|
Olga Esina
Olga Esina (in Russian Ольга Есина) is a Russian ballerina who was educated at the Vaganova Academy of Russian Ballet in Saint Petersburg, Russia. In 2010, she became a First Solo Dancer at the Vienna State Ballet. Early life She was born in 1986 at St. Petersburg, Russia. At the age of five she began to study ballet. In 1996 at the age of 10 she entered the Vaganova Academy of Russian Ballet, where she studied dance from 1996 to 2004. Her first teachers at the Academy were D. Lebedeva, N. Alexandrova, V. Tsiruliova and later L. Kovaliova. While studying at the senior forms she participated in school recitals with variations from Raymonda, Le Corsaire, La Bayadere, Pas de deux from Giselle and Le Corsaire, and miniatures by Roland Petit and Jacobson. From 2004 to 2006 she was a member of the Ballet of the Mariinsky Theatre. Olga Moiseeva was her teacher at the theatre. Dancing at the Vienna State Ballet In 2006 she joined as a principal dancer of the Ballet of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leningrad
Saint Petersburg, formerly known as Petrograd and later Leningrad, is the List of cities and towns in Russia by population, second-largest city in Russia after Moscow. It is situated on the Neva, River Neva, at the head of the Gulf of Finland on the Baltic Sea. The city had a population of 5,601,911 residents as of 2021, with more than 6.4 million people living in the Saint Petersburg metropolitan area, metropolitan area. Saint Petersburg is the List of European cities by population within city limits, fourth-most populous city in Europe, the List of cities and towns around the Baltic Sea, most populous city on the Baltic Sea, and the world's List of northernmost items#Cities and settlements, northernmost city of more than 1 million residents. As the former capital of the Russian Empire, and a Ports of the Baltic Sea, historically strategic port, it is governed as a Federal cities of Russia, federal city. The city was founded by Tsar Peter the Great on 27 May 1703 on the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna Opera Ball
The Vienna Opera Ball (German: ''Wiener Opernball'') is an annual Austrian society event which takes place in the building of the Vienna State Opera in Vienna, Austria on the Thursday preceding Ash Wednesday (a religious holiday). Together with the New Year Concert, the ball is one of the highlights of the Viennese carnival season. History The tradition of the ball goes back to 1814 during the time when the crowned heads of Europe and the aristocracy searched for entertainment after the Napoleonic wars. The first ball in the opera house took place in 1877 as a '' soirée''. The following balls were ''redoute'', a French term for masquerade balls or costume parties, where the ladies wore their masks until midnight. From 1878 until 1899, such ''redoute'' balls took place around two to three times a year. The first ''redoute'' after World War I took place in 1921, with proceeds going to the pension fund of the two state theaters. These events were called also called ''Opernredou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boris Eifman
Boris Eifman (Борис Яковлевич Эйфман; born 22 July 1946) is a Russian choreographer and artistic director. He has done more than fifty ballet productions. Biography Eifman was born in Rubtsovsk, Siberia, where his engineer father had been assigned to work in a tank factory. In 1953, the family moved to Kishinev, Moldavia. Eifman graduated from the Kishinev Ballet School in 1964. He performed as a dancer with the Kishinev Opera and Ballet Theatre; and went on to study choreography at the Leningrad Conservatory, where his teacher was choreographer Georgi Aleksidze. Eifman graduated from the Leningrad Conservatory in 1972. He then became a ballet master at the Vaganova Academy of Russian Ballet, from 1972-1977. In 1977, he received permission to found his own company, originally known as Leningrad Theatre of Contemporary Ballet. The troupe was known by various names, but today its official title is St. Petersburg State Ballet Theatre of Boris Eifman, or simpl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manon (ballet)
''L'histoire de Manon'', generally referred to as ''Manon'', is a ballet choreographed by Kenneth MacMillan to music by Jules Massenet and based on the 1731 novel ''Manon Lescaut'' by Antoine François Prévost, Abbé Prévost. The ballet was first performed by The Royal Ballet in London in 1974 with Antoinette Sibley and Anthony Dowell in the leading roles. It continues to be performed and recognised internationally. Background Kenneth MacMillan had been thinking about choreographing a ballet about the story of Manon Lescaut for some time. Three years into his artistic directorship of The Royal Ballet, he wanted to create a large-scale operatic ballet that would provide exciting roles both for the company's principal dancers and the ''corps de ballet''.Parry, p. 428 On the last night of the company's summer season in 1973, MacMillan left a copy of Prévost's novel in Antoinette Sibley's dressing room, with a note informing her that it would "come in handy for March 7, '74". As ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenneth MacMillan
Sir Kenneth MacMillan (11 December 192929 October 1992) was a British ballet dancer and choreographer who was artistic director of the Royal Ballet in London between 1970 and 1977, and its principal choreographer from 1977 until his death. Earlier he had served as director of ballet for the Deutsche Oper in Berlin. He was also associate director of the American Ballet Theatre from 1984 to 1989, and artistic associate of the Houston Ballet from 1989 to 1992. From a family with no background of dance or music, MacMillan was determined from an early age to become a dancer. The director of Royal Ballet, Sadler's Wells Ballet, Ninette de Valois, accepted him as a student and then a member of her company. In the late 1940s, MacMillan built a successful career as a dancer, but, plagued by stage fright, he abandoned it while still in his twenties. After this he worked entirely as a choreographer; he created ten full-length ballets and more than fifty one-act pieces. In addition to his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romeo And Juliet (ballet)
