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Ondioline
The Ondioline is an electronic analog synthesizer, developed and built by Frenchman Georges Jenny. Sometimes referred to as the "Jenny Ondioline," the instrument is considered a forerunner of the synthesizer. First conceived by Jenny in 1939, he continued refining and reconfiguring the device, producing dozens of variant models up until his death in 1975. Though monophonic, the Ondioline is capable of creating a wide variety of sounds. Its keyboard spans three octaves, but by adjusting a register knob a player can render up to eight octaves. The instrument's keyboard is suspended on custom-designed springs, which enables a natural vibrato if the player manipulates a key laterally (from side to side) as that key is depressed. The keyboard is pressure-sensitive, and volume is controlled by a knee lever. The foremost exponent and popularizer of the instrument was Jean-Jacques Perrey, who performed and recorded with it, composed for it, and served as the instrument's first salesma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Jenny
Georges Marcel Charles Jenny (29 April 1913 – 23 September 1975) was a French musician, poet, and electronic instrument builder. His best-known invention was an electronic keyboard instrument called the Ondioline (sometimes referred to as the Jenny Ondioline). It is considered a forerunner of the synthesizer. The Ondioline is monophonic, yet it is capable of generating an array of sounds, and features a keyboard that produces a natural-sounding vibrato via side-to-side finger movements when keys are depressed. Development of the instrument Jenny conceived the instrument as a low-cost alternative to the then-well known but expensive Ondes Martenot. The Martenot was used in serious music, but Jenny planned the Ondioline for a broader consumer market, including pop music. He began constructing his first prototype around 1939 (the instrument was as yet unnamed) while recovering from tuberculosis at a sanatorium in the south of France. After the instrument was further refined, Je ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Jacques Perrey
Jean Marcel Leroy (20 January 1929 – 4 November 2016), better known as Jean-Jacques Perrey (), was a French people, French electronic music performer, composer, producer, and promoter. He is considered a pioneer of pop electronica.Kreps, Daniel, "Jean-Jacques Perrey, Electronic Music Pioneer, Dead at 87" ''Rolling Stone'', 5 November 2016 Perrey partnered with composer-performer Gershon Kingsley to form the electronic music duo Perrey and Kingsley, who issued some of the first commercial recordings featuring the Moog synthesizer. Perrey was also one of the first to promote, perform, and record with the Ondioline, developed by Georges Jenny. Biography Early life Jean Ma ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gotye
Wouter André De Backer (; born 21 May 1980), known professionally as Gotye ( , , ), is a Belgian-born Australian singer-songwriter and multi-instrumentalist. He is best known for his 2011 single "Somebody That I Used to Know" (featuring Kimbra), which peaked atop the Billboard Hot 100, ''Billboard'' Hot 100, as well as several international charts, and became the best-selling song of 2012. He has won five ARIA Music Awards, ARIA Awards and received a nomination for an 2011 MTV Europe Music Awards, MTV EMA for Best Asia and Pacific Act. At the 55th Annual Grammy Awards, the song won Record of the Year and Best Pop Duo/Group Performance, while its parent album — ''Making Mirrors'' (2012) — won Best Alternative Music Album. Gotye has released three studio albums Independent record label, independently and one album featuring remixes of tracks from his first two albums. He is a founding member of the Melbourne indie-pop trio The Basics (band), the Basics, who have independent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ondes Martenot
The ondes Martenot ( ; , ) or ondes musicales () is an early electronic musical instrument. It is played with a lateral-vibrato Keyboard instrument, keyboard or by moving a ring tied to a wire, creating "wavering" sounds similar to a theremin. Dynamics and timbre are adjusted using controls in a drawer on the instrument's left side. A player of the ondes Martenot is called an ondist. The ondes Martenot was invented in 1928 by the French inventor Maurice Martenot. Martenot was inspired by the accidental overlaps of tones between military radio oscillators, and wanted to create an instrument with the expressiveness of the cello. The ondes Martenot is used in more than 100 orchestral compositions. The French composer Olivier Messiaen used it in pieces such as his 1949 symphony ''Turangalîla-Symphonie'', and his sister-in-law Jeanne Loriod was a celebrated player of the instrument. It appears in numerous film and television soundtracks, particularly Science fiction film, science fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Analog Synthesizer
An analog synthesizer () is a synthesizer that uses Analogue electronics, analog circuits and analog signals to generate sound electronically. The earliest analog synthesizers in the 1920s and 1930s, such as the Trautonium, were built with a variety of vacuum tube, vacuum-tube (thermionic valve) and electro-mechanical technologies. After the 1960s, analog synthesizers were built using operational amplifier (op-amp) integrated circuits, and used potentiometers (pots, or variable resistors) to adjust the sound parameters. Analog synthesizers also use low-pass filters and high-pass filters to modify the sound. While 1960s-era analog synthesizers such as the Moog synthesizer, Moog used a number of independent electronic modules connected by patch cables, later analog synthesizers such as the Minimoog integrated them into single units, eliminating patch cords in favour of integrated signal routing systems. History 1900–1920 The earliest mention of a "synthetic harmoniser" using ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Martenot
