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Orpheus (Telemann)
''Orpheus'' (full title: ''Die wunderbare Beständigkeit der Liebe oder Orpheus'', ''The Wonderful Constancy of Love, or Orpheus'') is an opera in three acts by the German composer Georg Philipp Telemann. It was first performed in a concert version at the Oper am Gänsemarkt in Hamburg on 9 March 1726. The anonymous libretto is based on the 1690 opera ''Orphée'' by Michel Duboullay, originally set by the French composer Louis Lully. Most of the work is in German but it also contains passages in French and Italian drawn from famous operas by Handel and Jean-Baptiste Lully. The music to these words is Telemann's own, however. The manuscript score of Telemann's ''Orpheus'' was not rediscovered until the late 20th century. Roles Synopsis ;Act 1 :Queen Orasia of Thrace is in love with Orpheus, but he rejects her in favour of Eurydice. The queen plots to kill Eurydice as she is picking flowers in a garden. Orpheus tells his friend Eurimedes he is tired of life at Orasia's court and fl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Philipp Telemann
Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died less than two years after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving him. Telemann is one of the most prolific composers in history, at least in terms of surviving oeuvre. He was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called " countertenors". The Italian terms "contralto" and " alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René Jacobs
René Jacobs (born 30 October 1946) is a Belgian musician. He came to fame as a countertenor, but later in his career he became known as a conductor of baroque and classical opera. Biography Countertenor Born in Ghent, Jacobs began his musical career as a boy chorister at the Cathedral. Later he studied classical philology at the University of Ghent while continuing to sing in Brussels and in The Hague. The Kuijken brothers, Gustav Leonhardt and Alfred Deller all encouraged him to pursue a career as a countertenor, and he quickly became known as one of the best of his time. He recorded a large amount of less-known Baroque music by such composers as Antonio Cesti, d'India, Ferrari, Marenzio, Lambert, Guédron, William Lawes and others. He also sang in much-acclaimed recordings of the major works of Bach (such as the ''St Matthew Passion'' led by Gustav Leonhardt and Philippe Herreweghe). Conductor In 1977, he founded the ensemble Concerto Vocale. As a conductor, Jacobs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akademie Für Alte Musik Berlin
Akademie für Alte Musik Berlin (Academy for Early Music Berlin, short name: Akamus) is a German chamber orchestra founded in East Berlin in 1982. Each year Akamus gives approximately 100 concerts, ranging from small chamber works to large-scale symphonic pieces in Europe's musical centers as well as on tours in Asia, North America and South America. About 30 musicians form the core of the orchestra. They perform under the leadership of their four concertmasters Midori Seiler, Stephan Mai, Bernhard Forck and Georg Kallweit or guest conductors like René Jacobs, Marcus Creed, Daniel Reuss, Peter Dijkstra and Hans-Christoph Rademann. Recording exclusively for harmonia mundi France since 1994, the ensemble’s CDs have earned many international prizes, including the Grammy Award, the Diapason d'Or, the Cannes Classical Award, the Gramophone Award and the Edison Award. In 2011 the recording of Mozarts '' Magic Flute'' was honoured with the German Record Critics' Award. In 2006 the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RIAS Kammerchor
The RIAS Kammerchor (RIAS Chamber Choir) is a German choir based in Berlin, Germany. It receives support from the Rundfunk Orchester und Chöre GmbH Berlin ("Berlin Radio Orchestra and Choirs"), a limited-liability company owned by the public broadcasters Deutschlandradio (40%) and RBB (5%), the German Federal Republic (35%), and the State of Berlin (20%). History Founded in 1948, the choir was originally known as the ''Rundfunkchor des RIAS'', after the US-run German-language radio station Rundfunk im amerikanischen Sektor ("Broadcasting in the American Sector"), or RIAS. Early in its history, between 1948 and 1952, the choir recorded works by Bach with Karl Ristenpart, 68 cantatas, the ''Christmas Oratorio'', and the ''St John Passion''. The choir first performed on 15 October 1948, and its first chief conductor was Herbert Froitzheim. Whilst founded as a regional radio station choir, the RIAS Kammerchor quickly established for itself a national and international reputatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
María Cristina Kiehr
María Cristina Kiehr (born in Tandil, Argentina) is a soprano vocalist associated with Baroque music. After receiving her early musical training in Argentina, she moved in 1983 to Europe and studied under René Jacobs at the Schola Cantorum Basiliensis, specializing in the Baroque repertoire. She performs and records for the Harmonia Mundi label.Harmonia Mundi, op. cit. Overview María Cristina Kiehr was born in Tandil, Argentina.Oron, op. cit She made her opera debut at Innsbruck in 1988 in '' Il Giasone'', a work composed by Francesco Cavalli in 1649. In collaboration with the harpsichordist Jean-Marc Aymes, Kiehr founded the Concerto Soave ensemble, a concerto in the original meaning of the word, which specializes in Italian music of the early baroque period. With them she has toured many of the world's most prestigious early music festivals, including the Utrecht Early Music Festival, Ambronay, Pontoise, Simiane-la-Rotonde, Semaine Sainte en Arles, and in Montreux, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Werner Güra
