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Oreste
''Oreste'' ("Orestes", HWV A11, HG 48/102) is an opera by George Frideric Handel in three acts. The libretto was anonymously adapted from Giangualberto Barlocci’s ''L’Oreste'' (1723, Rome), which was in turn adapted from Euripides' ''Iphigeneia in Tauris''.Hicks The opera is a ''pasticcio'' (pastiche), meaning that the music of the arias was assembled from earlier works, mainly other operas and cantatas also by Handel. The recitatives and parts of the dances are the only parts composed specifically for this work. Handel had put together similar works before, fitting the music of pre-existent arias to new words, but this was the first time he had made an opera in this way using entirely his music. He assembled a collection of his arias from the previous years, ranging from '' Agrippina'' of 1709 to '' Sosarme'' of 1732, binding the pre-existent music seamlessly together with the newly-written recitatives to create a new musical drama. The opera is in Italian, although it wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orestes (mythology)
In Greek mythology, Orestes or Orestis (; ) was the son of Agamemnon and Clytemnestra, and the brother of Electra and Iphigenia. He was also known by the patronymic Agamemnonides (), meaning "son of Agamemnon." He is the subject of several Ancient Greek theatre, Ancient Greek plays and of various myths connected with his madness, revenge, and purification, which retain obscure threads of much older works. In particular Orestes plays a main role in Aeschylus' ''Oresteia.'' Etymology The Greek name Ὀρέστης, having become "Orestēs" in Latin and its descendants, is derived from Greek ὄρος (óros, "mountain") and ἵστημι (hístēmi, "to stand"), and so can be thought to have the meaning "stands on a mountain". Greek literature Homer In the Homeric telling of the story, Orestes is a member of the Atreus#The_House_of_Atreus, doomed house of Atreus, which is descended from Tantalus and Niobe. He is absent from Mycenae when his father, Agamemnon, returns from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iphigeneia In Tauris
''Iphigenia in Tauris'' (, ''Iphigeneia en Taurois'') is a drama by the playwright Euripides, written between 414 BC and 412 BC. It has much in common with another of Euripides's plays, ''Helen (play), Helen'', as well as the lost play ''Andromeda (Euripides), Andromeda'', and is often described as a romance (heroic literature), romance, a melodrama, a tragi-comedy or an escape play. Although the play is generally known in English as ''Iphigenia in Tauris'', this is, strictly speaking, the Latin title of the play (corresponding to the Greek Ἰφιγένεια ἐν Ταύροις), the meaning of which is ''Iphigenia among the Taurians''. There is no such place as "Tauris" in Euripides' play, although Johann Wolfgang von Goethe, Goethe, in his play ''Iphigenia in Tauris (Goethe), Iphigenie auf Tauris'' ironically utilising this translation error, posits such a place. The name refers to the Crimea, Crimean Peninsula (ancient ''Taurikḗ''). Background Years before the time perio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iphigenia
In Greek mythology, Iphigenia (; , ) was a daughter of King Agamemnon and Queen Clytemnestra, and thus a princess of Mycenae. In the story, Agamemnon offends the goddess Artemis on his way to the Trojan War by hunting and killing one of Artemis's sacred stags. She retaliates by preventing the Greek troops from reaching Troy unless Agamemnon kills his eldest daughter, Iphigenia, at Aulis as a human sacrifice. In some versions, Iphigenia dies at Aulis, and in others, Artemis rescues her. In the version where she is saved, she goes to the Taurians and meets her brother Orestes.Evans (1970), p. 141 Name "Iphigenia" means "strong-born," "born to strength," or "she who causes the birth of strong offspring." Iphianassa Iphianassa () is the name of one of Agamemnon's three daughters in Homer's ''Iliad'' (ix.145, 287) The name Iphianassa may be simply an older variant of the name Iphigenia. "Not all poets took Iphigenia and Iphianassa to be two names for the same heroine," Kerenyi r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euripides
Euripides () was a Greek tragedy, tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the ''Suda'' says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete (''Rhesus (play), Rhesus'' is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declinedMoses Hadas, ''Ten Plays by Euripides'', Bantam Classic (2006), Introduction, p. ixhe became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander.L.P.E.Parker, ''Euripides: Alcestis'', Oxford University Press (2007), Introduction p. lx Euripides is identified with theatrical innovations that have profoundly influ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Händel-Gesellschaft
Between 1858 and 1902, the Händel-Gesellschaft ("German Handel Society") produced a collected 105-volume edition of the List of compositions by George Frideric Handel, works of George Frideric Handel. Even though the collection was initiated by the society, many of the volumes were published by Friedrich Chrysander working alone (Chrysander was the major contributor for almost all of the volumes). The wording on the title page of the volumes is "''Georg Friedrich Händel's Werke. Ausgabe der Deutschen Händelgesellschaft''" which translates as "Georg Friedrich Handel's works. Edition of the German Handel Society". Chrysander's work has been criticised, however the scale of his achievement is also praised. The collection's abbreviation of "HG" can be used to identify individual works by Handel; for example Handel's ''Messiah (Handel), Messiah'' can be referred to as "HG xlv" (with the Roman numerals "xlv" indicating that the work is in volume 45). For practical use, the HG system ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pasticcio
