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Otsu-e
Ōtsu-e (, "pictures from Ōtsu") was a folk art that began in 17th century Japan and depended on the busy road traffic of the trade route through the district where it was produced in Ōtsu, near Kyoto. With the coming of railways, especially of the Tōkaidō Main Line, Tōkaidō line in the late 19th century, it largely disappeared. Context In the early 17th century, Ōtsu, a port on Lake Biwa just east of the imperial capital of Kyoto, lay at a famous cross-roads for trading routes and particularly the important highway to the administrative capital of Edo, where the newly-installed government of the Tokugawa shogunate, Tokugawa resided. Here and in the villages near it, there developed a tradition of rudimentary folk art that catered to passers-by. It was quickly and cheaply produced, often with whole families collaborating on the work of producing the pictures. Religious and popular themes were originally brushed onto a light clay wash over rough, brownish paper. The picture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Kuniyoshi
Utagawa Kuniyoshi (, ; 1 January 1798 – 14 April 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting.Nussbaum, Louis Frédéric ''et al'' (2005). "Kuniyoshi" in He was a member of the Utagawa school.Nussbaum, "Utagawa-ryū" in The range of Kuniyoshi's subjects included many genres: landscapes, women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of legendary samurai heroes.Lubow, Arthur "Everything But the Robots: A Kuniyoshi Retrospective Reveals the Roots of Manga,"''New York Magazine.'' March 7, 2010. His artwork incorporated aspects of Western representation in landscape painting and caricature. Life Kuniyoshi was born on 1 January 1798, the son of a silk-dyer, Yanagiya Kichiyemon,Robinson (1961), p. 5 originally named Yoshisaburō. Apparently he assisted his father's business as a pattern designer, and some have suggested that this experience influenced his rich use of color and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Folk Art
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japanese studies , sometimes known as Japanology in Europe, is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japanese language, history, culture, litera ... {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanō School
The is one of the most famous schools of Japanese painting. The Kanō school of painting was the dominant style of painting from the late 15th century until the Meiji era, Meiji period which began in 1868, by which time the school had divided into many different branches. The Kanō family itself produced a string of major artists over several generations, to which large numbers of unrelated artists who trained in workshops of the school can be added. Some artists married into the family and changed their names, and others were adopted. According to the historian of Japanese art Robert Treat Paine, "another family which in direct blood line produced so many men of genius ... would be hard to find". The school began by reflecting a renewed influence from Chinese painting, but developed a brightly coloured and firmly outlined style for large panels decorating the castles of the nobility which reflected distinctively Japanese traditions, while continuing to produce monochrom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tosa School
of Japanese painting was founded in the early Muromachi period (14th–15th centuries),,p.988 and was devoted to '' yamato-e'', paintings specializing in subject matter and techniques derived from ancient Japanese art, as opposed to schools influenced by Chinese art, notably the Kanō school (狩野派). Tosa school paintings are characterised by "areas of flat opaque colour enclosed by simple outlines, where drawing is precise and conventional", with many narrative subjects from Japanese literature and history. However, by the 17th century both Tosa and Kanō artists broadened their range, and the distinction between these and other schools became less clear. The origins of this school of painting can be traced to (fl. first half 15th century), ''Encyclopedia of World Art'', pp. 1032–3 who first used the professional name of Tosa, though unverified claims to earlier origins were made later by Mitsunobu (1434?–?1525) who formally founded the school. Mitsunobu served as the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock printing, woodblock prints and Nikuhitsu-ga, paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. In 1603, the city of Edo (Tokyo), Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth. They began to indulge in and patronize the entertainment of kabuki theatre, geisha, and oiran, courtesans of the Yūkaku, pleasure districts. The term ('floating world') came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the class, who had become wealthy enough to afford to decorate their homes wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basil Hall Chamberlain
