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Organologist
Organology (from Ancient Greek () 'instrument' and (), 'the study of') is the science of musical instruments and their classifications. It embraces study of instruments' history, instruments used in different cultures, technical aspects of how instruments produce sound, and musical instrument classification. There is a degree of overlap between organology, ethnomusicology (being subsets of musicology) and the branch of the science of acoustics devoted to musical instruments. History A number of ancient cultures left documents detailing the musical instruments used and their role in society; these documents sometimes included a classification system. The first major documents on the subjects from the west, however, date from the 16th century, with works such as Sebastian Virdung's ''Musica getuscht und ausgezogen'' (1511), and Martin Agricola's ''Musica instrumentalis deudsch'' (1529). One of the most important organologists of the 17th century is Michael Praetorius. His ''Synt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curt Sachs
Curt Sachs (; 29 June 1881 – 5 February 1959) was a German musicologist. He was one of the founders of modern organology (the study of musical instruments). Among his contributions was the Hornbostel–Sachs system, which he created with Erich von Hornbostel. Biography Born in Berlin, Sachs studied piano, music theory and composition as a youth in that city. However, his doctorate from Berlin University (where he was later professor of musicology) in 1904 was on the history of art, with his thesis on the sculpture of Verrocchio. He began a career as an art historian, but promptly became more devoted to music, eventually being appointed director of the Staatliche Instrumentensammlung, a large collection of musical instruments. He reorganised and restored much of the collection, and his career as an organologist began. In 1913, Sachs saw the publication of his book ''Real-Lexicon der Musikinstrumente'', probably the most comprehensive survey of musical instruments in 200 y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Baines
Anthony Cuthbert Baines (1912–1997) was an English organologist who produced a wide variety of works on the history of musical instruments, and was a founding member of the Galpin Society. He attended Westminster School and then read for a degree in chemistry at Christ Church, Oxford. He subsequently won a scholarship to the Royal College of Music as a bassoon player, and went on to perform with the London Philharmonic Orchestra.A. C. Baines (ed.): ''Musical Instruments Through the Ages'' (Harmondsworth: Pelican Books, 1961), cover text. Selected publications * ''Woodwind Instruments and their History'' (London: Faber & Faber, 1957; reprinted 1962, 1967, 1991) * ''Bagpipes'' (Oxford: Oxford University Press, 1960; reprinted 1979, 1995), * ''Musical Instruments Through the Ages'' (Harmondsworth: Pelican, 1961; revised edition, London: Faber, 1966), * ''European and American Musical Instruments'' (London: B. T. Batsford, 1966; London: Chancellor, 1983) * ''Brass Instruments ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galpin Society
The Galpin Society was formed in October 1946 to further research into the branch of musicology known as organology, i.e. the history, construction, development and use of musical instruments. Based in the United Kingdom, it is named after the eminent British organologist and musical instrument collector, Canon Francis William Galpin (1858–1945), who had a lifelong interest in studying, collecting, playing, making and writing about musical instruments. The society's founder members, from the generation who followed in the footsteps of Canon Galpin, were keen to form a society to promote the historical study of all kinds of musical instruments. They included Anthony Baines, Robert Donington, Hugh Gough, Eric Halfpenny, Edgar Hunt, Eric Marshall Johnson, Lyndesay Langwill, Reginald Morley-Pegge, Geoffrey Rendall and Maurice Vincent. Philip Bate was the inaugural chairman of the society and Professor Jack Westrup, Heather Professor of Music at the University of Oxford The U ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Instrument Classification
In organology, the study of musical instruments, many methods of classifying instruments exist. Most methods are specific to a particular cultural group and were developed to serve that culture's musical needs. Culture-based classification methods sometimes break down when applied outside that culture. For example, a classification based on instrument use may fail when applied to another culture that uses the same instrument differently. In the study of Western music, the most common classification method divides instruments into the following groups: * String instruments (often subdivided between plucked and bowed instruments); * Wind instruments (often subdivided between woodwinds and brass); * Percussion instruments; and * Electronic instruments Classification criteria The criteria for classifying musical instruments vary depending on the point of view, time, and place. The many various approaches examine aspects such as the physical properties of the instrument (shape, c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Instruments
A musical instrument is a device created or adapted to make musical sounds. In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. A person who plays a musical instrument is known as an instrumentalist. The history of musical instruments dates to the beginnings of human culture. Early musical instruments may have been used for rituals, such as a horn to signal success on the hunt, or a drum in a religious ceremony. Cultures eventually developed composition and performance of melodies for entertainment. Musical instruments evolved in step with changing applications and technologies. The date and origin of the first device considered a musical instrument is disputed. The oldest object that some scholars refer to as a musical instrument, a simple flute, dates back as far as 50,000 - 60,000 years. Some consensus dates early flutes to about 40,000 years ago. However, most historians ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andre Schaeffner