In music, a ''pasticcio'' or ''pastiche'' is an opera or other musical work composed of works by different composers who may or may not have been working together, or an adaptation or localization of an existing work that is loose, unauthorized, or inauthentic. Etymology The term is first attested in the 16th century referring both to a kind of pie containing meat and pasta (''see pastitsio'') and to a literary mixture; for music, the earliest attestation is 1795 in Italian and 1742 in English. It derives from the post-classical Latin ''pasticium'' (13th century), a pie or pasty.''Oxford English Dictionary'', March 2008 revision, ''s.v.'' pasticcio In opera In the 18th century, opera ''pasticcios'' were frequently made by composers such as George Frideric Handel, Handel, for example ''Oreste'' (1734), ''Alessandro Severo'' (1738) and ''Giove in Argo'' (1739), as well as Christoph Willibald Gluck, Gluck, and Johann Christian Bach. These composite works would consist mainly of por ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carestini2
Giovanni Carestini (13 December 1700 in Filottrano, near Ancona – 1759 in Bologna) was an Italian castrato of the 18th century, who sang in the operas and oratorios of George Frideric Handel. He is also remembered as having sung for Johann Adolf Hasse and Christoph Willibald Gluck. Career Giovanni Carestini was born on 13 December 1700 in Filottrano. He was the son of Marco Felice Carestini and Vittoria Costantini. He was baptized two days after his birth by Don Nicola Gentiloni, provost of the Church of Santa Maria Assunta in Filottrano. In that occasion it was given the name Giovanni Maria Bernardino. The godfathers of his baptism were Felice Lancioni and Olimpia Felice Gentiloni, wife of Alessandro Gentiloni, a noble man of Filottrano. Since he was a child he had an exquisite and sweet voice. Carestini's career began in Milan in 1719, patronised at the time by the Cusani family (hence the alternative name Cusanino). He sang for Alessandro Scarlatti in Rome in 1721. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano (, ), or mezzo ( ), is a type of classical music, classical female singing human voice, voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Georges Bizet, Bizet's ''Carmen'', Angelina (Cinderella) in Gioachino Rossini, Rossini's ''La Cenerentola'', and Rosina in Rossini's ''The Barber of Seville, Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Countertenor
A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a specific kind of countertenor) may match the soprano's range of around C4 to C6.A sopranist is a term, widely used falsely, used to describe a countertenor whose vocal range is so high it is equivalent to that of a soprano. Countertenors often have tenor or baritone chest voices, but sing in falsetto or head voice much more often than they do in their chest voice. The nature of the countertenor voice has radically changed throughout musical history, from a modal voice, to a modal and falsetto voice, to the primarily falsetto voice that is denoted by the term today. This is partly because of changes in human physiology ( increase in body height) and partly because of fluctuations in pitch. The term first came into use in England during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Handel Festival, Halle
The Handel Festival (in German: Händel-Festspiele) in Halle an der Saale, Saxony-Anhalt, is an international music festival concentrating on the music of George Frideric Handel in the composer's birthplace. It was founded on May 25, 1922 and it grew into a center of Handel studies and performance in Europe. Especially Handel's operas have been staged regularly, some of them as first revivals. History The first Handel Festival in Halle was conducted in 1922,George Frideric Handel Halle feiert den "Weltbürger Händel" MDR 2009 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilton's Music Hall
Wilton's Music Hall is a Grade II* listed building in Shadwell, built as a music hall and now run as a multi-arts performance space in Graces Alley, off Cable Street in the London Borough of Tower Hamlets. It is one of very few surviving music halls of the East End of London and retains many original features. Wilton's has been a producing venue since 2004. It presents a diverse and programme including opera, puppetry, classical music, cabaret, dance, and magic. It is a focus for theatrical and East End history, as well as a living theatre, concert hall, public bar and heritage site. The venue underwent an extensive programme of restoration work from 2012 to 2015. The theatre did not close during the building works, instead running an interim arts programme called ''The Chrysalis Club''. The award-winning spaces reopened in October 2015. Architecture The theatre is a rare surviving example of the "giant pub hall". In the theatre, a single gallery, on three sides and sup ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Royal Opera
The Royal Opera is a British opera company based in central London, resident at the Royal Opera House in Covent Garden. Along with English National Opera, it is one of the two principal opera companies in London. Founded in 1946 as the Covent Garden Opera Company, the company had that title until 1968. It brought a long annual season and consistent management to a house that had previously hosted short seasons under a series of impresarios. Since its inception, it has shared the Royal Opera House with the dance company now known as The Royal Ballet. The two companies belong to an umbrella organisation, the Royal Ballet and Opera, which was known as the Royal Opera House prior to 2024. When the company was formed, its policy was to perform all works in English, but since the late 1950s most operas have been performed in their original language. From the outset, performers have comprised a mixture of British and Commonwealth singers and international guest stars, but fostering th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
