|
Oxhide II
''Oxhide II'' () is a 2009 Independent film, independent Cinema of China, Chinese film by Liu Jiayin. It is a sequel to ''Oxhide'' (2005), Liu's directorial debut. Like the first film, ''Oxhide II'' portrays the director and her family as they go about their lives in their apartment. Plot Set in their apartment in Beijing, Liu and her parents play versions of themselves as they talk, cook, and eat ''jiaozi, shǔi jiǎo'' (soup dumplings) at their kitchen table over the course of a night. The film takes place in a single room in Real time (media), real time, with the camera focused on the table rather than the people. Production Liu used a consumer-grade Betacam#Digital Betacam, Digital Betacam video camera to shoot ''Oxhide II''. The frame was masked using construction paper to a 2.35:1 Aspect ratio (image), aspect ratio; though the wide CinemaScope ratio is typically used to emphasize vast landscapes, Liu chose it because she simply "wanted to see less". The camera is at table lev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liu Jiayin
Liu Jiayin (born 20 August 1981) is a Chinese independent filmmaker and educator from Beijing. She directed two experimental features combining documentary and narrative elements, ''Oxhide'' (2005) and ''Oxhide II'' (2009), both of which received international awards. Liu was called "one of the most exciting and unique talents to emerge from China in the 2000s" by ''The Hollywood Reporter'', with ''Oxhide'' being described in 2006 as "the most important Chinese film of the past several years". She has written Drama (film and television), television dramas and currently teaches screenwriting at the Beijing Film Academy. Career Liu aspired to become a filmmaker as early as high school. In 1999, she enrolled in the Beijing Film Academy, majoring in screenwriting. As her graduation project for her master's degree, she completed ''Oxhide'', her full-length feature debut. Liu used digital video and a series of long takes to stage scenes from the life of her family in their cramped Bei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Locarno International Film Festival
The Locarno International Film Festival is a major international film festival, held annually in Locarno, Switzerland. Founded in 1946, the festival screens films in various competitive and non-competitive sections, including feature-length narrative, documentary, short, avant-garde, and retrospective programs. The Piazza Grande section is held in an open-air venue that seats 8,000 spectators. The top prize of the festival is the Golden Leopard, awarded to the best film in the International Competition. Other awards include the Leopard of Honour for career achievement, and the Prix du public, Prix du Public, the public choice award. History The Locarno Film Festival was established by the tourist office Pro Locarno and several professionals from the movie industry. As stated by cinema historians, it emerged as a ‘grassroots celebration’ and mostly oriented on attracting tourists to Locarno, offering various entertainment events such as fashion shows and excursions. The in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Drama Films
Chinese may refer to: * Something related to China * Chinese people, people identified with China, through nationality, citizenship, and/or ethnicity **Han Chinese, East Asian ethnic group native to China. **''Zhonghua minzu'', the supra-ethnic concept of the Chinese nation ** List of ethnic groups in China, people of various ethnicities in contemporary China ** Ethnic minorities in China, people of non-Han Chinese ethnicities in modern China ** Ethnic groups in Chinese history, people of various ethnicities in historical China ** Nationals of the People's Republic of China ** Nationals of the Republic of China ** Overseas Chinese, Chinese people residing outside the territories of mainland China, Hong Kong, Macau, and Taiwan * Sinitic languages, the major branch of the Sino-Tibetan language family ** Chinese language, a group of related languages spoken predominantly in China, sharing a written script (Chinese characters in traditional and simplified forms) *** Standard Chine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2000s Mandarin-language Films
S, or s, is the nineteenth Letter (alphabet), letter of the Latin alphabet, used in the English alphabet, the alphabets of other western Languages of Europe, European languages and other latin alphabets worldwide. Its name in English is English alphabet#Letter names, ''ess'' (pronounced ), plural ''esses''. History Northwest Semitic abjad, Northwest Semitic Shin (letter), šîn represented a voiceless postalveolar fricative (as in 'ip'). It originated most likely as a pictogram of a tooth () and represented the phoneme via the acrophonic principle. Ancient Greek did not have a "sh" phoneme, so the derived Greek letter Sigma (letter), Sigma () came to represent the voiceless alveolar sibilant . While the letter shape Σ continues Phoenician ''šîn'', its name ''sigma'' is taken from the letter ''Samekh'', while the shape and position of ''samekh'' but name of ''šîn'' is continued in the ''Ξ, xi''. Within Greek, the name of ''sigma'' was influenced by its associatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2000s Chinese Films
S, or s, is the nineteenth letter of the Latin alphabet, used in the English alphabet, the alphabets of other western European languages and other latin alphabets worldwide. Its name in English is ''ess'' (pronounced ), plural ''esses''. History Northwest Semitic šîn represented a voiceless postalveolar fricative (as in 'ip'). It originated most likely as a pictogram of a tooth () and represented the phoneme via the acrophonic principle. Ancient Greek did not have a "sh" phoneme, so the derived Greek letter Sigma () came to represent the voiceless alveolar sibilant . While the letter shape Σ continues Phoenician ''šîn'', its name ''sigma'' is taken from the letter ''Samekh'', while the shape and position of ''samekh'' but name of ''šîn'' is continued in the '' xi''. Within Greek, the name of ''sigma'' was influenced by its association with the Greek word (earlier ), "to hiss". The original name of the letter "Sigma" may have been ''san'', but due to the ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2009 Drama Films
