Orlando Morgan
Robert Orlando Morgan (16 March 1865 – 16 May 1956) was an English music teacher, composer and musicologist. He is best remembered as an influential teacher at the Guildhall School of Music in London, where he taught for 64 years, from 1887 to 1951, as Professor of Pianoforte and Composition. His pupils included the composer Benjamin Frankel and the pianist Dame Myra Hess. Morgan composed many songs and classical pieces, as well as the music for the last Savoy opera, '' Two Merry Monarchs'' (1910), which had poor notices and a brief run. Morgan wrote no more operas but continued to compose prolifically throughout his life. Biography Early years Morgan was born on 16 March 1865 in Manchester, the son of Peter and Elizabeth Morgan."Morgan, R(obert) Orlando" ''Who Was Who'', A & C Black, 1920–2008; online editio ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Musicology
Musicology is the academic, research-based study of music, as opposed to musical composition or performance. Musicology research combines and intersects with many fields, including psychology, sociology, acoustics, neurology, natural sciences, formal sciences and computer science. Musicology is traditionally divided into three branches: music history, systematic musicology, and ethnomusicology. Historical musicologists study the history of musical traditions, the origins of works, and the biographies of composers. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthetics, pedagogy, musical acoustics, the science and technology of musical instruments, and the musical implications of physiology, psychology, sociology, philosophy and computing. Cognitive musicology is the set of phenomena surrounding the cognitive modeling of music. When musicologists carry out ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism in music, Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism (music), modernism, baroque music, baroque, Neoclassicism (music), neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Wilhelm Backhaus
Wilhelm Backhaus ('Bachaus' on some record labels) (26 March 1884 – 5 July 1969) was a German pianist and pedagogue. He was particularly well known for his interpretations of Mozart, Beethoven, Schumann, Chopin and Brahms. He was also much admired as a chamber musician. Musical biography Born in Leipzig, Backhaus was the son of a well-known architect. He began learning piano at the age of four with his mother, an amateur pianist. The boy's talent was soon recognized by Arthur Nikisch, at whose recommendation Backhaus studied under Alois Reckendorf at the Leipzig Conservatory between 1891 and 1899, then took private piano lessons with Eugen d'Albert in Frankfurt. As a boy of 9 or 10 he was taken to hear both of the Brahms piano concertos performed by d'Albert — and conducted by Brahms himself. He made his first concert tour at the age of sixteen. In 1900 he went to England and in 1901 played for the first time in Manchester at the Gentleman's Concerts. In 1902 he performed a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian language, Italian verb ''cantare'', "to sing") is a vocal music, vocal Musical composition, composition with an musical instrument, instrumental accompaniment, typically in several movement (music), movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice Madrigal (music), madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantatas; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Teleman ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Guardian
''The Guardian'' is a British daily newspaper. It was founded in Manchester in 1821 as ''The Manchester Guardian'' and changed its name in 1959, followed by a move to London. Along with its sister paper, ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust Limited. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in its journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. S ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Album Für Die Jugend
''Album for the Young'' ('), Op. 68, was composed by Robert Schumann in 1848 for his three daughters. The album consists of a collection of 43 short works. Unlike the ', they are suitable to be played by children or beginners. The second part, starting at Nr. 19 (""), is marked ' (For adults; For more grown-up ones) and contains more demanding pieces. List of pieces First part # Melodie (Melody), C major # Soldatenmarsch (Soldiers' march), G major # Trällerliedchen (Lilting song or Humming song), C major # Ein Choral (Chorale), G major. Harmonisation of "Selig sind, die aus Erbamen" or "Freu dich sehr, o meine Seele" found in number 7 of BWV 39 # Stückchen (A little piece), C major # Armes Waisenkind (The poor orphan), A minor # Jägerliedchen (Hunting song), F major # Wilder Reiter (The wild rider), A minor (This piece is more commonly known in English as "The Wild Horseman") # Volksliedchen (Folk song), D minor # Fröhlicher Landmann, von der Arbeit zurückkehrend ( ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kinderszenen
