Oversample
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Oversample
In signal processing, oversampling is the process of sampling a signal at a sampling frequency significantly higher than the Nyquist rate. Theoretically, a bandwidth-limited signal can be perfectly reconstructed if sampled at the Nyquist rate or above it. The Nyquist rate is defined as twice the bandwidth of the signal. Oversampling is capable of improving resolution and signal-to-noise ratio, and can be helpful in avoiding aliasing and phase distortion by relaxing anti-aliasing filter performance requirements. A signal is said to be oversampled by a factor of ''N'' if it is sampled at ''N'' times the Nyquist rate. Motivation There are three main reasons for performing oversampling: to improve anti-aliasing performance, to increase resolution and to reduce noise. Anti-aliasing Oversampling can make it easier to realize analog anti-aliasing filters. Without oversampling, it is very difficult to implement filters with the sharp cutoff necessary to maximize use of the available ...
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Oversampled Binary Image Sensor
An oversampled binary image sensor is an image sensor with non-linear response capabilities reminiscent of traditional photographic film. Each pixel in the sensor has a binary response, giving only a one-bit quantized measurement of the local light intensity. The response function of the image sensor is non-linear and similar to a logarithmic function, which makes the sensor suitable for high dynamic range imaging. Working principle Before the advent of digital image sensors, photography, for the most part of its history, used film to record light information. At the heart of every photographic film are a large number of light-sensitive grains of silver-halide crystals.T. H. James, The Theory of The Photographic Process, 4th ed., New York: Macmillan Publishing Co., Inc., 1977. During exposure, each micron-sized grain has a binary fate: Either it is struck by some incident photons and becomes "exposed", or it is missed by the photon bombardment and remains "unexposed". In the subseq ...
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Resolution (audio)
In digital audio using pulse-code modulation (PCM), bit depth is the number of bits of information in each sample, and it directly corresponds to the resolution of each sample. Examples of bit depth include Compact Disc Digital Audio, which uses 16 bits per sample, and DVD-Audio and Blu-ray Disc, which can support up to 24 bits per sample. In basic implementations, variations in bit depth primarily affect the noise level from quantization error—thus the signal-to-noise ratio (SNR) and dynamic range. However, techniques such as dithering, noise shaping, and oversampling can mitigate these effects without changing the bit depth. Bit depth also affects bit rate and file size. Bit depth is useful for describing PCM digital signals. Non-PCM formats, such as those using lossy compression, do not have associated bit depths. Binary representation A PCM signal is a sequence of digital audio samples containing the data providing the necessary information to reconstruct ...
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Anti-aliasing Filter
An anti-aliasing filter (AAF) is a filter used before a signal sampler to restrict the bandwidth of a signal to satisfy the Nyquist–Shannon sampling theorem over the band of interest. Since the theorem states that unambiguous reconstruction of the signal from its samples is possible when the power of frequencies above the Nyquist frequency is zero, a brick wall filter is an idealized but impractical AAF. A practical AAF makes a trade off between reduced bandwidth and increased aliasing. A practical anti-aliasing filter will typically permit some aliasing to occur or attenuate or otherwise distort some in-band frequencies close to the Nyquist limit. For this reason, many practical systems sample higher than would be theoretically required by a perfect AAF in order to ensure that all frequencies of interest can be reconstructed, a practice called oversampling. Optical applications In the case of optical image sampling, as by image sensors in digital cameras, the anti ...
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Delta-sigma Converter
Delta-sigma (ΔΣ; or sigma-delta, ΣΔ) modulation is an oversampling method for encoding signals into low Audio bit depth, bit depth Digital signal (signal processing), digital signals at a very high sampling frequency, sample-frequency as part of the process of delta-sigma analog-to-digital converters (ADCs) and digital-to-analog converters (DACs). Delta-sigma modulation achieves high Audio quality, quality by utilizing a negative feedback loop during quantization to the lower bit depth that continuously corrects quantization errors and moves quantization noise to higher frequencies well above the original signal's Bandwidth (signal processing), bandwidth. Subsequent low-pass filtering for demodulation easily removes this high frequency noise and time averages to achieve high accuracy in amplitude, which can be ultimately encoded as pulse-code modulation (PCM). Both ADCs and DACs can employ delta-sigma modulation. A delta-sigma ADC (e.g. Figure 1 top) encodes an analo ...
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Downsampled
In digital signal processing, downsampling, compression, and decimation are terms associated with the process of sample rate conversion, ''resampling'' in a multi-rate digital signal processing system. Both ''downsampling'' and ''decimation'' can be synonymous with ''compression'', or they can describe an entire process of bandwidth reduction (Lowpass filter, filtering) and sample-rate reduction. When the process is performed on a sequence of samples of a ''signal'' or a continuous function, it produces an approximation of the sequence that would have been obtained by sampling the signal at a lower rate (or Dots per inch, density, as in the case of a photograph). ''Decimation'' is a term that historically means the ''Decimation (punishment), removal of every tenth one''. But in signal processing, ''decimation by a factor of 10'' actually means ''keeping'' only every tenth sample. This factor multiplies the sampling interval or, equivalently, divides the sampling rate. For example, i ...
