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Ornament And Crime
"Ornament and Crime" is an essay and lecture by Modernism, modernist architect Adolf Loos that criticizes ornament (art), ornament in useful objects. History Contrary to popular belief that it was composed in 1908, Adolf Loos first gave the lecture in 1910 at the Akademischer Verband für Literatur und Musik in Vienna. The essay was then published in 1913 in in French as . Only in 1929 was the essay published in German in the , as . It was the architect Henry Kulka, who assisted Loos during a reprint of the essay in 1931 in , that altered the original year to 1908 after he consulted Loos, who either didn't remember well or wanted to assume primacy in the confrontation against the Secession (art), Secessionists. Content The essay was written when Art Nouveau—known as Vienna Secession, Secession in Austria and which Loos had excoriated even at its height in 1900—was showing a new way forward for modern art. The essay was important in articulating some moralizing views, inheri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolf Loos (1870–1933) (vor 1920; Franz Löwy)
Adolf Franz Karl Viktor Maria Loos (; 10 December 1870 – 23 August 1933) was an Austrian and Czechoslovak architect, influential European theorist, polemicist of modern architecture, and convicted sex offender . He was inspired by Modern architecture, modernism and a widely-known critic of the Art Nouveau movement. His controversial views and literary contributions sparked the establishment of the Vienna Secession movement and Post modern architecture, postmodernism. Loos was born in Brno to a family of sculptors and stonemasons. His father, a stonemason who was almost deaf, died when he was 9 and played a role in Loos' interest in arts and crafts. Loos later inherited his father's hearing impairment and other health-related issues. His lack of hearing contributed to his solitary personality. Loos had three tumultuous marriages that all ended in divorce, and was convicted as a pedophile in 1928. Loos attended multiple colleges also due to his poor academics and changing i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Architecture
Modern architecture, also called modernist architecture, or the modern movement, is an architectural movement and style that was prominent in the 20th century, between the earlier Art Deco and later postmodern movements. Modern architecture was based upon new and innovative technologies of construction (particularly the use of glass, steel, and concrete); the principle functionalism (i.e. that form should follow function); an embrace of minimalism; and a rejection of ornament. According to Le Corbusier, the roots of the movement were to be found in the works of Eugène Viollet-le-Duc, while Mies van der Rohe was heavily inspired by Karl Friedrich Schinkel. The movement emerged in the first half of the 20th century and became dominant after World War II until the 1980s, when it was gradually replaced as the principal style for institutional and corporate buildings by postmodern architecture. Origins Modern architecture emerged at the end of the 19th century from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Criticism
Art criticism is the discussion or evaluation of visual art. Art critics usually criticize art in the context of aesthetics or the theory of beauty. A goal of art criticism is the pursuit of a rational basis for art appreciation but it is questionable whether such criticism can transcend prevailing socio-political circumstances. The variety of Art movement, artistic movements has resulted in a division of art criticism into different disciplines which may each use different criteria for their judgements. The most common division in the field of criticism is between historical criticism and evaluation, a form of art history, and contemporary criticism of work by living artists. Despite perceptions that art criticism is a much lower risk activity than making art, opinions of current art are always liable to drastic corrections with the passage of time. Critics of the past are often ridiculed for dismissing artists now venerated (like the early work of the Impressionists). Some ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1910 In Art
Events from the year 1910 in art. Events * April 27 – Futurist poet Filippo Tommaso Marinetti issues the manifesto ''Contro Venezia passatista'' ("Against Past-loving Venice") in the Piazza San Marco. * Robert Delaunay marries Sonia Terk. * Bronze sculptor Robert Kionsek joins the Berlin workshop of Ferdinand Preiss to form the PK firm; the two men combine their specialties to produce sculptures in bronze and ivory. * Czechs, Czech art historian Antonin Matějček uses the term ''Expressionism'', in opposition to impressionism. * Russian composer Alexander Scriabin writes ''Prometheus: The Poem of Fire'', Op. 60, a symphonic work for piano, orchestra, optional choir, and ''clavier à lumières'' or "Chromola" (a color organ invented by Preston Millar). * A replica of Michelangelo's statue of ''David (Michelangelo), David'' is installed on the Piazza della Signoria in Florence (where the original stood from 1504 to 1873). Exhibitions *March 18 – May 1 – Société des Artist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1910 Essays
Year 191 ( CXCI) was a common year starting on Friday of the Julian calendar. At the time, it was known as the Year of the Consulship of Apronianus and Bradua (or, less frequently, year 944 ''Ab urbe condita''). The denomination 191 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Parthia * King Vologases IV of Parthia dies after a 44-year reign, and is succeeded by his son Vologases V. China * A coalition of Chinese warlords from the east of Hangu Pass launches a punitive campaign against the warlord Dong Zhuo, who seized control of the central government in 189, and held the figurehead Emperor Xian hostage. After suffering some defeats against the coalition forces, Dong Zhuo forcefully relocates the imperial capital from Luoyang to Chang'an. Before leaving, Dong Zhuo orders his troops to loot the tombs of the Han emperors, and then destroy Luoyang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utilitarian Design
Utilitarian design is an art concept that argues for the products to be designed based on the utility (as opposed to the "contemplated pleasure" of beauty). For example, an object intended for a narrow and practical purpose does not need to be aesthetically pleasing, but it must be effective for its task and inexpensive: a steel power pylon carries electric wires just as well as a marble column would, and at a much lower cost. While an artefact designed with complete disregard of appearance (''purely'' or ''strictly utilitarian design'') can be imagined, David Pye argues that such objects do not exist, as the human nature makes it impossible to design anything without even a slightest consideration of its appearance. As far back as in the Paleolithic Age, the stone tools were sometimes manufactured with better quality than the one required for the task. According to Pye, in practice the "purely utilitarian" objects are the ones made to fit the purpose at the lowest possible cost, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Form Follows Function
