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Otto Prints
The Otto prints are a group of small 15th-century engravings made in Florence in the Old master print#Florence, Fine Manner style. Between 24 and slightly over 40 prints are usually included in the group, depending on the scholar. Most are only known in a single surviving impression (copy), despite many showing clear signs of wear and reworking of the plate. They are often rather tentatively attributed to Baccio Baldini or his workshop, and dated to c. 1465–80. A few are "clearly by different hands" from the rest. Unusually, they are all circular or oval, and their mostly secular subjects often feature themes of love, romance and courtship. Cherubs or putti feature in many, and there are some rather vague allegory, allegories. Many have elaborate borders of fruit, and sometimes figures. Hunting is another subject, and there are a few religious figures. They are probably designed to appeal to female tastes, unlike most secular art of the period, and "reveal a Renaissance voic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto P9 (cropped)
Otto is a masculine German given name and a surname. It originates as an Old High German short form (variants '' Audo'', '' Odo'', '' Udo'') of Germanic names beginning in ''aud-'', an element meaning "wealth, prosperity". The name is recorded from the 7th century ( Odo, son of Uro, courtier of Sigebert III). It was the name of three 10th-century German kings, the first of whom was Otto I the Great, the first Holy Roman Emperor, founder of the Ottonian dynasty. The Gothic form of the prefix was ''auda-'' (as in e.g. '' Audaþius''), the Anglo-Saxon form was ''ead-'' (as in e.g. '' Eadmund''), and the Old Norse form was '' auð-''. Due to Otto von Bismarck, the given name ''Otto'' was strongly associated with the German Empire in the later 19th century. It was comparatively frequently given in the United States (presumably in German American families) during the 1880s to 1890s, remaining in the top 100 most popular masculine given names in the US throughout 1880–1898, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tobias And The Angel
Tobias and the Angel is the traditional title of depictions in art of a passage from the Book of Tobit in which Tobias, son of Tobit, travels with the Archangel Raphael without realising he is an angel (5.5–6) and is then instructed by Raphael what to do with a giant fish he catches (6.2–9). The Book of Tobit is accepted by Catholic Church, Catholic and Eastern Orthodoxy, Eastern Orthodox Christians as part of the biblical canon, but not by Judaism or most Protestantism, Protestant Christians, the latter including it in the Apocrypha. Depictions usually show Raphael and a much smaller Tobias walking through a landscape, accompanied by Tobias's dog. Tobias is usually carrying a fish (or two), often tied up with string, or a container for the fish's organs that will later cure his father; more often Raphael carries a small box with these. Raphael usually has large wings, which we must suppose are invisible to Tobias, as in the story he remains unaware his companion is an ange ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto P15
Otto is a masculine German given name and a surname. It originates as an Old High German short form (variants ''Audo'', ''Odo'', '' Udo'') of Germanic names beginning in ''aud-'', an element meaning "wealth, prosperity". The name is recorded from the 7th century ( Odo, son of Uro, courtier of Sigebert III). It was the name of three 10th-century German kings, the first of whom was Otto I the Great, the first Holy Roman Emperor, founder of the Ottonian dynasty. The Gothic form of the prefix was ''auda-'' (as in e.g. '' Audaþius''), the Anglo-Saxon form was ''ead-'' (as in e.g. '' Eadmund''), and the Old Norse form was '' auð-''. Due to Otto von Bismarck, the given name ''Otto'' was strongly associated with the German Empire in the later 19th century. It was comparatively frequently given in the United States (presumably in German American families) during the 1880s to 1890s, remaining in the top 100 most popular masculine given names in the US throughout 1880–1898, but its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio Vasari
Giorgio Vasari (30 July 1511 – 27 June 1574) was an Italian Renaissance painter, architect, art historian, and biographer who is best known for his work ''Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of Western art history, art-historical writing, and still much cited in modern biographies of the many Italian Renaissance artists he covers, including Leonardo da Vinci and Michelangelo, although he is now regarded as including many factual errors, especially when covering artists from before he was born. Vasari was a Mannerist painter who was highly regarded both as a painter and architect in his day but rather less so in later centuries. He was effectively what would now be called the minister of culture to the Medici court in Florence, and the ''Lives'' promoted, with enduring success, the idea of Florentine superiority in the visual arts. Vasari designed the ''Tomb of Michelangelo'', his hero, in the Santa Croce, Fl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto P14
Otto is a masculine German given name and a surname. It originates as an Old High German short form (variants ''Audo'', ''Odo'', '' Udo'') of Germanic names beginning in ''aud-'', an element meaning "wealth, prosperity". The name is recorded from the 7th century ( Odo, son of Uro, courtier of Sigebert III). It was the name of three 10th-century German kings, the first of whom was Otto I the Great, the first Holy Roman Emperor, founder of the Ottonian dynasty. The Gothic form of the prefix was ''auda-'' (as in e.g. '' Audaþius''), the Anglo-Saxon form was ''ead-'' (as in e.g. '' Eadmund''), and the Old Norse form was '' auð-''. Due to Otto von Bismarck, the given name ''Otto'' was strongly associated with the German Empire in the later 19th century. It was comparatively frequently given in the United States (presumably in German American families) during the 1880s to 1890s, remaining in the top 100 most popular masculine given names in the US throughout 1880–1898, but its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Ancient Greek, Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "Icon, icons", in the Byzantine art, Byzantine and Eastern Orthodox Churches, Orthodox Christian tradition. This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Desco Da Parto