Maurice Louis Eugène Martenot (; October 14, 1898 – October 8, 1980) was a French cellist, a radio telegraphy, telegrapher during the first World War, and an inventor. Born in Paris, he is best known for his invention of the ondes Martenot, an instrument he first realized in 1928 and spent decades improving. He unveiled a microtonal model in 1938. He also was responsible for teaching the first generation of ondes Martenot performers, including Karel Goeyvaerts, Jeanne Loriod, Georges Savaria, Gilles Tremblay (composer), Gilles Tremblay, and his sister Ginette Martenot. Martenot himself performed as an "ondist" with the Philadelphia Orchestra under Leopold Stokowski in 1930. The 1937 World's Fair in Paris awarded him "Le Grand Prix de l'Exposition Mondiale." He taught at the Paris Conservatoire during the 1940s. A Martenot biography, in French, has been written by ondist Jean Laurendeau. His invention of the ondes Martenot is the subject of the 2013 Quebec documentary ''Wavemak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Castérède
Jacques Castérède (10 April 1926 – 6 April 2014) sur Qobuz.com, 8 avril 2014 was a French composer and pianist. Life Born in Paris, Castérède studied at . He earned his baccalauréat in elementary , then entered the in 1944 and began studying piano under Armand Ferté, composition under Tony Aubin, and analysis under |
Jacques Chailley
Jacques Chailley (24 March 1910 – 21 January 1999) was a French musicologist and composer. Alain Lompech, "Jacques Chailley, musicologue-praticien et infatigable chercheur", ''Consociatio internationalis musicæ sacræ, Musicæ sacræ ministerium'', Anno XXXIV-XXXVI (1997 - 1999), Rome, p. 146 - 147 Biography Chailley’s mother was the pianist Céliny Chailley-Richez (1884–1973), his father the cellist Marcel Chailley (1881–1936). Adolescent, he was a boarder at the Fontgombault Abbey (Indre) where he learned to play the organ and learned about choir directing. At the age of 14, he composed a four-voice ''Domine non sum dignus''. He received a classical and musical training of high quality, studying harmony with Nadia Boulanger, counterpoint and fugue with Claude Delvincourt, musicology with Yvonne Rokseth who gave him insight into medieval music. At the Conservatoire de Paris, he followed Maurice Emmanuel's class of music history and studied music composition with Hen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Computer Music Journal
''Computer Music Journal'' is a peer-reviewed academic journal that covers a wide range of topics related to digital audio signal processing and electroacoustic music. It is published on-line and in hard copy by MIT Press. The journal is accompanied by an annual CD/DVD that collects audio and video work by various electronic artists. ''Computer Music Journal'' was established in 1977. According to the ''Journal Citation Reports'', the journal has a 2016 impact factor The impact factor (IF) or journal impact factor (JIF) of an academic journal is a type of journal ranking. Journals with higher impact factor values are considered more prestigious or important within their field. The Impact Factor of a journa ... of 0.405. See also * The CAMEO Dictionary of Creative Audio Terms References External links * Journal pageat publisher's website Music journals Academic journals established in 1977 MIT Press academic journals Quarterly journals English-language journals ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Samazeuilh
__NOTOC__Gustave Marie Victor Fernand Samazeuilh (2 June 1877 – 4 August 1967) was a French composer and writer on music. He produced many piano transcriptions of orchestral works, and also wrote musical biography. Life and career Gustave Samazeuilh was born on 2 June 1877 in Bordeaux, France. He was a childhood friend of Maurice Ravel, and they remained friends until 1937 when Ravel died. He studied music privately with Ernest Chausson who in 1897 introduced him to Paul Dukas. He trained with Chausson until the latter's death in 1899, and then attended the Schola Cantorum de Paris, where he was a student of Dukas and Vincent d'Indy. During his years of study he made trips to Germany in 1894, 1897, and 1898. He met Richard Strauss while attending the Bayreuth Festival. Samazeuilh was much influenced by the impressionist school. In 1896 he met, at the age of 19, he met Claude Debussy and became a disciple of the composer. In 1897 he studied Debussy's symphonic poem ''Prélude � ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Music
Art music (alternatively called classical music, cultivated music, serious music, and canonic music) is music considered to be of high culture, high phonoaesthetic value. It typically implies advanced structural and theoretical considerationsJacques Siron, "Musique Savante (Serious music)", ''Dictionnaire des mots de la musique'' (Paris: Outre Mesure): 242. or a written musical tradition.Denis Arnold, "Art Music, Art Song", in ''The New Oxford Companion to Music, Volume 1: A–J'' (Oxford and New York: Oxford University Press, 1983): 111. In this context, the terms "serious" or "cultivated" are frequently used to present a contrast with ordinary, everyday music (i.e. popular music, popular and folk music, also called "vernacular music"). List of classical and art music traditions, Many cultures have art music traditions; in the Western world, the term typically refers to Western classical music. Definition In Western literature, "Art music" is mostly used to refer to music des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Delannoy
Marcel-François-Georges Delannoy (9 July 1898 – 14 September 1962) was a French composer and critic.Hoérrée A. Marcel Delannoy. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. He wrote operas, ballets, orchestral works, vocal and chamber works, and film scores. Life and career Marcel Delannoy was born at La Ferté-Alais, Essonne, France. He initially studied painting and architecture and entered the École des Beaux-Arts, but at age 20 he took up music. Having been mobilised during the First World War, he then worked as an artist. However, he was initially self-taught and never attended a conservatory, but he did receive some encouragement from Arthur Honegger (whose biography he wrote in 1953) and some lessons from Alexis Roland-Manuel and André Gedalge. He made his name with the opera ''Le Poirier de misère'' (1927), which attracted favourable commentary from Maurice Ravel, among others. That same year, he was one of ten composers who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
