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Opening Remarks
''Opening Remarks'' is a 1978 studio album by jazz guitarist Ted Dunbar, recorded for Xanadu Records. Track listing #"Entrance" #"Two Areas" - 9:08 #"Hang In There" - 7:43 #"Lazy Lane" - 4:41 #"Never Again" - 5:23 #"Tonal Search" - 8:06 #"Grand Mal - Petit Mal" #"Exit" - 5:42 All music composed by Ted Dunbar. Personnel * Ted Dunbar - guitar * Tommy Flanagan - piano * Sam Jones - bass * Leroy Williams - drums The drum is a member of the percussion instrument, percussion group of musical instruments. In the Hornbostel–Sachs classification system, it is a membranophones, membranophone. Drums consist of at least one Acoustic membrane, membrane, c ... References {{Authority control 1978 albums Ted Dunbar albums Xanadu Records albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ted Dunbar
Earl Theodore Dunbar (January 17, 1937 – May 29, 1998) was an American jazz guitarist, composer, and educator. Career Born in Port Arthur, Texas, Dunbar trained as a pharmacist at Texas Southern University, but by the 1970s he only did pharmacy work part-time. He was also a trained numerologist and studied other aspects of mysticism. He became interested in jazz at the age of seven. During the 1950s, he joined several groups while studying pharmacy at Texas Southern University. During the 1960s, he worked as a substitute for Wes Montgomery. Dunbar collaborated with Gil Evans, Roy Haynes, Jimmy Heath, Sonny Rollins, McCoy Tyner, and Tony Williams. In 1972 he became one of the first jazz professors at Rutgers University and taught Kevin Eubanks, Vernon Reid, and Peter Bernstein. At one point he received accolades from '' Ebony'' and ''Down Beat''. He wrote a series of books on tonal convergence that are inspired and related to the Lydian chromatic concept. The centerpiece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xanadu Records
Xanadu Records was a jazz record label founded in 1975 by Don Schlitten. It was most active during the 1970s and 1980s and stopped recording in the 1990s. The catalogue was bought by emusic in 1999, but no new music was produced. In 2007, the catalogue was bought by The Orchard, which entered an agreement in 2015 with Elemental Music to reissue some of the catalog as the Xanadu Master Edition Series. The partnership planned to include albums by Kenny Barron, Bob Berg, Al Cohn, Sonny Criss, Joe Farrell, Barry Harris, Dexter Gordon, Albert Heath, Jimmy Heath, Duke Jordan Irving Sidney "Duke" Jordan (April 1, 1922 – August 8, 2006) was an American jazz pianist. Biography Jordan was born in New York and raised in Brooklyn where he attended Boys High School. An imaginative and gifted pianist, Jordan was a regul ..., Charles McPherson, and Cecil Payne. Discography References {{Authority control Defunct record labels of the United States American jazz record labels [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In Tandem
''In Tandem'' is a live album by American pianist Kenny Barron and guitarist Ted Dunbar which was recorded in 1975 and first released on the Muse label in 1980.Fitzgerald, MKenny Barron Discography accessed January 20, 2019 Reception In his review on Allmusic, Ken Dryden notes "This duo concert by pianist Kenny Barron and guitarist Ted Dunbar is excerpted from a 1975 concert at Rutgers University, where both of them were teaching at the time. Barron and Dunbar (who made a number of recordings, but very few as a leader or co-leader) mesh very well together ... The duo tracks are long but never run out of gas ... There are also solo features for each man." Track listing # " Summertime" ( George Gershwin, Ira Gershwin, DuBose Heyward) – 14:55 # " Here's That Rainy Day' ( Jimmy Van Heusen, Johnny Burke) – 10:07 # "Aruba" (Kenny Barron, Ted Dunbar) – 18:10 # " On the Trail" ( Ferde Grofé) – 6:50 Personnel *Kenny Barron – piano (tracks 1–3) * Ted Dunbar – guita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Album
An album is a collection of audio recordings (e.g., music) issued on a medium such as compact disc (CD), Phonograph record, vinyl (record), audio tape (like 8-track cartridge, 8-track or Cassette tape, cassette), or digital distribution, digital. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records (78s) collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the ''album era''. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983, being gradually supplanted by the cassette tape throughout the 1970s and early 1980s; the popul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Guitarist
Jazz guitarists are guitarists who play jazz using an approach to chords, melodies, and improvised solo lines that is called jazz guitar playing. The guitar has fulfilled the roles of accompanist (rhythm guitar) and soloist in small and large ensembles and also as an unaccompanied solo instrument. Until the 1930s, jazz bands used banjo because the banjo's metallic twang was easier to hear than the acoustic guitar when competing with trumpets, trombones, and drums. The banjo could be heard more easily, too, on wax cylinders in the early days of audio recording. The invention of the archtop increased the guitar's volume. In the hands of Eddie Lang it became a solo instrument for the first time. Following the lead of Lang, musicians traded their banjos for guitars, and by the 1930s the banjo hardly existed as a jazz instrument. Charlie Christian was the first guitarist to explore the possibilities created by amplification. Although his career was brief, it was influential enough f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Guitar
