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Opéra Le Peletier
The Salle Le Peletier or Lepeletier (sometimes referred to as the Salle de la rue Le Peletier or the Opéra Le Peletier) was the home of the Paris Opera from 1821 until the building was destroyed by fire in 1873. The theatre was designed and constructed by the architect François Debret on the site of the garden of the Hôtel de Choiseul on the rue Lepeletier. Due to the many changes in government and management during the theatre's existence, it had a number of different official names, the most important of which were: Théâtre de l'Académie Royale de Musique (1821–1848), Opéra-Théâtre de la Nation (1848–1850), Théâtre de l'Académie Nationale de Musique (1850–1852), Théâtre de l'Académie Impériale de Musique (1852–1854), Théâtre Impérial de l'Opéra (1854–1870), and Théâtre National de l'Opéra (1870–1873). History When King Louis XVIII's nephew, Charles Ferdinand, duc de Berry, was fatally stabbed on the night of 13 February 1820 in front of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vue De La Nouvelle Salle De L'Opéra Prise De La Rue De Provence - NYPL Digital Collections
Vue or VUE may refer to: Places * Vue, Loire-Atlantique, a commune in France * The Vue, a skyscraper in Charlotte, North Carolina Arts, entertainment and media * Vue (band), a rock and roll band from San Francisco, California * Vue International, a cinema company in the United Kingdom * ''Vue Weekly'', an alternative newspaper in Edmonton, Canada * PlayStation Vue, a former American streaming service from Sony Television stations * KVUE, the ABC TV affiliate for Austin, Texas, US * WVUE (Wilmington, Delaware), a defunct TV station in Wilmington, Delaware, US * WVUE-DT, the Fox TV affiliate for New Orleans, Louisiana, US Brands and enterprises * Pearson VUE, an electronic testing company * Saturn Vue, a sport utility vehicle * Vue International, a multinational cinema holding company based in the UK * Vue Pack, single-serve coffee system by Keurig *Vue.ai, A Madstreetden brand based in the USA Science and technology * Villitis of unknown etiology, a placental injury Software * E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Le Diable (opera)
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' () "fame, glory, honour, praise, renown, godlike" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin.Reaney & Wilson, 1997. ''Dictionary of English Surnames''. Oxford University Press. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe, the name entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including Eng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Taglioni
A ballet master (also balletmaster, ballet mistress, ''premier maître de ballet'' or ''premier maître de ballet en chef'') is an employee of a ballet company who is responsible for the level of competence of the dancers in their company. In modern times, ballet masters are generally charged with teaching the daily company ballet class and rehearsing the dancers for both new and established ballets in the company's repertoire. The artistic director of a ballet company, whether a male or female, may also be called its ballet master. Historic use of gender marking in job titles in ballet (and live theatre) is being supplanted by gender-neutral language job titles regardless of an employee's gender (e.g. ''ballet master'' in lieu of ''ballet mistress'', ''wig master'' as an alternative to ''wig mistress''). History of the position Especially during the early centuries of ballet troupes and ballet companies from the 18th century until the early 20th century, the position of ''fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Coralli
Jean Coralli (15 January 1779 – 1 May 1854) was a French ballet dancer and choreographer, best known for collaborating with Jules Perrot in creating ''Giselle'' (1841), the quintessential Romantic ballet of the nineteenth century. Early life and career Born Giovanni Coralli Peracini, he was a son of a Bolognese family resident in Paris, where his father was a comedian at the Théâtre Italien. As a child he studied at the ballet school of the Paris Opera but chose to go to Vienna to make his debut as a dancer and choreographer. He danced for a short while at the Paris Opera in 1802 and at the King's Theatre in London and then returned to Vienna to assume the position of ballet master at the Hoftheater (Court Theater). During these early years, he and his wife formed the celebrated dancing couple Giovanni and Teresa Coralli and were often pictured in contemporary prints. They danced leading roles in most of the ballets that Coralli created at the Hoftheater, including ''Helena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Mazilier
Joseph Mazilier (1 March 1801 – 19 May 1868) was a 19th-century French dancer, balletmaster and choreographer. He was born as ''Giulio Mazarini''. He was most noted for his ballets ''Paquita'' (1844) and ''Le Corsaire'' (1856). He created the role of James in ''La Sylphide'' with Marie Taglioni. Marie Guy-Stéphan debuted in ''Aelia et Mysis'' at the Paris Opéra when she moved in 1853 to Paris. Ballets *'' La Gypsy'' (1839) *''La Vendetta'' (1839) *''Le Diable Amoureux'' (1840) *''Lady Henrietta, or the Servant of Greenwich'' (''Lady Henriette, ou la Servante de Greenwich'') (1944) *'' Le Diable à Quatre'' (1845) *''Paquita'' (1846) *''Betty'' (1846) *''Griseldis, ou les Cinq sens'' (1848) *''Vert-vert'' (''Green-Green'') (1851) *''Orfa'' (1852) *''Aelia et Mysis, ou l'Atellane'' (1853) *''Jovita, ou les Boucaniers'' (1853) *''La Fonti'' (1855) *''Le Corsaire'' (1856) *''Les Elfes'' (1856) *'' Marco Spada ou La Fille du Bandit'' (1857) *''Une fête au port'' (1867) Roles * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Taglioni
Filippo Taglioni (aka Philippe Taglioni; 5 November 1777 – 11 February 1871) was an Italian dancer and choreographer and personal teacher to his own daughter, Romantic ballerina Marie Taglioni. (He had another child who also danced ballet, Paul Taglioni.) Also, although August Bournonville's version is better known, it was Taglioni who was the original choreographer of ''La Sylphide'', in 1832. Biography Born in Milan to father Carlo Taglioni, he received his dance training predominantly with Carlo Blasis and Jean-François Coulon. He made his dancing debut at age 17 in Pisa performing female roles. He danced in other Italian cities before becoming a dancer (at age 22) with the Paris Opera. With Vestris firmly in control there, he readily accepted an invitation to be a principal dancer and ballet master for the Royal Swedish Ballet in Stockholm, Sweden. In Stockholm, he married the dancer Sophie Karsten, daughter of a famous Swedish opera singer Christoffer Christi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Saint-Léon
