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Oni Wytars
Oni Wytars is an early music ensemble that was founded in 1983 by Marco Ambrosini and Peter Rabanser. Music Appearing in concerts and at festivals throughout Europe, the Americas, and the Middle and Far East, they perform music of the Middle Ages and Renaissance as well as classical and traditional Arab and Turkish music. The focal point of Oni Wytars' work is to unite the many traditions that have influenced and enriched European musical culture for centuries by building a bridge between ancient and still-thriving musical traditions, between the Orient and Occident. Oni Wytars balances on the edge between early and modern traditional music blending elements from both the rich cultural heritage of medieval Europe and from their own diverse backgroundsthe instrumentalists and singers come from Austria, Germany, Italy, France, Switzerland, Iran, Spain, the UK and the USOni Wytars has developed an intriguing performance style. Instruments They perform on instruments from the Eu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Music
Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750) or Ancient music (before 500 AD). Originating in Europe, early music is a broad Dates of classical music eras, musical era for the beginning of Classical music, Western classical music. Terminology Interpretations of historical scope of "early music" vary. The original Academy of Ancient Music formed in 1726 defined "Ancient" music as works written by composers who lived before the end of the 16th century. Johannes Brahms and his contemporaries would have understood Early music to range from the High Renaissance and Baroque, while some scholars consider that Early music should include the music of ancient Greece or Music of ancient Rome, Rome before 500 AD (a period that is generally covered by the term Ancient music). Music critic Michael Kennedy (music critic), Michael Kennedy excludes Baroque, defining Early music as "musical composi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebec
The rebec (sometimes rebecha, rebeckha, and other spellings, pronounced or ) is a bowed stringed instrument of the Medieval era and the early Renaissance. In its most common form, it has a narrow boat-shaped body and one to five strings. Origins Popular from the 13th to 16th centuries, the introduction of the rebec into Western Europe coincided with the Arabic conquest of the Iberian Peninsula. There is, however, evidence of the existence of bowed instruments in the 9th century in Eastern Europe. The Persian geographer of the 9th century Ibn Khurradadhbih cited the bowed Byzantine lira (or ''lūrā'') as a typical bowed instrument of the Byzantines and equivalent to the pear-shaped Arab ''rebab''. The rebec was adopted as a key instrument in Arab classical music and in Morocco it was used in the tradition of Arabo-Andalusian music, which had been kept alive by descendants of Muslims who left Spain as refugees following the Reconquista. The rebec also became a favorite instrum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a percussion mallet, beater including attached or enclosed beaters or Rattle (percussion beater), rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding Zoomusicology, zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of idiophone, membranophone, aerophone and String instrument, chordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recorder (musical Instrument)
The recorder is a family of woodwind musical instruments in the group known as ''internal duct flutes'': flutes with a whistle mouthpiece, also known as fipple flutes, although this is an archaic term. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and seven finger-holes: three for the upper hand and four for the lower. It is the most prominent duct flute in the western classical tradition. Recorders are made in various sizes with names and compasses roughly corresponding to various vocal ranges. The sizes most commonly in use today are the soprano (also known as descant, lowest note C5), alto (also known as treble, lowest note F4), tenor (lowest note C4), and bass (lowest note F3). Recorders were traditionally constructed from wood or ivory. Modern professional instruments are almost invariably of wood, often boxwood; student and scholastic recorders are commonly of moulded plastic. The recorders' internal and ext ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bagpipe
Bagpipes are a woodwind instrument using enclosed reeds fed from a constant reservoir of air in the form of a bag. The Great Highland bagpipes are well known, but people have played bagpipes for centuries throughout large parts of Europe, Northern Africa, Western Asia, around the Persian Gulf and northern parts of South Asia. The term ''bagpipe'' is equally correct in the singular or the plural, though pipers usually refer to the bagpipes as "the pipes", "a set of pipes" or "a stand of pipes". Bagpipes are part of the aerophone group because to play the instrument you must blow air into it to produce a sound. Construction A set of bagpipes minimally consists of an air supply, a bag, a chanter, and usually at least one drone. Many bagpipes have more than one drone (and, sometimes, more than one chanter) in various combinations, held in place in stocks—sockets that fasten the various pipes to the bag. Air supply The most common method of supplying air to the bag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaval
