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Orchestral Song
The orchestral song (German ') is a late romantic genre of classical music for solo voices and orchestra. History What was effectively song with instrumental accompaniment – the cantata and the aria – had been part of music since the early baroque. Beethoven and Schumann too had occasionally provided instrumental accompaniment to some songs. Full orchestration, to enable a song to "hold its own" in a 19th-century concert environment, developed from the 1840s. Among the earliest experiments with orchestral song are those of Liszt who orchestrated several of his songs in the 1840s but did not publish them. Liszt also had the operetta composer August Conradi orchestrate his ''Le juif errant'' and ''Jeanne d'Arc'' around 1848, but these too were neither published nor performed. Long after Berlioz' publication of his orchestrations of '' Les nuits d'été'' in 1856, Liszt finally published his own orchestration of ''Jeanne d'Arc au bûcher,'' as a dramatic scene for voice and orchest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic and intellectual movement that originated in Europe towards the end of the 18th century. The purpose of the movement was to advocate for the importance of subjectivity and objectivity (philosophy), subjectivity, imagination, and appreciation of nature in society and culture in response to the Age of Enlightenment and the Industrial Revolution. Romanticists rejected the social conventions of the time in favour of a moral outlook known as individualism. They argued that passion (emotion), passion and intuition were crucial to understanding the world, and that beauty is more than merely an classicism, affair of form, but rather something that evokes a strong emotional response. With this philosophical foundation, the Romanticists elevated several key themes to which they were deeply committed: a Reverence (emotion), reverence for nature and the supernatural, nostalgia, an idealization of the past as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
An Die Hoffnung
"" (To Hope), Op. 124, is a ''Lied'' for alto or mezzo-soprano and orchestra by Max Reger, setting a poem by Friedrich Hölderlin. He composed it in Meiningen in 1912 and dedicated it to Anna Erler-Schnaudt, the singer of the first performance. It was published by Edition Peters the same year. History Reger composed the orchestral song in Meiningen in 1912. He had an affinity to the alto voice, collaborating with the singer Anna Erler-Schnaudt whom he met probably in 1906. Reger dedicated the work to her, and she was the soloist in the first performance in Eisenach on 12 October 1912. The composer conducted the Meininger Hofkapelle. The song was published by Edition Peters the same year, the vocal score in September, the parts in November. Reger requested the singer to perform in his memorial service in case of his death. She remained dedicated to him after his death, giving the autograph of the piano version of "" and several other memorabilia to the Max-Reger-Institute. Te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Ibert
Jacques François Antoine Marie Ibert (15 August 1890 – 5 February 1962) was a French composer of 20th-century classical music, classical music. Having studied music from an early age, he studied at the Conservatoire de Paris, Paris Conservatoire and won its top prize, the Prix de Rome at his first attempt, despite studies interrupted by his service in World War I. Ibert pursued a successful composing career, writing (sometimes in collaboration with other composers) seven operas, five ballets, incidental music for plays and films, works for piano solo, choral works, and chamber music. He is probably best remembered for his orchestral works including ''Divertissement (Ibert), Divertissement'' (1930) and ''Escales (Ibert), Escales'' (1922). As a composer, Ibert did not attach himself to any of the prevalent genres of music of his time, and has been described as an eclectic. This is seen even in his best-known pieces: ''Divertissement'' for small orchestra is lighthearted, even fri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Cras
Jean Émile Paul Cras (; 22 May 1879 – 14 September 1932) was a 20th-century French composer and career naval officer. His musical compositions were inspired by his native Brittany, his travels to Africa, and most of all, by his sea voyages. As a naval commander he served with distinction in the Adriatic Campaign during World War I. Biography Life and naval career Cras was born and died in Brest. His father was naval medical officer. He was accepted into the navy at the age of seventeen. As a midshipman cadet on the ''Iphigénie'', he travelled in the Americas, the West Indies and Senegal. He was promoted to Lieutenant in 1908. His mathematical skills led to his proposing a number of innovations in technical practices which were adopted by the navy, including his invention of an electrical selector and a navigational plotter protractor known as (aka Cras ruler, Cras protractor, Cras plotter).Michel Fleury, "Jean Cras, an exceptional destiny", ''Polyphème'', Tim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poème De L'amour Et De La Mer
The ''Poème de l'amour et de la mer'' (literally, ''Poem of Love and the Sea''), Op. 19, is a song cycle for voice and orchestra by Ernest Chausson. It was composed over an extended period between 1882 and 1892 and dedicated to Henri Duparc. Chausson would write another major work in the same genre, the '' Chanson perpétuelle'', in 1898. The Poème consists of two parts separated by an orchestral interlude, based on the poems ''La Fleur des eaux'' (''The Flower of the Waters'') and ''La Mort de l'amour'' (''The Death of Love'') by Chausson's friend Maurice Bouchor (1855–1929). Bouchor also provided the lyrics for another fifteen mélodies by Chausson. One such song was ''Le Temps des lilas'' (''The Time of Lilacs''), the last four verses of which Chausson transcribed and incorporated into the ending of the second part of the ''Poème''. At the premiere on February 21, 1893, in Brussels, Chausson himself played the piano to accompany the tenor Désiré Demest. The orch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest Chausson