Form follows function is a principle of design associated with late 19th- and early 20th-century architecture and industrial design in general, which states that the appearance and structure of a building or object ( architectural form) should primarily relate to its intended function or purpose. Origins of the phrase The architect Louis Sullivan coined the maxim, which encapsulates Viollet-le-Duc's theories: "a rationally designed structure may not necessarily be beautiful but no building can be beautiful that does not have a rationally designed structure". Sullivan also credited his friend and mentor, John H. Edelmann, who theorized the concept of "suppressed function" with inspiration for this maxim. The maxim is often incorrectly attributed to the sculptor Horatio Greenough (1805–1852), whose thinking mostly predates the later functionalist approach to architecture. Greenough's writings were for a long time largely forgotten, and were rediscovered only in the 1930s. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papuan Peoples
The indigenous peoples of Western New Guinea in Indonesia and Papua New Guinea, commonly called Papuans, are Melanesians. There is genetic evidence for two major historical lineages in New Guinea and neighboring islands: a first wave from the Malay Archipelago perhaps 50,000 years ago when New Guinea and Australia were a single landmass called Sahuland, much later, a wave of Austronesian people from the north who introduced Austronesian languages and pigs about 3,500 years ago. They also left a small but significant genetic trace in many coastal Papuan peoples. Linguistically, Papuans speak languages from the many families of non-Austronesian languages that are found only on New Guinea and neighboring islands, as well as Austronesian languages along parts of the coast, and recently developed creoles such as Tok Pisin, Hiri Motu, Unserdeutsch, and Papuan Malay. The term "Papuan" is used in a wider sense in linguistics and anthropology. In linguistics, "Papuan languages" is a cov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tattoo
A tattoo is a form of body modification made by inserting tattoo ink, dyes, or pigments, either indelible or temporary, into the dermis layer of the skin to form a design. Tattoo artists create these designs using several tattooing processes and techniques, including hand-tapped traditional tattoos and modern tattoo machines. The history of tattooing goes back to Neolithic times, practiced across the globe by many cultures, and the symbolism and impact of tattoos varies in different places and cultures. Tattoos may be decorative (with no specific meaning), symbolic (with a specific meaning to the wearer), pictorial (a depiction of a specific person or item), or textual (words or pictographs from written languages). Many tattoos serve as rites of passage, marks of status and rank, symbols of religious and spiritual devotion, decorations for bravery, marks of fertility, pledges of love, amulets and talismans, protection, and as punishment, like the marks of outcasts, slaves, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evolution
Evolution is the change in the heritable Phenotypic trait, characteristics of biological populations over successive generations. It occurs when evolutionary processes such as natural selection and genetic drift act on genetic variation, resulting in certain characteristics becoming more or less common within a population over successive generations. The process of evolution has given rise to biodiversity at every level of biological organisation. The scientific theory of evolution by natural selection was conceived independently by two British naturalists, Charles Darwin and Alfred Russel Wallace, in the mid-19th century as an explanation for why organisms are adapted to their physical and biological environments. The theory was first set out in detail in Darwin's book ''On the Origin of Species''. Evolution by natural selection is established by observable facts about living organisms: (1) more offspring are often produced than can possibly survive; (2) phenotypic variatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bauhaus
The Staatliches Bauhaus (), commonly known as the , was a German art school operational from 1919 to 1933 that combined Decorative arts, crafts and the fine arts.Oxford Dictionary of Art and Artists (Oxford: Oxford University Press, 4th edn., 2009), , pp. 64–66 The school became famous for its approach to design, which attempted to unify individual artistic vision with the principles of mass production and emphasis on form follows function, function. The Bauhaus was founded by architect Walter Gropius in Weimar. It was grounded in the idea of creating a ''Gesamtkunstwerk'' ("comprehensive artwork") in which all the arts would eventually be brought together. The Bauhaus style later became one of the most influential currents in modern design, Modern architecture, modernist architecture, and architectural education. The Bauhaus movement had a profound influence on subsequent developments in art, architecture, graphic design, interior design, industrial design, and typography. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernism
Modernism was an early 20th-century movement in literature, visual arts, and music that emphasized experimentation, abstraction, and Subjectivity and objectivity (philosophy), subjective experience. Philosophy, politics, architecture, and social issues were all aspects of this movement. Modernism centered around beliefs in a "growing Marx's theory of alienation, alienation" from prevailing "morality, optimism, and Convention (norm), convention" and a desire to change how "social organization, human beings in a society interact and live together". The modernist movement emerged during the late 19th century in response to significant changes in Western culture, including secularization and the growing influence of science. It is characterized by a self-conscious rejection of tradition and the search for newer means of cultural expressions, cultural expression. Modernism was influenced by widespread technological innovation, industrialization, and urbanization, as well as the cul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