''Romeo and Juliet'' (), Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play ''Romeo and Juliet''. First composed in 1935, it was substantially revised for its Soviet premiere in early 1940. Prokofiev made from the ballet three orchestral suites and a suite for solo piano. Background and premiere Based on a synopsis created by Adrian Piotrovsky (who first suggested the subject to Prokofiev) and Sergey Radlov, the ballet was composed by Prokofiev in September 1935 to their scenario which followed the precepts of "drambalet" (dramatised ballet, officially promoted at the Kirov Ballet to replace works based primarily on choreographic display and innovation). Following Radlov's acrimonious resignation from the Kirov in June 1934, a new agreement was signed with the Bolshoi Theatre in Moscow on the understanding that Piotrovsky would remain involved. However, the ballet's original happy ending (contrary to Shakespeare) provoked controversy among Soviet cultur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Cranko
John Cyril Cranko (15 August 1927 – 26 June 1973) was a South African ballet dancer and choreographer with the Royal Ballet and the Stuttgart Ballet. Life and career Early life Cranko was born to Herbert and Grace Cranko in Rustenburg in the former province of Transvaal, Union of South Africa. As a child, he would put on puppet shows as a creative outlet. Cranko received his early ballet training in Cape Town under the leading South African ballet teacher and director, Dulcie Howes, of the University of Cape Town Ballet School. In 1945 he choreographed his first work (using Stravinsky's Suite from '' L'Histoire du soldat'') for the Cape Town Ballet Club. He moved to London, studying with the Sadler's Wells Ballet School (later called the Royal Ballet) in 1946Dromgoole, Nicholas"John Cranko" ''Oxford Dictionary of National Biography'', retrieved 19 March 2015, and dancing his first role with the Sadler's Wells Ballet in November 1947. London Cranko collaborated with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Béjart
Maurice Béjart (; 1 January 1927 – 22 November 2007) was a French dancer, choreographer and Theatre director, opera director who ran the Béjart Ballet Lausanne in Switzerland. He developed a popular expressionistic form of modern ballet, tackling vast themes. He was awarded Swiss citizenship posthumously. Biography Maurice-Jean Berger was born in Marseille, France, in 1927, the son of French philosopher Gaston Berger. Fascinated by a recital of Serge Lifar, he decided to devote himself entirely to dance. In South France days, he had studied under Mathilde Kschessinska. In 1945, he enrolled as a corps de ballet at the Opéra de Marseille. From 1946, he had studied under Madam Rousanne Sarkissian, Léo Staats, Madam Lyubov Yegorova (ballerina), Lyubov Yegorova and Olga Preobrajenska at "Studio Wacker", etc. in Paris. In 1948, he also trained with Janine Charrat, Yvette Chauviré and then with Roland Petit, in addition he had studied under Vera Volkova at London. In 1954, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Fledermaus
' (, ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach. ''Le Réveillon'' later was adapted as the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve '' réveillon'', or supper party, was not considered to provi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bayadère
''La Bayadère'' ("the temple dancer") ( ru. «Баядерка», ''Bayaderka'') is an 1877 ballet, originally staged in four acts and seven tableaux by the French choreographer Marius Petipa to music by Ludwig Minkus and libretto by . The ballet was staged for the benefit performance of the Russian ''Prima ballerina'' Ekaterina Vazem, who created the principal role of Nikiya. ''La Bayadère'' was first presented by the Imperial Ballet at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia, on . From the first performance the ballet was hailed by contemporary critics and audiences as one of the choreographer Petipa's masterpieces, particularly the scene of act II ''The Kingdom of the Shades'', which is one of the most celebrated pieces in all of classical ballet. Nearly all modern versions of ''La Bayadère'' are derived from and Vakhtang Chabukiani's redacted version staged for the Kirov/Mariinsky Ballet in 1941 that has remained in the company's repertory to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Malakhov (dancer)
Vladimir Malakhov (born 7 January 1968, Kryvyi Rih, Soviet Ukraine) is a Ukrainian ballet dancer who was the artistic director of the Staatsballett Berlin ( Berlin State Ballet) from its founding in 2004 until 2014. He is a former principal dancer with American Ballet Theatre and Vienna State Opera Ballet. Career Malakhov began his dance training at the age of four at a small ballet school in his hometown and remained there until continuing his training at the school of the Bolshoi Ballet in Moscow. From age ten on, he was under the tutelage of Peter Pestov and upon graduation from Moscow State Academy of Choreography in 1986 joined the Moscow Classical Ballet as that company's youngest principal dancer. In 1992, Malakhov joined the Vienna State Opera Ballet as a principal artist, and then the National Ballet of Canada in 1994. In the spring of 1995 he had his debut with the American Ballet Theatre at the Metropolitan Opera House in New York City. Since that time, he has rem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Nutcracker
''The Nutcracker'' (, ), Opus number, Op. 71, is an 1892 two-act classical ballet (conceived as a '; ) by Pyotr Ilyich Tchaikovsky, set on Christmas Eve at the foot of a Christmas tree in a child's imagination featuring a Nutcracker doll. The plot is an adaptation of Alexandre Dumas's 1844 short story ''The Nutcracker'', itself a retelling of E. T. A. Hoffmann's 1816 short story ''The Nutcracker and the Mouse King''. The ballet's first choreographer was Marius Petipa, with whom Tchaikovsky had worked three years earlier on ''The Sleeping Beauty'', assisted by Lev Ivanov. Although the complete and staged ''The Nutcracker'' ballet was not initially as successful as the 20-minute ''Nutcracker Suite'' that Tchaikovsky had premiered nine months earlier, it became popular in later years. Since the late 1960s, ''The Nutcracker'' has been danced by many ballet companies, especially in North America. Major American ballet companies generate around 40% of their annual ticket ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