The kaval is a Diatonic and chromatic, chromatic end-blown flute, end-blown oblique flute traditionally played throughout the Balkans (in Albania, Romania, Bulgaria, Southern Serbia, Kosovo, North Macedonia, Northern Greece, and elsewhere) and Anatolia (including Turkey and Armenia). The kaval is primarily associated with mountain Shepherd, shepherds. Unlike the transverse flute, the kaval is fully open at both ends, and is played by blowing on the sharpened edge of one end. The kaval has eight playing holes (seven in front and one in the back for the thumb) and usually four more unfingered Intonation (music), intonation holes near the bottom of the kaval. As a wooden rim-blown flute, kaval is similar to the ''kawala'' of the Arab world and ''ney'' of the Middle East. Construction While typically made of wood (European Cornel, cornel cherry, apricot, plum, boxwood (genus), boxwood, mountain ash, etc.), kavals are also made from water buffalo horn, ''Arundo donax'' Linnaeus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chalumeau
The chalumeau (; ; plural chalumeaux) is a single-reed woodwind instrument of the late baroque and early classical eras. The chalumeau is a folk instrument that is the predecessor to the modern-day clarinet. It has a cylindrical bore with eight tone holes (seven in front and one in back for the thumb) and a broad mouthpiece with a single heteroglot reed (''i.e.'' separate, not a continuous part of the instrument's body) made of cane. Similar to the clarinet, the chalumeau overblows a twelfth. History The word ''chalumeau'' first begins to appear in writing during the 1630s, but may have been in use as early as the twelfth century. Several French dictionaries in the sixteenth century use the word to refer to various types of simple, idioglot reed-pipes all with tone holes. The heteroglot style reed (detached from the reed-plant's sidewall) was later adopted in the seventeenth and into the eighteenth centuries. These single-pipe instruments probably evolved from earlie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornett
The cornett (, ) is a lip-reed wind instrument that dates from the Medieval, Renaissance and Baroque periods, popular from 1500 to 1650. Although smaller and larger sizes were made in both straight and curved forms, surviving cornetts are mostly curved, built in the treble size from in length, usually described as in G. The note sounded with all finger-holes covered is A, which can be lowered a further whole tone to G by slackening the embouchure. The name ''cornett'' comes from the Italian ''cornetto'', meaning "small horn". It was used in performances by professional musicians for both state and liturgical music, especially accompanying choral music. It also featured in popular music in '' alta capella'' or loud wind ensembles. British organologist Anthony Baines wrote that the cornett "was praised in the very terms that were to be bestowed upon the oboe .. it could be sounded as loud as a trumpet and as soft as a recorder, and its tone approached that of the human voice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shawm
The shawm () is a Bore (wind instruments)#Conical bore, conical bore, double-reed woodwind instrument made in Europe from the 13th or possibly 12th century to the present day. It achieved its peak of popularity during the medieval and Renaissance periods, after which it was gradually eclipsed by the oboe family of descendant instruments in classical music. It is likely to have come to Western Europe from the Eastern Mediterranean around the time of the Crusades.The Shawm and Curtal ��from the Diabolus in Musica Guide to Early Instruments Double-reed instruments similar to the shawm were long present in Southern Europe and the East, for instance the Ancient Greek music, ancient Greek, and later Byzantine Empire#Music, Byzantine aulos, the closely related sorna and zurna,A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harp
The harp is a stringed musical instrument that has individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or concerts. Its most common form is triangular in shape and made of wood. Some have multiple rows of strings and pedal attachments. Ancient depictions of harps were recorded in Mesopotamia (now Iraq), Persia (now Iran) and Egypt, and later in India and China. By medieval times harps had spread across Europe. Harps were found across the Americas where it was a popular folk tradition in some areas. Distinct designs also emerged from the African continent. Harps have symbolic political traditions and are often used in logos, including in Ireland. Historically, strings were made of sinew (animal tendons). Other materials have included gut (animal intestines), plant fiber, braided hemp, cotton cord, silk, nylon, and wire. In pedal harp scor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hurdy-gurdy
The hurdy-gurdy is a string instrument that produces sound by a hand-turned crank, rosined wheel rubbing against the strings. The wheel functions much like a violin (or nyckelharpa) bow, and single notes played on the instrument sound similar to those of a violin. Melodies are played on a musical keyboard, keyboard that presses ''tangents''—small wedges, typically made of wood or metal—against one or more of the strings to change their pitch. Like most other acoustic stringed instruments, it has a sound board (music), sound board and hollow cavity to make the vibration of the strings audible. Most hurdy-gurdies have multiple drone (music), drone strings, which give a constant pitch accompaniment to the melody, resulting in a sound similar to that of bagpipes. For this reason, the hurdy-gurdy is often used interchangeably or along with bagpipes. It is mostly used in Occitan folk music, Occitan, Music of Aragon, Aragonese, Cajun music, Cajun French, Music of Galicia, Cantabri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