Werner Güra (born 1964) is a German classical tenor in opera, concert and Lied, also an academic teacher in Zurich. Career Güra was born in Munich. He studied at the Mozarteum University of Salzburg. He continued his studies with Kurt Widmer at the Musik-Akademie der Stadt Basel and with Margreet Honig in Amsterdam. He took courses in acting with Ruth Berghaus and Theo Adam. On the opera stage he performed as a guest artist at the Frankfurt Opera and the Theater Basel. He was a member of the Semperoper in Dresden from 1994 to 1999, singing especially parts of Mozart and Rossini. Since 1998 he has been a guest at the Staatsoper Berlin. In concert he performed in Mendelssohn’s ''Elijah'' with Philippe Herreweghe at the Salzburg Festival. He also collaborated with conductors such as Peter Schreier, Wolfgang Gönnenwein and Friedemann Layer. In 2002, he recorded the tenor arias in Bach's ''St Matthew Passion'', conducted by Enoch zu Guttenberg, with Marcus Ullmann as the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruth Ziesak
Ruth Ziesak (born 9 February 1963) is a German soprano in opera and concert. Career Ruth Ziesak studied voice at the Frankfurt University of Music and Performing Arts with Elsa Cavelti and Christoph Prégardien. She has been a member of the Municipal Theatre Heidelberg since 1988 and the Deutsche Oper am Rhein in 1990. She appeared in roles of Mozart's operas, such as ''Pamina'' in ''The Magic Flute'' (at the Salzburg Festival 1991 and recorded with Georg Solti), ''Servilia'' in ''La clemenza di Tito'' (recorded with Nikolaus Harnoncourt) or the Countess in ''Le nozze di Figaro'' in Glyndebourne and with the Zurich Opera. In concert she appeared and recorded with the and took part in the project of Ton Koopman to record the complete vocal works of Johann Sebastian Bach with the Amsterdam Baroque Orchestra & Choir. In 2011 she performed the ''Liebesliederwalzer'' of Brahms and ''Spanische Liebeslieder'' op. 138 of Schumann with Anke Vondung, Werner Güra and Konrad Jarnot a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Trekel
Roman Trekel (born Pirna near Dresden in 1963) is a German operatic baritone and Lied-singer. He was awarded the title of Kammersänger Kammersänger (male) or Kammersängerin (female), abbreviated Ks. or KS, is a German honorific title for distinguished singers of opera and classical music. It literally means "chamber singer". Historically, the title was bestowed by princes or ... in 2000. References German operatic baritones 1963 births Living people Academic staff of the Hochschule für Musik Hanns Eisler Berlin Oehms Classics artists Echo (music award) winners {{Germany-singer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorothea Röschmann
Dorothea Röschmann (born 17 June 1967) is a German soprano. She is famous for her performances in operas by Mozart as well as Lieder. Early life Röschmann was born in Flensburg, and sang with the Flensburg Bach Choir by the age of seven. She studied at the Hochschule für Musik und Theater Hamburg, under Barbara Schlick at the Akademie für Alte Musik in Bremen, and subsequently in Los Angeles, New York, Tel Aviv, and under Vera Rózsa in London. Career Röschmann has been working as a Lieder and concert singer, both in Germany and abroad since 1986. From 1994 to 2000, she was a member of the ensemble at the Berlin State Opera, where she had great success in roles such as Susanna in ''The Marriage of Figaro'', Zerlina in '' Don Giovanni'', Ännchen in ''Der Freischütz'' (conducted by Zubin Mehta), Nannetta in ''Falstaff'' (conducted by Claudio Abbado), Micaëla in ''Carmen'', Pamina in '' The Magic Flute'', Fiordiligi in '' Così fan tutte''. She still returns frequently ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysus
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His '' thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pluto (god)
In ancient Greek religion and mythology, Pluto ( gr, Πλούτων, ') was the ruler of the Greek underworld. The earlier name for the god was Hades, which became more common as the name of the underworld itself. Pluto represents a more positive concept of the god who presides over the afterlife. ''Ploutōn'' was frequently conflated with Ploûtos, the Greek god of wealth, because mineral wealth was found underground, and because as a chthonic god Pluto ruled the deep earth that contained the seeds necessary for a bountiful harvest. The name ''Ploutōn'' came into widespread usage with the Eleusinian Mysteries, in which Pluto was venerated as both a stern ruler and a loving husband to Persephone. The couple received souls in the afterlife and are invoked together in religious inscriptions, being referred to as ''Plouton'' and as ''Kore'' respectively. Hades, by contrast, had few temples and religious practices associated with him, and he is portrayed as the dark and violent ab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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