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Oslo Philharmonic
The Oslo Philharmonic () is a Norwegian symphony orchestra based in Oslo, Norway. The orchestra traces its roots to the Philharmonic Society founded in 1847 and the Christiania Musical Association co-founded by Edvard Grieg in 1871, and was established in its current form in 1919. Since 1977, it has had its home in the Oslo Concert Hall. The orchestra gives an average of sixty to seventy symphonic concerts annually, the majority of which are broadcast nationally on the radio. The Oslo Philharmonic entered into a close collaboration with the newly established national broadcasting company, the NRK, in 1934. Its chief conductor is Klaus Mäkelä. History The Oslo Philharmonic Orchestra's roots go back to 1871, when Edvard Grieg and Johan Svendsen founded the ''Christiania Musikerforening'' (Christiania Musical Association), as a successor of The Philharmonic Society (Det Philharmoniske Selskab, 1847). The orchestra was later conducted by Ole Olsen, Johan Selmer, Iver Holter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oslo Concert Hall
Oslo Concert Hall () is a concert hall located in Vika, a part of Oslo city centre in Norway. It is the base of the Oslo Philharmonic Orchestra (''Oslo-Filharmonien''), but it also aims to be one of the premier music venues for the general musical and cultural life of Norway, offering a broad variety of musical styles from classical, world music, and popular entertainment by both Norwegian and international artists and groups. It presents more than 300 events yearly and receives more than 200,000 visitors. History For a long time, Oslo lacked a proper concert hall, and the Oslo Philharmonic did not have a regular hall for their rehearsals. Sometimes the rehearsals could be on different locations every day through the same project. Construction After decades of debate and delay, an architectal competition was arranged in 1955 and final drafts for the concert hall were presented in 1965, based on 's winning proposal. Oslo Konserthus AS was founded in October 1966 and, on 22 March ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erik Ole Bye
Erik Ole Bye (20 March 1883 – 17 May 1953) was a Norwegian operatic baritone. He studied singing with Morgenstierne in Oslo, zur Muhlen in London, and R. Willani in Paris. He also competed at the Olympics as a rower. Biography He competed in the men's eight event at the 1908 Summer Olympics. He made his professional opera debut in 1913 at the National Theatre in Oslo as Don Basilio in Gioachino Rossini's ''The Barber of Seville''. From 1914 to 1917, he was a member of the Breslau Opera House; making his debut there as Amonasro in Giuseppe Verdi's ''Aida''. In 1917 he sang with the Opéra-Comique in Paris. In November 1918, he sang the role of the High Priest in Camille Saint-Saëns's '' Samson and Delilah'' for the opening of the new opera house in Oslo. From 1921–1932 he was primarily active with opera companies and orchestras in North America. He returned to Norway in 1932, where he continued to perform and worked as a businessman. He made recordings for Columbia Record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Soetens
Robert Soetens (19 July 189722 October 1997) was a French violinist, remembered particularly for premiering the Violin Concerto No. 2 of Sergei Prokofiev in 1935. Biography Robert Soetens was born in Montluçon, France in 1897, into a musical family of Belgian origin. His father had been a student of Eugène Ysaÿe. He played in public at age seven, and at the age of 11 he also studied with Ysaÿe. At 13 he was admitted to the Paris Conservatoire, where he studied under Vincent d'Indy, Camille Chevillard and Lucien Capet. At the age of 16, he played in the premiere of the First String Quartet of Darius Milhaud, a fellow student at the Conservatoire. He left the Conservatoire to enrol in the army during World War I. On his repatriation he became leader-soloist of an orchestra at Aix-les-Bains, and later with orchestras at Cannes (where André Messager was one of the conductors), Deauville, and Angers. He was also playing regularly in Paris, where he became friendly with o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst Glaser
