, such as ''taana varnam'', ''pada varnam'', ''daru varnam'' and ''ragamalika varnam''. They also come in different ''taalams'' (beat cycles). Though the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhairavi (ragam)
Bhairavi is a '' janya'' rāgam in Carnatic music (musical scale of South Indian classical music). Though it is a ''sampoorna'' rāgam (scale having all 7 notes), it has two different ''dhaivathams'' in its scale making it a Bhashanga Ragam, and hence is not classified as a '' melakarta'' rāgam (parent scale). This is one of the ancient rāgams, said to have been prevalent about 1500 years ago. There are numerous compositions in this rāgam. Though a Raga called Bhairavi also exists in Hindusthani music, it is very different from the Carnatic version. Hindustani's Bhairavi, in terms of its aroha and avaroha alone, corresponds to Carnatic music's Thodi. It is considered a ''janya'' of the 20th ''melakarta Natabhairavi''. Its ' structure is as follows (see ''swaras'' of Carnatic music for details on below notation and terms): *: *: The other set of ārohaṇa and avarohaṇa used is: *: *: The notes used are ''chathusruthi rishabham, sadharana gandharam, shuddha ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