Jazz guitar may refer to either a type of electric guitar or a guitar playing style in jazz, using Guitar amplifier, electric amplification to increase the volume of acoustic guitars. In the early 1930s, jazz musicians sought to amplify their sound to be heard over loud big bands. When guitarists in big bands switched from acoustic guitar, acoustic to semi-acoustic guitar and began using guitar amplifier, amplifiers, it enabled them to play guitar solo, solos. Jazz guitar had an important influence on jazz in the beginning of the twentieth century. Although the earliest guitars used in jazz were acoustic guitar, acoustic and acoustic guitars are still sometimes used in jazz, most jazz guitarists since the 1940s have performed on an electrically amplified guitar or electric guitar. Traditionally, jazz electric guitarists use an archtop guitar, archtop with a relatively broad hollow sound-box, violin-style f-holes, a "bridge (instrument), floating bridge", and a Pick up (music te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy Flanagan (musician)
Thomas Lee Flanagan (March 16, 1930 – November 16, 2001) was an American jazz pianist and composer. He grew up in Detroit, initially influenced by such pianists as Art Tatum, Teddy Wilson, and Nat King Cole, and then by bebop musicians. Within months of moving to New York in 1956, he had recorded with Miles Davis and on Sonny Rollins' album ''Saxophone Colossus''. Recordings under various leaders, including ''Giant Steps'' of John Coltrane, continued well into 1962, when he became vocalist Ella Fitzgerald's full-time accompanist. He worked with Fitzgerald for three years until 1965, and then in 1968 returned to be her pianist and musical director, this time for a decade. After leaving Fitzgerald in 1978, Flanagan attracted praise for the elegance of his playing, which was principally in trio settings when under his own leadership. In his 45-year recording career, he recorded more than three dozen albums under his own name and more than 200 as a sideman. By the time of h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
A piano is a keyboard instrument that produces sound when its keys are depressed, activating an Action (music), action mechanism where hammers strike String (music), strings. Modern pianos have a row of 88 black and white keys, tuned to a chromatic scale in equal temperament. A musician who specializes in piano is called a pianist. There are two main types of piano: the #Grand, grand piano and the #Upupright piano. The grand piano offers better sound and more precise key control, making it the preferred choice when space and budget allow. The grand piano is also considered a necessity in venues hosting skilled pianists. The upright piano is more commonly used because of its smaller size and lower cost. When a key is depressed, the strings inside are struck by felt-coated wooden hammers. The vibrations are transmitted through a Bridge (instrument), bridge to a Soundboard (music), soundboard that amplifies the sound by Coupling (physics), coupling the Sound, acoustic energy t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Jones (jazz Musician)
Samuel Jones (November 12, 1924 – December 15, 1981) was an American jazz double bassist, cellist, and composer. Background Sam Jones was born in Jacksonville, Florida, United States, to a musical family. His father played piano and drums and his aunt played organ in church. In 1955, he moved to New York City and began his recording career with Tiny Bradshaw, before working with Bill Evans, Bobby Timmons, Les Jazz Modes, Kenny Dorham, Illinois Jacquet, Freddie Hubbard, Dizzy Gillespie (1958–59), and Thelonious Monk. He is probably best known for his work with Cannonball Adderley, performing in his quintet from 1955 to 1956 and then again from 1959 to 1964, and recording extensively for Riverside Records as both a leader and sideman. He later spent several years working with Oscar Peterson (1966-1970) and Cedar Walton (1972-1977). In the 1970s, Jones recorded several albums as a bandleader for the Xanadu and SteepleChase labels. Jones wrote the jazz standards "Del Sasser" a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known as the upright bass, the acoustic bass, the bull fiddle, or simply the bass, is the largest and lowest-pitched string instrument, chordophone in the modern orchestra, symphony orchestra (excluding rare additions such as the octobass). It has four or five strings, and its construction is in between that of the gamba and the violin family. The bass is a standard member of the orchestra's string section, along with violins, violas, and cellos,''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leroy Williams
Leroy Williams (February 3, 1937 – June 1, 2022) was an American drummer, mostly known for his work in jazz. Williams first began playing drums as a teenager in the 1950s. From 1959 to the middle of the 1960s he played with singer Judy Roberts, and following this he moved to New York City and played with Booker Ervin in 1967. In 1968 he played with Sonny Rollins, Archie Shepp, and Clifford Jordan; in 1969 he first began playing with Barry Harris, with whom he would collaborate often. 1970 saw him playing with Hank Mobley, Wilbur Ware, and Thelonious Monk, the latter of which he went with on a tour of Japan. Later in the 1970s he played with Yusef Lateef, Ray Bryant, Charles McPherson, Stan Getz, Andrew Hill, Sonny Stitt, Junior Cook, Al Cohn, Buddy Tate, and Bob Wilber. In the 1980s Williams played with Art Davis, Barry Harris, Tommy Flanagan, Steve Turre, and Bill Hardman. In the 1990s he performed with Anthony Braxton, Lee Konitz, Ralph Lalama, and Pete Malinverni. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