Ernst Glaser (24 February 1904 – 3 April 1979) was a German / Norwegian violinist, orchestra conductor and music teacher, married to the pianist Kari Marie Aarvold Glaser. He was the father of the pianist Liv Glaser and the cellist Ernst Simon Glaser, both Norwegian classical musicians. Biography He was born in Hamburg but moved to Norway in 1928 to take up the post as concert master of the Oslo Philharmonic after Max Rostal. The two had studied together under Carl Flesch, and when Rostal was offered a position as a professor in Berlin, he suggested Glaser as his successor. In Oslo, Glaser worked as an orchestra musician, a soloist and a teacher. He also had solo engagements in Sweden, Denmark, Germany, the Netherlands and Israel. He introduced himself to the Norwegian audience in autumn 1928 with a recital of Sibelius' Violin Concerto, and every year after that, he was soloist in the violin concerto. He gave first performances of several violin concertos, including th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Rostal
Max Rostal (7 July 1905 – 6 August 1991) was a violinist and a viola player. He was Austrian-born, but later took British citizenship. Biography Max Rostal was born in Cieszyn to a Jewish merchant family. As a child prodigy, he started studying the violin at the age of 5, and played in front of Emperor Franz Josef I in 1913. He studied with Carl Flesch. He also studied theory and composition with Emil Bohnke and Matyás Seiber. He won the Mendelssohn Scholarship in 1925. In 1930–33 he taught at the Berlin Hochschule, from 1944 to 1958 at the Guildhall School of Music, and then at the Musikhochschule Köln (1957–82) and the Conservatory in Bern (1957–85). His pupils included Yfrah Neaman, Igor Ozim, Edith Peinemann, Bryan Fairfax, Lars Anders Tomter and members of the Amadeus Quartet. In 1945, in honour of Flesch, he co-founded what was later known as the Carl Flesch International Violin Competition with Edric Cundell. Rostal played a wide variety of music, bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serge Koussevitzky
Serge Koussevitzky (born Sergey Aleksandrovich Kusevitsky;Koussevitzky's original Russian forename is usually transliterated into English as either "Sergei" or "Sergey"; however, he himself adopted the French spelling "Serge", using it in his signature. (SeThe Koussevitzky Music Foundations official web site Retrieved 5 November 2009.) His surname can be transliterated variously as "Koussevitzky", "Koussevitsky", "Kussevitzky", "Kusevitsky", or, into Polish, as "Kusewicki"; however, he himself chose to use "Koussevitzky". , ; 4 June 1951) was a Russian and American conductor, composer, and double-bassist, known for his long tenure as music director of the Boston Symphony Orchestra from 1924 to 1949. Biography Early career Koussevitzky was born into a Jewish family of professional musicians in Vyshny Volochyok, Tver Governorate (present-day Tver Oblast), about 250 km northwest of Moscow, Russia. His parents taught him violin, cello, and piano. He also learned trumpet.J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Burgin (violinist)
Richard Burgin (October 11, 1892 – April 29, 1981) was a Polish-American violinist, best known as associate conductor and the concertmaster of the Boston Symphony Orchestra (BSO). Early life Burgin was born in Siedlce, Poland, and first performed in public at age 11, as a soloist with the Warsaw Philharmonic Society. In 1906 he studied with Joseph Joachim in Berlin, and from 1908 to 1912 with Leopold Auer at the St. Petersburg Conservatory. Then he worked in Helsinki, Stockholm and Oslo. Concertmaster Burgin was appointed concertmaster of the BSO in 1920 when Pierre Monteux was the principal conductor, and assistant conductor in 1927 early in Serge Koussevitzky's tenure as principal conductor (1924-1949). He conducted the BSO in 308 concerts in the United States, Australia and Japan, and was associate conductor for seven world premieres and 25 Boston premieres. He continued as concertmaster through Charles Munch's tenure as principal conductor (1949-1962), retiring in 196 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Flesch
Carl Flesch (born Károly Flesch, 9 October 1873 – 14 November 1944) was a Hungarian classical violinist and teacher. Flesch’s compendium ''Scale System'' is a staple of violin pedagogy. Life and career Flesch was born in Moson (now part of Mosonmagyaróvár) in Hungary in 1873. He began playing the violin at seven years of age. At 10 he was taken to Vienna to study with Jakob Grün. At 17 he left for Paris, and joined the Conservatoire de Paris, studying with Martin Pierre Marsick. He settled in 1903 in Amsterdam, in 1908 in Berlin, and in 1934 in London. He was known for his solo performances in a very wide range of repertoire (from Baroque music to contemporary), gaining fame as a chamber music performer. He also taught in Bucharest (1897–1902), Amsterdam (1903–08), Philadelphia (1924–28) and Berlin (Hochschule für Musik, 1929–34). He published a number of instructional books, including ''Die Kunst des Violin-Spiels'' (''The Art of Violin Playing'', 1923) in w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronisław Huberman