In organology, the study of musical instruments, many methods of classifying instruments exist. Most methods are specific to a particular cultural group and were developed to serve that culture's musical needs. Culture-based classification methods sometimes break down when applied outside that culture. For example, a classification based on instrument use may fail when applied to another culture that uses the same instrument differently. In the study of Western music, the most common classification method divides instruments into the following groups: * String instruments (often subdivided between plucked and bowed instruments); * Wind instruments (often subdivided between woodwinds and brass); * Percussion instruments; and * Electronic instruments Classification criteria The criteria for classifying musical instruments vary depending on the point of view, time, and place. The many various approaches examine aspects such as the physical properties of the instrument (shape, c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hornbostel–Sachs
Hornbostel–Sachs or Sachs–Hornbostel is a system of musical instrument classification devised by Erich Moritz von Hornbostel and Curt Sachs, and first published in the in 1914. An English translation was published in the '' Galpin Society Journal'' in 1961. It is the most widely used system for classifying musical instruments by ethnomusicologists and organologists (people who study musical instruments). The system was updated in 2011 as part of the work of the Musical Instrument Museums Online (MIMO) Project. Hornbostel and Sachs based their ideas on a system devised in the late 19th century by Victor-Charles Mahillon, the curator of musical instruments at Brussels Conservatory. Mahillon divided instruments into four broad categories according to the nature of the sound-producing material: an air column; string; membrane; and body of the instrument. From this basis, Hornbostel and Sachs expanded Mahillon's system to make it possible to classify any instrument from any ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivor Darreg
Ivor Darreg (May 5, 1917 – February 12, 1994) was an American composer and leading proponent of microtonal or "xenharmonic" music. He also created a series of experimental musical instruments. Biography Darreg, a contemporary of Harry Partch and a close colleague of John H. Chalmers, Erv Wilson, and Joel Mandelbaum, was one of America's leading theorists and practitioners of experimental intonation and experimental instrument building. Frequently he published his writings in his own Xenharmonic Bulletin. Darreg was born Kenneth Vincent Gerard O'Hara in Portland, Oregon. His father John O'Hara was editor of the (Portland) Catholic Sentinel newspaper and his mother was an artist. (His Uncle, Edwin Vincent O'Hara, was a Roman Catholic Bishop. , ''Cuislandora.WRLC.org''.) He dropped out of school as a t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Fender
Clarence Leonidas Fender (August 10, 1909 – March 21, 1991) was an American inventor known for designing the Fender Stratocaster. He also founded the Fender Musical Instruments Corporation. In January 1965, he sold Fender to CBS, and later founded two other musical instrument companies, Music Man and G&L Musical Instruments. The guitars, basses, and amplifiers he designed from the 1940s on are still widely used: the Fender Telecaster (1950) was the first mass-produced solid-body electric guitar; the Fender Stratocaster (1954) is among the most iconic electric guitars; the Fender Precision Bass (1951) set the standard for electric basses, and the Fender Bassman amplifier, popular in its own right, became the basis for later amplifiers (notably by Marshall and Mesa Boogie) that dominated rock and roll music. Leo Fender was inducted into the Rock and Roll Hall of Fame in 1992. His instruments were played by many Rock and Roll Hall of Fame inductees such as Jimi Hendrix, Eric Clap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Musical Instruments
''Experimental Musical Instruments'' was a periodical edited and published by Bart Hopkin, an instrument builder and writer about 20th century experimental music design and custom made instrument construction. Though no longer in print, back issues are still available. The material and approach of EMI can now be found electronically on their site hosted by Bart Hopkin. This site is, together with www.oddmusic.com the main source on the internet for experimental musical instrumentalism.https://www.google.com/search?hl=en&client=safari&rls=nl-nl&q=experimental+musical+instrument&btnG=Zoeken&lr= Although only old editions of the magazine are still available and no newer editions appear, the name is still in use as the publisher for many of the book written by Bart Hopkin and co-writers. Publications *''Experimental Musical Instruments'', magazine, 70 issues appeared as a printed publication between 1985 and 1999, later on re-issued as well on CD-ROM. It was first headquartered in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bart Hopkin
Bart Hopkin is a builder of experimental musical instruments and a writer and publisher on the subject. Hopkin runs the website windworld.com, which provides resources regarding unusual instruments. Hopkin published the magazine ''Experimental Musical Instruments'' for 15 years and published several books and CDs specialized in a specialisation of certain types of instruments, such as wind chimes, plosive aerophones and marimbas. For these publications, Hopkin regularly asks experts on the subject to co-write the books, such as Carl Dean for the book about how to build and tune marimbas. ''Getting a Bigger Sound'' is a book Bart Hopkin wrote with Robert Cain and Jason Lollar about amplification of sound sources with several types of pickups ranging from piezo disc pickups to common pickups often used in electric guitars. Jason Lollar is a known builder of hand-wound electro-magnetic pickups. Besides writing, he has also built several experimental musical instruments such as woo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
United States
The United States of America (U.S.A. or USA), commonly known as the United States (U.S. or US) or America, is a country primarily located in North America. It consists of 50 U.S. state, states, a Washington, D.C., federal district, five major unincorporated territories, nine United States Minor Outlying Islands, Minor Outlying Islands, and 326 Indian reservations. The United States is also in Compact of Free Association, free association with three Oceania, Pacific Island Sovereign state, sovereign states: the Federated States of Micronesia, the Marshall Islands, and the Palau, Republic of Palau. It is the world's List of countries and dependencies by area, third-largest country by both land and total area. It shares land borders Canada–United States border, with Canada to its north and Mexico–United States border, with Mexico to its south and has maritime borders with the Bahamas, Cuba, Russia, and other nations. With a population of over 333 million, it is the List of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