Amédée-Ernest Chausson (; 20 January 1855 – 10 June 1899) was a French Romantic composer. Life Born in Paris into an affluent bourgeois family, Chausson was the sole surviving child of a building contractor who made his fortune assisting Baron Haussmann in the redevelopment of Paris in the 1850s. To please his father, Chausson studied law and was appointed a barrister for the Court of Appeals, but had little or no interest in the profession. He frequented the Paris salons, where he met celebrities such as Henri Fantin-Latour, Odilon Redon, and Vincent d'Indy. Before deciding on a musical career, he dabbled in writing and drawing. In 1879, at the age of 24, he began attending the composition classes of Jules Massenet at the Paris Conservatoire; Massenet came to regard him as "an exceptional person and a true artist". He had already composed some piano pieces and songs. Nevertheless, the earliest manuscripts that have been preserved are those corrected by Massenet. At the C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shéhérazade (Ravel)
''Shéhérazade'' is the title of two works by the French composer Maurice Ravel. Both have their origins in the composer's fascination with Scheherazade, the heroine and narrator of ''The Arabian Nights''. The first work, an overture (1898), Ravel's earliest surviving orchestral piece, was not well received at its premiere and has not subsequently been among his most popular works. Four years later he had a much greater success with a song cycle with the same title, which has remained a standard repertoire piece and has been recorded many times. Both settings are influenced by Russian composers, particularly Rimsky-Korsakov, who had written a symphonic suite based on ''Scheherazade'' in 1888. The first composition was heavily influenced by Russian music, the second used a text inspired by Rimsky-Korsakov's symphonic poem. The musical relation between the overture and the song cycle is tenuous. ''Shéhérazade'' overture ', written in 1898 but unpublished during the composer's l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism in music, Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism (music), modernism, baroque music, baroque, Neoclassicism (music), neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Cycle
A song cycle () is a group, or cycle (music), cycle, of individually complete Art song, songs designed to be performed in sequence, as a unit.Susan Youens, ''Grove online'' The songs are either for solo voice or an ensemble, or rarely a combination of solo songs mingled with choral pieces. The number of songs in a song cycle may be as brief as two songs or as long as 30 or more songs. The term "song cycle" did not enter lexicography until 1865, in Arrey von Dommer's edition of ''Koch’s Musikalisches Lexikon'', but works definable in retrospect as song cycles existed long before then. One of the earliest examples may be the set of seven Cantiga de amigo, Cantigas de amigo by the 13th-century Galicians, Galician jongleur Martin Codax. Jeffrey Mark identified the group of dialect songs 'Hodge und Malkyn' from Thomas Ravenscroft's ''The Briefe Discourse'' (1614) as the first of a number of early 17th-century examples in England. A song cycle is similar to a song collection, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestration
Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orchestration is the assignment of different instruments to play the different parts (e.g., melody, bassline, etc.) of a musical work. For example, a work for solo piano could be adapted and orchestrated so that an orchestra could perform the piece, or a concert band piece could be orchestrated for a symphony orchestra. In classical music, composers have historically orchestrated their own music. Only gradually over the course of music history did orchestration come to be regarded as a separate compositional art and profession in itself. In modern classical music, composers almost invariably orchestrate their own work. Two notable exceptions to this are Ravel's orchestration of Mussorgsky's solo piano work Pictures at an Exhibition and Malco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hector Berlioz
Louis-Hector Berlioz (11 December 1803 – 8 March 1869) was a French Romantic music, Romantic composer and conductor. His output includes orchestral works such as the ''Symphonie fantastique'' and ''Harold en Italie, Harold in Italy'', choral pieces including the Requiem (Berlioz), Requiem and ''L'Enfance du Christ'', his three operas ''Benvenuto Cellini (opera), Benvenuto Cellini'', ''Les Troyens'' and ''Béatrice et Bénédict'', and works of hybrid genres such as the "dramatic symphony" ''Roméo et Juliette (Berlioz), Roméo et Juliette'' and the "dramatic legend" ''La Damnation de Faust''. The elder son of a provincial physician, Berlioz was expected to follow his father into medicine, and he attended a Parisian medical college before defying his family by taking up music as a profession. His independence of mind and refusal to follow traditional rules and formulas put him at odds with the conservative musical establishment of Paris. He briefly moderated his style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