Bronisław Huberman (19 December 1882 – 16 June 1947) was a Polish violinist. He was known for his individualistic interpretations and was praised for his tone color, expressiveness, and flexibility. The '' Gibson ex-Huberman Stradivarius'' violin, which bears his name, was stolen twice and recovered once during the period in which he owned the instrument. Huberman is also remembered for founding the Israel Philharmonic Orchestra (then known as the Palestine Symphony Orchestra) and thus providing refuge from the Third Reich for nearly 1,000 European Jews. Biography Huberman was born in Częstochowa, Poland, to a Jewish family. In his youth he was a pupil of Mieczysław Michałowicz and Maurycy Rosen at the Warsaw Conservatory, and of Isidor Lotto in Paris. In 1892 he studied under Joseph Joachim in Berlin. Despite being only ten years old, he dazzled Joachim with performances of Louis Spohr, Henri Vieuxtemps, and the transcription of a Frédéric Chopin nocturne. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artur Schnabel
Artur Schnabel (17 April 1882 – 15 August 1951) was an Austrian-born classical pianist, composer and Pedagogy, pedagogue. Schnabel was known for his intellectual seriousness as a musician, avoiding pure technical bravura. Among the 20th century's most respected and important pianists, his playing displayed marked vitality, profundity and spirituality in the Austro-German classics, particularly the works of Ludwig van Beethoven, Beethoven and Franz Schubert, Schubert. Music critic Harold C. Schonberg described Schnabel as "the man who invented Beethoven". Between 1932 and 1935, he made history by producing Artur Schnabel's recordings of Beethoven's piano sonatas, the first recording of the complete Piano sonatas (Beethoven), Beethoven piano sonatas. In 2018, the Library of Congress selected this recording to be placed in the National Recording Registry for its historical significance. Life and work Early years Born Aaron Schnabel in Lipnik, Bielsko-Biała, Lipnik (Kunzen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignaz Friedman
Ignaz Friedman (born Salomon Izaak Freudmann; ; ; February 13, 1882January 26, 1948) was a Polish pianist and composer. Critics (e.g. Harold Schonberg) and colleagues (e.g. Sergei Rachmaninoff) alike placed him among the supreme piano virtuosi of his day, alongside Leopold Godowsky, Moriz Rosenthal, Ferruccio Busoni, Josef Hofmann and Josef Lhévinne. Early and later life Born to an itinerant Jewish musician in "Podgórze near Kraków" (currently a district of Kraków – his birthplace exists at the Kalwaryjska str. 22) as a son of Nachman (sometimes ''Wolf'' or ''Wilhelm'') Freudmann, sometimes ''Freudman'' (born in Monasterzyska, now Ukraine, July 10, 1857) and Salomea Eisenbach (born in Krakow March 26, 1854), Ignaz Friedman was a child prodigy. He studied with Hugo Riemann in Leipzig and Theodor Leschetizky in Vienna, and participated in Ferruccio Busoni's master classes. Friedman lived in Berlin until 1914 and settled in Copenhagen in 1920. Career His official d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Kempff
Wilhelm Walter Friedrich Kempff (25 November 1895 – 23 May 1991) was a German pianist, teacher and composer. Although his repertoire included Bach, Mozart, Chopin, Schumann, Liszt and Brahms, Kempff was particularly well known for his interpretations of the music of Ludwig van Beethoven and Franz Schubert, recording the complete sonatas of both composers. He is considered to have been one of the chief exponents of the Germanic tradition during the 20th century and one of the greatest pianists of all time. Early life Kempff was born in Jüterbog, Brandenburg, in 1895. He grew up in nearby Potsdam where his father was a royal music director and organist at St. Nicolai Church. His grandfather was also an organist and his brother Georg became director of church music at the University of Erlangen. Kempff studied music at first at the Berlin Hochschule für Musik at the age of nine after receiving lessons from his father at a younger age. Whilst there he studied composition with R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
