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Olé ELO
''Olé ELO'' is a compilation album by the Electric Light Orchestra (ELO) covering their early years. Released in 1976, this LP was originally compiled by United Artists Records United Artists Records was an American record label founded by Max E. Youngstein of United Artists in 1957 to issue movie soundtracks. The label expanded into other genres, such as easy listening, jazz, pop, and R&B. History Genres In 1958 ... as a promotional album for American radio stations, but when copies of the LP started selling to fans "underground" United Artists decided to release it in the US to capitalize on the band's growing popularity. Track listing Original US United Artists pressings of the album contained the full-length versions of "Kuiama" and "Roll Over Beethoven", as included in the album '' Electric Light Orchestra II''. Original promotional copies were pressed on gold vinyl. An extremely limited run of white, blue & red vinyl promotional pressings was also made. Later ...
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Electric Light Orchestra
The Electric Light Orchestra (ELO) are an English rock band formed in Birmingham in 1970 by multi-instrumentalists Jeff Lynne and Roy Wood and drummer Bev Bevan. Their music is characterised by a fusion of pop and classical arrangements with futuristic iconography. After Wood's departure in 1972, Lynne became the band's sole leader, arranging and producing every album while writing nearly all of their original material. During their first run from 1970 to 1986, Lynne and Bevan were the group's only consistent members. The group's name is a pun that references both electric light and "light orchestral music", a popular style featured in places such as the BBC Light Programme between the 1940s and 1960s. ELO was formed out of Lynne's and Wood's desire to create modern rock and pop songs with classical influences. It derived as an offshoot of Wood's previous band, the Move, of which Lynne and Bevan were also members. During the 1970s and 1980s, ELO released a string of ...
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The Electric Light Orchestra (album)
''The Electric Light Orchestra'' is the debut studio album by English rock band Electric Light Orchestra (ELO), released in December 1971 in the United Kingdom by Harvest Records. In the United States, the album was released in March 1972 as ''No Answer'', after a misunderstood telephone message made by a United Artists Records executive asking about the album name;No Answer
, 19 December 2012 the caller, having failed to reach the ELO contact, wrote down "no answer" in his notes, and this was misconstrued to be the name of the album.