A painted ''desco da parto'' (a birth tray or birth salver; : ''deschi da parto'') was an important symbolic gift on the occasion of a successful birth in late medieval and Early Modern Florence and Siena. The surviving painted ''deschi'' represented in museum collections were commissioned by elite families, but inventories show that birth trays and other special birth objects like embroidered pillows were kept long after the successful birth in families of all classes: when Lorenzo de' Medici died, the inventory shows that the ''desco da parto'' given by his father to his mother, Lucrezia Tornabuoni, at her lying-in, was hanging in his private quarters to the day of his death. A ''desco da parto'' need not have been specially commissioned; they were produced in workshops in series for stock, often being personalised with a coat-of-arms when they were bought. There was a distinctive repertoire of iconography for the trays, the recto (top) sides sharing much with that for the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Embriachi Workshop
The Embriachi workshop () was an important producer of objects in ivory carving, carved ivory and bone carving, carved bone, set in a framework of inlaid wood. They operated in north Italy from around 1375 to perhaps as late as 1433, apparently moving from Florence to Venice about 1395. They are especially known for what are now called marriage caskets or wedding caskets, hexagonal or oblong Casket (decorative box), caskets about a foot across, with lids that rise up in the centre. Their output of these was probably made for stock rather than individual commissions, and filled a market for gifts for betrothals and weddings. They sold mirrors framed in a similar style, though fewer of these have survived, and religious pieces both small and in a few cases very large. The workshop takes its name from Baldassare Ubriachi or Baldassare Embriachi, variously described as a nobleman, merchant and diplomat, or an "international man of business and politics". He was presumably not a carv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ausonius
Decimius Magnus Ausonius (; ) was a Latin literature, Roman poet and Education in ancient Rome, teacher of classical rhetoric, rhetoric from Burdigala, Gallia Aquitania, Aquitaine (now Bordeaux, France). For a time, he was tutor to the future Emperor Gratian, who afterwards bestowed the Roman consul, consulship on him. His best-known poems are ''Mosella'', a description of the River Moselle, and ''Ephemeris'', an account of a typical day in his life. His many other verses show his concern for his family, friends, teachers and circle of well-to-do acquaintances and his delight in the technical handling of poetic meter, meter. Biography Decimius Magnus Ausonius was born in Burdigala (now Bordeaux), the son of Julius Ausonius (378), a Roman medicine, physician of Greeks, Greek ancestry,The Cambridge History of Classical Literature, Edward John Kenney, Cambridge University Press, p.16 and Aemilia Aeonia, daughter of Caecilius Argicius Arborius, descended on both sides from establis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albertina
The Albertina is a museum in the Innere Stadt (First District) of Vienna, Austria. It houses one of the largest and most important print rooms in the world with approximately 65,000 drawings and approximately 1 million old master prints, as well as more modern graphic works, photographs and architectural drawings. Apart from the graphics collection the museum has acquired, on permanent loan two significant collections of Impressionist and early 20th-century art, some of which are on permanent display. The museum also houses temporary exhibitions. The museum had 360,073 visitors in 2020, down 64 percent from 2019 due to the COVID-19 pandemic, but still ranked 55th in the List of most-visited art museums in the world. History The Albertina was erected on one of the last remaining sections of the fortifications of Vienna, the Augustinian Bastion. Originally, the Hofbauamt (Court Construction Office), which had been built in the second half of the 17th century, stood in that locati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cupid
In classical mythology, Cupid ( , meaning "passionate desire") is the god of desire, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus and the god of war Mars. He is also known as Amor (Latin: ', "love"). His Greek counterpart is Eros.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Although Eros is generally portrayed as a slender winged youth in Classical Greek art, during the Hellenistic period, he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid's arrow is filled with uncontrollable desire. In myths, Cupid is a minor character who serves mostly to set the plot in motion. He is a main character only in the tale of Cupid and Psyche, when wounded by his own weapons, he experiences the ordeal of love. Although other extended stories are not told about hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Power Of Women
The "Power of Women" () is a medieval and Renaissance artistic and literary topos, showing "heroic or wise men dominated by women", presenting "an admonitory and often humorous inversion of the male-dominated sexual hierarchy". It was defined by Susan L. Smith as "the representational practice of bringing together at least two, but usually more, well-known figures from the Bible, ancient history, or romance to exemplify a cluster of interrelated themes that include the wiles of women, the power of love, and the trials of marriage". Smith argues that the topos is not simply a "straightforward manifestation of medieval antifeminism"; rather, it is "a site of contest through which conflicting ideas about gender roles could be expressed". Smith argues the topos originates in classical literature and finds it in medieval texts such as '' Aucassin et Nicolette'', ''The Consolation of Philosophy'', the ''Roman de la Rose'', and the ''Canterbury Tales''.Harp p. 208 The topos was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