Arthur Saint-Léon (17 September 1821, in Paris – 2 September 1870) was the '' Maître de Ballet'' of St. Petersburg Imperial Ballet from 1859 until 1869 and is famous for creating the choreography of the ballet '' Coppélia''. Biography He was born Charles Victor Arthur Michel in Paris, but was raised in Stuttgart, where his father was dance master for the court and the theatre ballet. Saint-Léon was encouraged by his father, who had also been a dancer of the Paris Opéra Ballet, to study music and dance. Saint-Léon studied violin with Joseph Mayseder and Niccolò Paganini. At the same time, he studied ballet so he could perform both as violinist and dancer. When he was 17 years old, he made his début as first demi-charactére dancer at the Théâtre de la Monnaie in Brussels. He started to tour across Europe dancing in Germany, Italy, England, obtaining a lot of success. In particular, the London audience, who did not like at that time to see men dancing on stage, like ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Perrot
Jules-Joseph Perrot (18 August 181029 August 1892) was a French dancer and choreographer who later became Ballet Master of the Imperial Ballet in St. Petersburg, Russia. He created some of the most famous ballets of the 19th century including ''Pas de Quatre'', '' La Esmeralda'', '' Ondine'', and ''Giselle'' with Jean Coralli. From dancer to balletmaster The Lyon-born Perrot danced often with Marie Taglioni but their partnership was short-lived. She eventually refused to dance with him fearing that he would outshine her. He left the Opéra in 1835 to tour European dance centers such as London, Milan, Vienna and Naples, where he met and noticed the talent of Carlotta Grisi. He coached her and presented her to the world as the next great ballerina in an 1836 performance in London with himself as her partner.Review: ''King's Theatre'', in ''The Times'', Wednesday 13 April 1836, p. 5, column C. Following the success of his contributions to the choreography of ''Giselle'', Perrot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balletmaster
A ballet master (also balletmaster, ballet mistress, ''premier maître de ballet'' or ''premier maître de ballet en chef'') is an employee of a ballet company who is responsible for the level of competence of the dancers in their company. In modern times, ballet masters are generally charged with teaching the daily company ballet class and rehearsing the dancers for both new and established ballets in the company's repertoire. The artistic director of a ballet company, whether a male or female, may also be called its ballet master. Historic use of gender marking in job titles in ballet (and live theatre) is being supplanted by gender-neutral language job titles regardless of an employee's gender (e.g. ''ballet master'' in lieu of ''ballet mistress'', ''wig master'' as an alternative to ''wig mistress''). History of the position Especially during the early centuries of ballet troupes and ballet companies from the 18th century until the early 20th century, the position of ''fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romantic Ballet
The Romantic ballet is defined primarily by an era in ballet in which the ideas of Romanticism in art and literature influenced the creation of ballets. The era occurred during the early to mid 19th century primarily at the Théâtre de l'Académie Royale de Musique of the Paris Opera Ballet and Her Majesty's Theatre in London. It is typically considered to have begun with the 1827 début in Paris of the ballerina Marie Taglioni in the ballet ''La Sylphide'', and to have reached its zenith with the premiere of the divertissement '' Pas de Quatre'' staged by the Ballet Master Jules Perrot in London in 1845. The Romantic ballet had no immediate end, but rather a slow decline. Arthur Saint-Léon's 1870 ballet ''Coppélia'' is considered to be the last work of the Romantic Ballet. Romantic ballet is believed to have been experienced in three main phases: The zenith phase from 1830 to 1840, the decline phase from 1850 to 1880, and the revival phase in the 1890s prior to Diaghilev. E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London
London is the Capital city, capital and List of urban areas in the United Kingdom, largest city of both England and the United Kingdom, with a population of in . London metropolitan area, Its wider metropolitan area is the largest in Western Europe, with a population of 14.9 million. London stands on the River Thames in southeast England, at the head of a tidal estuary down to the North Sea, and has been a major settlement for nearly 2,000 years. Its ancient core and financial centre, the City of London, was founded by the Roman Empire, Romans as Londinium and has retained its medieval boundaries. The City of Westminster, to the west of the City of London, has been the centuries-long host of Government of the United Kingdom, the national government and Parliament of the United Kingdom, parliament. London grew rapidly 19th-century London, in the 19th century, becoming the world's List of largest cities throughout history, largest city at the time. Since the 19th cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet Of Her Majesty's Theatre
His Majesty's Theatre is a West End theatre situated in the Haymarket in the City of Westminster, London. The building, designed by Charles J. Phipps, was constructed in 1897 for the actor-manager Herbert Beerbohm Tree, who established the Royal Academy of Dramatic Art (RADA) at the theatre. In the early decades of the 20th century Tree produced spectacular productions of Shakespeare and other classical works, and the theatre hosted premieres by such playwrights as Bernard Shaw, J. M. Synge and, later, Noël Coward and J. B. Priestley. Since the First World War the wide stage has made the theatre suitable for large-scale musical productions, and His Majesty's has accordingly specialised in hosting musicals. It has been home to record-setting musical theatre runs such as the First World War hit '' Chu Chin Chow'' and Andrew Lloyd Webber's ''The Phantom of the Opera'', which has run at His Majesty's since 1986, except during the COVID-19 pandemic theatre closures. The first t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