Recording

The album is focused on the core trio of

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Cashbox Magazine
''Cashbox'', also known as ''Cash Box'', is an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1942–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were ''Billboard'' and ''Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 1952, ...
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Strange Magic (song)
"Strange Magic" is a song written by Jeff Lynne and performed by Electric Light Orchestra (ELO). It was originally released on their 1975 '' Face the Music'' album. The 'weeping' guitar lick was provided by keyboardist Richard Tandy while Jeff Lynne played a 12-string acoustic guitar fed through a phase shifter. The song has been described as psychedelic. Versions The song has a complicated history with a number of different versions — most by ELO and one by Jeff Lynne alone — released both as a single and as a track on a number of different albums. After its initial appearance on ''Face the Music'', it was released as a single in 1976 in two versions, one for the US and one for the UK, both different from the original. The US single was more edited than the UK single which appeared as it was originally in ''Face the Music'', but without the orchestral intro. Also in 1976, "Strange Magic" was included as the final track in the United Artists Records promotional ELO alb ...
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Evil Woman (Electric Light Orchestra Song)
"Evil Woman" is a song recorded by Electric Light Orchestra (ELO) and written by lead vocalist Jeff Lynne. It was first released on the band's fifth album, 1975's '' Face the Music''. Background Lynne wrote the song quickly when ''Face the Music'' was almost complete but he didn't think they had a good lead single. Lynne said: Lynne described the structure saying it has a "repetitive chord sequence and then the melody turns into a chorus." When released as a single in late 1975, the song became the band's first worldwide hit. The song placed in the top 10 on both sides of the Atlantic in early 1976. It was released again in 1978 on '' The ELO EP''. The lyric "There's a hole in my head where the rain comes in" in the song is a tribute to The Beatles' song " Fixing a Hole". Reception ''Billboard'' praised the use of the title lyrics as a hook. ''Cash Box'' noted the 20th-century influences and "commercial qualities" of the song, stating "from the classic hookline — a recur ...
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Boy Blue (Electric Light Orchestra Song)
"Boy Blue" is a song written by Jeff Lynne and performed by the Electric Light Orchestra (ELO) which first appeared as track number 3 from their 1974 album '' Eldorado''. Content Composition The album version of the song starts with a Baroque-style trumpet and string quartet fanfare – reminiscent of Jeremiah Clarke's "Prince of Denmark's March" (ca. 1700) — and then develops into a minimoog sequence before the song properly begins. The song includes a midway solo of the band's three string players. At the end of the song the string instruments quickly fade, immediately leading into the LP's fourth track "Laredo Tornado". According to Allmusic critic Michael A. Guarisco "The melody matches the fanfare of the lyrics by matching verses that have a strident sense of swing to them with a sing-along chorus built on a descending-note hook." Bassist Mike de Albuquerque sings on the song - one of his final appearances in the ELO catalogue. The US edited single version of the song ha ...
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Eldorado (Electric Light Orchestra Album)
''Eldorado'' (subtitled ''A Symphony by the Electric Light Orchestra'') is the fourth studio album by the Electric Light Orchestra (ELO). It was released in the United States in September 1974 by United Artists Records and in the United Kingdom in October 1974 by Warner Bros. Records. Concept ''Eldorado'' is the first complete ELO concept album; bandleader Jeff Lynne conceived the storyline before he wrote any music. The plot follows a Walter Mitty-like character who journeys into fantasy worlds via dreams, to escape the disillusionment of his mundane reality. Lynne began to write the album in response to criticisms from his father, a classical music lover, who said that Electric Light Orchestra's repertoire "had no tune". Recording ''Eldorado'' marks the first album on which Jeff Lynne hired an orchestra; on previous albums band members would play strings using multitracked overdubbing.Wild, David. "The Story of a Rock and Roll Band and the Pop Genius Who Dared to Go Baroque." ...
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Can't Get It Out Of My Head
"Can't Get It Out of My Head" is a song written by Jeff Lynne and originally recorded by Electric Light Orchestra (also known as ELO). First released on the band's fourth album ''Eldorado (Electric Light Orchestra album), Eldorado'' in September 1974, the song is the second track on the album and follows "Eldorado Overture". The song was released in November the same year as a single. The song became the band's first top 10 single in the United States, reaching number 9, and helped boost public awareness of the band in the U.S., although the single and LP failed to chart in the UK. In 1978, it was included as the lead song on the four-track ''The ELO EP'' (UK release), reaching number 34 on the UK charts. The song has appeared on many ELO compilation albums. Background Lynne wrote "Can't Get It Out of My Head" partially in response to his father's criticism that the previous songs he wrote didn't have any tune, wanting to show that he could write a song with a beautiful melod ...
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Ma-Ma-Ma Belle
"Ma-Ma-Ma Belle" is a song recorded by the Electric Light Orchestra (ELO). Release It was taken from the 1973 album ''On the Third Day''. In the UK, the single version had a slightly different mix from the album original featuring a descending string crescendo and was edited in length. Marc Bolan plays twin lead guitar on the track alongside Jeff Lynne and features on a number of takes from the April 1973 ELO session, such as "Dreaming of 4000". "Ma-Ma-Ma Belle" also featured on '' The ELO EP'' in 1978. In the UK the B-side "Oh No Not Susan" found its way on to various DJs' playlists at the BBC, unaware that the song's lyrics contained profanity. In the United States "Daybreaker", the single's flip side, proved more popular and the song was relegated as a b-side in 1976 on "Livin' Thing". In 1974 ''Cash Box'' compared "Ma-Ma-Ma Belle" to the style of rock and roll of ELO's predecessor The Move. …"just take their he Movebrand of rock 'n roll, add an extra dash of heavy and the ...
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On The Third Day
''On the Third Day'' is the third studio album by Electric Light Orchestra (ELO), and the first to be recorded without input from Roy Wood. It was released in the United States in November 1973 by United Artists Records, and in the United Kingdom on 14 December 1973 by Warner Bros. Records. From this album on, the word ''The'' was dropped from the band's name (other than '' The Night the Light Went On in Long Beach'' which was one of their live albums). The album was reissued on 12 September 2006. Release ''On the Third Day'' was released in 1973 and failed to enter the UK charts at the time, although it did reach the US charts at number 52. Side two of the album was recorded during or shortly after the sessions for ELO's second album '' ELO 2''. ''On The Third Day'' contains shorter tracks than its predecessor, but the four songs on side one of the album were linked into a continuous suite. Violinist Mik Kaminski made his debut on side one of this album, replacing Wilfred ...
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Showdown (Electric Light Orchestra Song)
"Showdown" is a 1973 song written by Jeff Lynne and recorded by the Electric Light Orchestra (ELO). It was the band's last contemporary recording to be released on the Harvest label. The song was released as a single and reached No 12 in the UK Singles Chart, in the week beginning 28 October, and No 9 on the Norwegian chart VG-lista. Release In the US the song was included on the album ''On the Third Day'' (1973), while in the UK the song was omitted from that album but featured a year later on the band's first compilation album, also entitled ''Showdown''. In 2006 the remastered issue of ''On the Third Day'' would feature the song on the album in both countries for the first time. The song showed a change of style for ELO, with a funkier backbeat beneath the band's trademark sweeping strings, and the inclusion of a clavinet. The record was a favourite of John Lennon's at the time, who dubbed the band ''"Son of Beatles"'' in a US radio interview. Lennon described the song as ...
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Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the Transition from Classical to Romantic music, transition from the Classical period (music), Classical period to the Romantic music, Romantic era. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterised as heroic. During this time, Beethoven began to grow increasingly Hearing loss, deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Born in Bonn, Beethoven displayed his musical talent at a young age. He was initially taught intensively by his father, Johann van Bee ...
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