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Analog-to-digital Converter
In electronics, an analog-to-digital converter (ADC, A/D, or A-to-D) is a system that converts an analog signal, such as a sound picked up by a microphone or light entering a digital camera, into a Digital signal (signal processing), digital signal. An ADC may also provide an isolated measurement such as an electronic device that converts an analog input voltage or Electric current, current to a digital number representing the magnitude of the voltage or current. Typically the digital output is a two's complement binary number that is proportional to the input, but there are other possibilities. There are several ADC hardware architecture, architectures. Due to the complexity and the need for precisely matched electronic component, components, all but the most specialized ADCs are implemented as integrated circuits (ICs). These typically take the form of metal–oxide–semiconductor (MOS) mixed-signal integrated circuit chips that integrate both Analogue electronics, anal ...
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Aliasing
In signal processing and related disciplines, aliasing is a phenomenon that a reconstructed signal from samples of the original signal contains low frequency components that are not present in the original one. This is caused when, in the original signal, there are components at frequency exceeding a certain frequency called Nyquist frequency, f_s / 2, where f_s is the sampling frequency ( undersampling). This is because typical reconstruction methods use low frequency components while there are a number of frequency components, called aliases, which sampling result in the identical sample. It also often refers to the distortion or artifact that results when a signal reconstructed from samples is different from the original continuous signal. Aliasing can occur in signals sampled in time, for instance in digital audio or the stroboscopic effect, and is referred to as temporal aliasing. Aliasing in spatially sampled signals (e.g., moiré patterns in digital images) is referre ...
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Uncorrelated Noise
The term uncorrelated noise refers to a noise source being uncorrelated to a signal or ''another'' noise source. White noise in particular, due to its randomness, is uncorrelated to any other signal and is also serially uncorrelated (i.e., later values of it have no correlation to earlier values). Thus, "uncorrelated noise" is sometimes imprecisely used synonymously with "white noise". However, in general, noise sources can have any noise spectrum and may or may not be correlated with each other (in practice different noise sources are usually uncorrelated). This situation is sometimes described as "uncorrelated colored noise". Uncorrelated noise in electronics Electronic circuits may have many types of electronic noise. If the noise sources are uncorrelated with each other, those noise sources add according to the sum of their power. Thus, when expressed as voltages or currents (e_1 , \, e_2 , \, \cdots \, e_n), the square In geometry, a square is a regular polygo ...
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Reconstruction Filter
In a mixed-signal system ( analog and digital), a reconstruction filter, sometimes called an anti-imaging filter, is used to construct a smooth analog signal from a digital input, as in the case of a digital to analog converter ( DAC) or other sampled data output device. Sampled data reconstruction filters The sampling theorem describes why the input of an ADC requires a low-pass analog electronic filter, called the anti-aliasing filter: the sampled ''input'' signal must be bandlimited to prevent aliasing (here meaning waves of higher frequency being ''recorded'' as a lower frequency). For the same reason, the output of a DAC requires a low-pass analog filter, called a reconstruction filter - because the ''output'' signal must be bandlimited, to prevent imaging (meaning Fourier coefficients being reconstructed as spurious high-frequency 'mirrors'). This is an implementation of the Whittaker–Shannon interpolation formula. Ideally, both filters should be brickwall filters, ...
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Upsampling
In digital signal processing, upsampling, expansion, and interpolation are terms associated with the process of sample rate conversion, resampling in a multi-rate digital signal processing system. ''Upsampling'' can be synonymous with ''expansion'', or it can describe an entire process of ''expansion'' and filtering (''interpolation''). When upsampling is performed on a sequence of samples of a ''signal'' or other continuous function, it produces an approximation of the sequence that would have been obtained by sampling the signal at a higher rate (or Dots per inch, density, as in the case of a photograph). For example, if compact disc audio at 44,100 samples/second is upsampled by a factor of 5/4, the resulting sample-rate is 55,125. Upsampling by an integer factor Rate increase by an integer factor L can be explained as a 2-step process, with an equivalent implementation that is more efficient: #Expansion: Create a sequence, x_L[n], comprising the original samples, x[n], separat ...
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Transition Band
The transition band, also called the skirt, is a range of frequency, frequencies that allows a transition between a passband and a stopband of a filter (signal processing), signal processing filter. The transition band is defined by a passband and a stopband cutoff frequency or corner frequency. This is the area between where a filter "turns the corner" and where it "hits the bottom". An example of this can be taken from a low-pass filter, commonly used in audio systems to allow the bass signal to pass through to a subwoofer, and cut out all unwanted frequencies above a defined point. If the cutoff point for such a filter is defined as 200 Hz, then in a perfect system, all frequencies above 200 Hz will be stopped and all frequencies below 200 Hz will be allowed to pass through. The transition band can be implemented to allow for a smooth fall off to avoid introducing audible peaks in amplitude. If the transition band of the example 200 Hz filter is 20 Hz, t ...
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Sampling Theorem
Sampling may refer to: *Sampling (signal processing), converting a continuous signal into a discrete signal *Sample (graphics), Sampling (graphics), converting continuous colors into discrete color components *Sampling (music), the reuse of a sound recording in another recording **Sampler (musical instrument), an electronic musical instrument used to record and play back samples *Sampling (statistics), selection of observations to acquire some knowledge of a statistical population *Sampling (case studies), selection of cases for single or multiple case studies *Sampling (audit), application of audit procedures to less than 100% of population to be audited *Sampling (medicine), gathering of matter from the body to aid in the process of a medical diagnosis and/or evaluation of an indication for treatment, further medical tests or other procedures. *Sampling (occupational hygiene), detection of hazardous materials in the workplace *Sampling (for testing or analysis), taking a represent ...
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