Basil Hall Chamberlain (18 October 1850 – 15 February 1935) was a British academic and Japanologist. He was a professor of the Japanese language at Tokyo Imperial University and one of the foremost British Japanologists active in Japan during the late 19th century. (Others included Ernest Satow and W. G. Aston.) He also wrote some of the earliest translations of haiku into English. He is perhaps best remembered for his informal and popular one-volume encyclopedia ''Things Japanese'', which first appeared in 1890 and which he revised several times thereafter. His interests were diverse, and his works include an anthology of poetry in French. Early life Chamberlain was born in Southsea (a part of Portsmouth) on the south coast of England, the son of an Admiral William Charles Chamberlain and his wife Eliza Hall, the daughter of the travel writer Basil Hall. His younger brother was Houston Stewart Chamberlain. He was brought up speaking French as well as English, even ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Toyokuni I
, also often referred to as Toyokuni I, to distinguish him from the members of his school who took over his ''gō'' (art-name) after he died, was a great master of ukiyo-e, known in particular for his kabuki actor prints. He was the second head of the renowned Utagawa school of Japanese woodblock artists, and was the artist who elevated it to the position of great fame and power it occupied for the rest of the nineteenth century. Biography He was born, the son of Kurahashi Gorobei, a carver of dolls and puppets, including replicas of kabuki actors. At around 14, Toyokuni was apprenticed to the first head of the Utagawa house, Utagawa Toyoharu, whom his father knew well and who lived nearby. One of his fellow pupils under Toyoharu was Toyohiro, whose pupil was the great landscape artist Hiroshige. In recognition of his artistic ability, Toyokuni later took the name Utagawa Toyokuni, following the common practice of using one syllable of his master's name. Toyokuni seems not t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Hiroshige
or , born Andō Tokutarō (; 1797 – 12 October 1858), was a Japanese ''ukiyo-e'' artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series '' The Fifty-three Stations of the Tōkaidō'' and for his vertical-format landscape series '' One Hundred Famous Views of Edo''. The subjects of his work were atypical of the ''ukiyo-e'' genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series '' Thirty-six Views of Mount Fuji'' by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. Subtle use of color was essential in Hiroshige's prints, often printed with multiple impressions in the same area and with extensive use of '' bokashi'' (color gradation), both of which were rather labor-intensive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triptych
A triptych ( ) is a work of art (usually a panel painting) that is divided into three sections, or three carved panels that are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the largest and it is flanked by two smaller related works, although there are triptychs of equal-sized panels. The form can also be used for pendant jewelry. Beyond its association with art, the term is sometimes used more generally to connote anything with three parts, particularly if integrated into a single unit. Etymology The word ''triptych'' was formed in English by compounding the prefix '' tri-'' with the word '' diptych''. ''Diptych'' is borrowed from the Latin , which itself is derived from the Late Greek () . is the neuter plural of () . In art The triptych form appears in early Christian art, and was a popular standard format for altar paintings from the Middle Ages onwa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa School
The Utagawa school () was one of the main schools of ukiyo-e, founded by Utagawa Toyoharu. It was the largest ukiyo-e school of its period. The main styles were bijin-ga (beautiful women) and uki-e (perspective picture). His pupil, Toyokuni I, took over after Toyoharu's death and led the group to become the most famous and powerful woodblock print school for the remainder of the 19th century. Hiroshige, Kunisada, Kuniyoshi and Yoshitoshi were Utagawa students. The school became so successful and well known that today more than half of all surviving ukiyo-e prints are from it. Founder Toyoharu adopted Western-style deep perspective, an innovation in Japanese art. His immediate followers, Utagawa Toyohiro and Toyokuni adopted bolder, more sensuous styles than Toyoharu and specialized in different genres — Toyohiro in landscapes and Toyokuni in kabuki actor prints. Later artists in the school specialized in other genres, such as warrior prints and mythic parodies.Johnson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ōtsu
270px, Ōtsu City Hall is the capital city of Shiga Prefecture, Japan. , the city had an estimated population of 343,991 in 153,458 households and a population density of 740 persons per km2. The total area of the city is . History Ōtsu is part of ancient Ōmi Province and has been settled since at least the Yayoi period. It was an important center of inland water transportation on Lake Biwa and was referred to in the Man'yōshū as and . It was also on the main land routes, the Tōkaidō and the Nakasendō connecting the eastern provinces with the ancient capitals of Japan. Additionally, the ancient Hokurikudō, which connected Kyoto to the provinces of northern Honshu, ran through Ōtsu. From 667 to 672, the Ōmi Ōtsu Palace was founded by Emperor Tenji was the capital of Japan. Following the Jinshin War Ōtsu was renamed . A new capital, Heian-kyō, (now Kyoto), was established in the immediate neighborhood in 794, and Ōtsu (meaning "big port") was revived as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