9 (nine) is the natural number following and preceding . Evolution of the Hindu–Arabic digit Circa 300 BC, as part of the Brahmi numerals, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. How the numbers got to their Gupta form is open to considerable debate. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2009 Films
9 (nine) is the natural number following and preceding . Evolution of the Hindu–Arabic digit Circa 300 BC, as part of the Brahmi numerals, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. How the numbers got to their Gupta form is open to considerable debate. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Children's Film
A children's film, or family film, is a film genre that generally relates to children in the context of home and family. Children's films are made specifically for children and not necessarily for a general audience, while family films are made for a wider appeal with a general audience in mind. Children's films come in several major genres like Realism (arts), realism, fantasy, adventure film, adventure, war, musical film, musicals, comedy, and literary adaptations. Psychological aspects Children are born with certain innate biological dispositions as a product of long Evolutionary psychology, evolutionary history. This provides an underlying biological framework for what may fascinate a child and also impose limitations on the same. These can be seen in certain universal features shared in children's films.Grodal Torben (2009) Embodied Visions, Oxford University Press. P 27 According to Grodal, films like ''Finding Nemo'' (2003), ''Bambi'' (1942), or Hayao Miyazaki's ''Spirited ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DGenerate Films
dGenerate Films is a non-theatrical distributor of award-winning independent films from China. Their aim is to bring more images of contemporary life in mainland China "Mainland China", also referred to as "the Chinese mainland", is a Geopolitics, geopolitical term defined as the territory under direct administration of the People's Republic of China (PRC) in the aftermath of the Chinese Civil War. In addit ... to U.S. audiences. The company was launched in 2008 by American independent film veterans, including producer Karin Chien. dGenerate Films has the international rights to nearly forty independent Chinese films, and they distribute them abroad mostly to educational institutions and festivals, though they also are available to a general audience. Many of them are smuggled illegally out of China, where the uncensored films are considered to be counter-government. References Film distributors of the United States Cinema of China {{US-film-company-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Bordwell
David Jay Bordwell (; July 23, 1947 – February 29, 2024) was an American film theorist and film historian. After receiving his PhD from the University of Iowa in 1973, he wrote more than fifteen volumes on the subject of cinema including ''Narration in the Fiction Film'' (1985), ''Ozu and the Poetics of Cinema'' (1988), ''Making Meaning'' (1989), and ''On the History of Film Style'' (1997). With his wife Kristin Thompson, Bordwell wrote the textbooks ''Film Art'' (1979) and ''Film History'' (1994). ''Film Art'', in its 12th edition as of 2019, is still used as a text in introductory film courses. With aesthetics philosopher Noël Carroll, Bordwell edited the anthology ''Post-Theory: Reconstructing Film Studies'' (1996), a polemic on the state of contemporary film theory. His largest work was ''The Classical Hollywood Cinema: Film Style and Mode of Production to 1960'' (1985), written in collaboration with Thompson and Janet Staiger. Several of his more influential articles on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arte Povera
Arte Povera (; literally "poor art") was an art movement that took place between the end of the 1960s and the beginning of the 1970s in major cities throughout Italy and above all in Turin. Other cities where the movement was also important are Milan, Rome, Genoa, Venice, Naples and Bologna. The term was coined by Italian art critic Germano Celant in 1967 and introduced in Italy during the period of upheaval at the end of the 1960s, when artists were taking a radical stance. Artists began attacking the values of established institutions of government, industry, and culture. Some of the first exhibitions of artists associated with Arte Povera were held at the Christian Stein Gallery in Turin, run by Margherita Stein. The exhibition "IM Spazio" (The Space of Thoughts), curated by Celant and held at the Galleria La Bertesca in Genoa, Italy, from September through October 1967, is often considered to be the official starting point of Arte Povera. Celant, who became one of Arte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Scope
''Cinema Scope'' was an English-language film magazine published in Toronto, Canada. History and profile The first issue of ''Cinema Scope'' was published in 1999. Up until 2022, the magazine compiled a list of the top ten films of each year. Mark Peranson, the magazine's editor, was awarded the Clyde Gilmour Award by the Toronto Film Critics Association The Toronto Film Critics Association (TFCA) is an organization of film critics from Toronto-based publications. As of 1999, the TFCA is a member of the FIPRESCI. History The Toronto Film Critics Association is the official organization of Toro ... in 2009. In 2023, Peranson suggested that the ninety-sixth issue of the magazine would likely be the penultimate issue in its current format. Annual Top 10 Lists References External links * 1999 establishments in Canada Film magazines published in Canada English-language magazines Quarterly magazines published in Canada Magazi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