' (, "Scenes from Childhood"), Opus number, Op. 15, by Robert Schumann, is a set of thirteen pieces of music for piano written in 1838. History and description Schumann wrote 30 movements for this work but chose 13 for the final version. The unused movements were later published in Bunte Blätter, ''Bunte Blätter'', Op. 99, and ''Albumblätter (Schumann), Albumblätter'', Op. 124. Schumann initially intended to publish ''Kinderszenen'' together with ''Novelletten (Schumann), Novelletten'' (Opus 21); the shared literary theme is suggested by the original title ''Kindergeschichten'' (Children's Tales). He told his wife Clara Schumann, Clara that the "thirty small, droll things", most of them less than a page in length, were inspired by her comment that he sometimes seemed "like a child". He described them in 1840 as "more cheerful, gentler, more melodic" than his earlier works. Movement No. 7 of the work, ', is one of Schumann's best known pieces; it is the opening and closi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Novelletten Op
The ''Novelletten'', Op. 21, is a set of eight pieces for solo piano, written by Robert Schumann in 1838. This composition is dedicated to Adolf von Henselt. Background The ''Novelletten'' were composed during February 1838, a period of great struggle for the composer. Schumann originally intended the eight pieces to be performed together as a group, though they are often performed separately. This set of pieces is an excellent example of Schumann's keyboard style. Analysis No. 1 in F major *''Markiert und kräftig'' (Marked and strong) Marcato e con forza This piece contains seven sections, alternating between a staccato march and flowing legato passages. The piece is a modified Rondo form. No. 2 in D major *''Äußerst rasch und mit Bravour'' (Extremely fast and with bravura) Prestissimo, arditamente This virtuosic piece is graceful and effective. An Intermezzo section in the middle contrasts and varies the piece. No. 3 in D major *''Leicht und mit Humor'' (Light and wit ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Robert Schumann
Robert Schumann (; ; 8 June 181029 July 1856) was a German composer, pianist, and music critic of the early Romantic music, Romantic era. He composed in all the main musical genres of the time, writing for solo piano, voice and piano, chamber music, chamber groups, orchestra, choir and the opera. His works typify the spirit of the Romantic era in German music. Schumann was born in Zwickau, Saxony, to an affluent middle-class family with no musical connections, and was initially unsure whether to pursue a career as a lawyer or to make a living as a pianist-composer. He studied law at the universities of Leipzig University, Leipzig and Heidelberg University, Heidelberg but his main interests were music and Romantic literature. From 1829 he was a student of the piano teacher Friedrich Wieck, but his hopes for a career as a virtuoso pianist were frustrated by a worsening problem with his right hand, and he concentrated on composition. His early works were mainly piano pieces, inclu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the Transition from Classical to Romantic music, transition from the Classical period (music), Classical period to the Romantic music, Romantic era. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterised as heroic. During this time, Beethoven began to grow increasingly Hearing loss, deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Born in Bonn, Beethoven displayed his musical talent at a young age. He was initially taught intensively by his father, Johann van Bee ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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French Suites, BWV 812-817
The ''French Suites'', BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext Although Suites Nos. 1 to 4 are typically dated to 1722, it is possible that the first was written somewhat earlier. Style The suites were later given the name 'French' (first recorded usage by Friedrich Wilhelm Marpurg in 1762). Likewise, the '' English Suites'' received a later appellation. The name was popularised by Bach's biographer Johann Nikolaus Forkel, who wrote in his 1802 biography of Bach, "One usually calls them French Suites because they are written in the French manner." This claim, however, is inaccurate: like Bach's other suites, they follow a largely Italian convention. There is no surviving definitive manuscript of these suites, and ornamentation varies both in type and in degree across manuscripts. The courantes of the first ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Well-Tempered Clavier
''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time ''clavier'' referred to a variety of keyboard instruments, namely the harpsichord, the clavichord and the organ (which operates using air instead of strings), but not excluding the regal and the then newly-invented fortepiano. The modern German spelling for the collection is ' (WTK; ). Bach gave the title ' to a book of preludes and fugues in all 24 keys, major and minor, dated 1722, composed "for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study". Some 20 years later, Bach compiled a second book of the same kind (24 pairs of preludes and fugues), which became known as ''The Well-Tempered Clavier'', Part Two (in German: ''Zweyter Theil'', modern spelling: ''Zweiter Teil''). Modern editions usually refer to both parts ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |