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Oleo (composition)
"Oleo" is a hard bop composition by Sonny Rollins, written in 1954. It has become a jazz standard, and has been performed by numerous jazz artists such as Miles Davis, John Coltrane, and Bill Evans. Form "Oleo" is one of a number of jazz standards to be based on the same chord progression as that employed by George Gershwin's "I Got Rhythm", also known as a musical contrafact. Its melody has "become one of the standard rhythm changes melodies used by jazz musicians". Recordings The first version of the song, featuring Rollins, was recorded by Miles Davis and Sonny Rollins in 1954 for the record '' Miles Davis with Sonny Rollins.'' With John Coltrane instead of Rollins on saxophone, it was recorded again in 1956 and released on '' Relaxin'.'' A live version from 1958, also with Coltrane, appears on two separate Davis albums: '' 1958 Miles,'' which was released in late 1958, and '' Jazz at the Plaza'' (1973). Another Davis live version from 1961 appears on '' In Person Friday ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Rollins
Walter Theodore "Sonny" Rollins (born September 7, 1930) is an American retired jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, Rollins recorded over sixty albums as a leader. A number of his compositions, including " St. Thomas", " Oleo", " Doxy", and " Airegin", have become jazz standards. Rollins has been called "the greatest living improviser". Due to health problems, Rollins has not performed publicly since 2012 and announced his retirement in 2014. Early life Rollins was born in New York City to parents from the Virgin Islands. The youngest of three siblings, he grew up in central Harlem and on Sugar Hill, receiving his first alto saxophone at the age of seven or eight. He attended Edward W. Stitt Junior High School and graduated from Benjamin Franklin High School in East Harlem. Rollins started as a pianist, then switched to alto saxophone after being inspired by Louis Jordan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm-a-ning
This is a list of compositions by jazz musician Thelonious Monk. 0-9 52nd Street Theme A contrafact based loosely on rhythm changes in C, and was copyrighted by Monk under the title "Nameless" in April 1944. The tune was also called "Bip Bop" by Monk, and he claims that the tune's latter title was the origin of the genre-defining name bebop. It quickly became popular as an opening and closing tune on the clubs on 52nd Street on Manhattan where Dizzy Gillespie and Charlie Parker played. It was first recorded by Dizzy Gillespie's sextet on February 22, 1946, under the title "52nd Street Theme". Leonard Feather claims he gave the latter title. A Ask Me Now A tonally ambiguous ballad in D first recorded on July 23, 1951, for the '' Genius of Modern Music'' sessions. It also appears on '' 5 by Monk by 5'', and '' Solo Monk''. Jon Hendricks wrote lyrics to the tune and called it ”How I Wish”; it was first recorded by Carmen McRae on '' Carmen Sings Monk''. Mark Murphy sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Dolphy
Eric Allan Dolphy Jr. (June 20, 1928 – June 29, 1964) was an American jazz multi-instrumentalist, composer, and bandleader. Primarily an alto saxophonist, bass clarinetist, and flautist, Dolphy was one of several multi-instrumentalists to gain prominence during the same era. His use of the bass clarinet helped to establish the unconventional instrument within jazz. Dolphy extended the vocabulary and boundaries of the alto saxophone, and was among the earliest significant jazz flute soloists. His improvisational style was characterized by the use of wide intervals, in addition to employing an array of extended techniques to emulate the sounds of human voices and animals. He used melodic lines that were "angular, zigzagging from interval to interval, taking hairpin turns at unexpected junctures, making dramatic leaps from the lower to the upper register." Although Dolphy's work is sometimes classified as free jazz, his compositions and solos were often rooted in conventional (if ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Brecker
Michael Leonard Brecker (March 29, 1949 – January 13, 2007) was an American jazz saxophonist and composer. He was awarded 15 Grammy Awards as a performer and composer, received an honorary doctorate from Berklee College of Music in 2004, and was inducted into the ''DownBeat'' Jazz Hall of Fame in 2007. Early life and education Brecker was born in Philadelphia and raised in the local suburb of Cheltenham Township, Pennsylvania. He was raised in a Jewish, and artistic, family: his father, Bob (Bobby), was a lawyer who played jazz piano and his mother, Sylvia, was a portrait artist. Michael was exposed to jazz at an early age by his father. He began studying clarinet at age 6, then moved to the alto saxophone in the eighth grade, settling on the tenor saxophone as his primary instrument in his sophomore year of high school. He graduated from Cheltenham High School in 1967 and spent that summer at the Berklee College of Music in Boston. In Fall 1967, he followed his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In Person Friday And Saturday Nights At The Blackhawk, Complete
''In Person Friday and Saturday Nights at the Blackhawk, Complete'', also called ''The Complete Blackhawk'', is a 2003 four-CD boxset of the 1961 live performances of the Miles Davis Quintet at the Black Hawk nightclub in San Francisco. Background Recording and composition These sets, performed with recording in mind, forged new ground for jazz musician Miles Davis, who had never previously been recorded live in a club with his combo.Colette, Dough. (November 23, 2003Miles Davis boxes: Jack Johnson and At The Blackhawk All About Jazz. Retrieved 15-05-08 Release history Material from the four sets was first released simultaneously by Columbia Records on two albums in September 1961, titled ''In Person Friday Night at the Blackhawk, San Francisco, Volume 1'' and '' In Person Saturday Night at the Blackhawk, San Francisco, Volume 2''. Although those albums were rereleased several times, the complete sets were not commercially available until Sony Records released a digital m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz At The Plaza
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1958 Miles
''1958 Miles'' is a compilation album by American jazz musician Miles Davis, released in 1974 on CBS/Sony. Recording sessions for tracks that appear on the album took place on May 26, 1958, at Columbia's 30th Street Studio and September 9, 1958, at the Plaza Hotel in New York City. ''1958 Miles'' consists of three songs featured on side two of the LP album ''Jazz Track'', which was released in November 1959, one song from the same session not appearing in the album ("Love for Sale"), and three recordings from Davis' live performance at the Plaza Hotel with his ensemble sextet. The recording date at 30th Street Studio served as the first documented session to feature pianist Bill Evans performing in Davis' group. The sessions for tracks on the album in mid-1958, along with the ''Milestones'' sessions from earlier that year, were seen by many music writers as elemental in Miles Davis' transition from bebop to the modal style of jazz and were viewed as precursors to his best-known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis With Sonny Rollins
''Miles Davis with Sonny Rollins'' (PRLP 187) is a 1954 10 inch LP album by Miles Davis, released by Prestige Records. The four tracks on this LP, along with a second take of " But Not For Me", were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, on June 29, 1954. The album showcases the musical and compositional abilities of Sonny Rollins, who was Davis' favoured saxophonist at this point in his career. Three of the four tunes were Sonny Rollins originals, and would go on to become regular parts of both Davis' and Rollins' live sets. In his autobiography, Davis says that Rollins was writing the music on scraps of paper in the studio during the recording session. Davis also states the cover of Gershwin's "But Not for Me" was an early example of himself being influenced by the spacing and lyricism of the pianist Ahmad Jamal."Miles: the Autobiography", Miles Davis with Quincy Troupe, 1989, p. 178. After the 10" LP format was discontinued, all four tracks, along wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Texas At Austin
The University of Texas at Austin (UT Austin, UT, or Texas) is a public university, public research university in Austin, Texas, United States. Founded in 1883, it is the flagship institution of the University of Texas System. With 53,082 students as of fall 2023, it is also the largest institution in the system. The university is a major center for academic research, with research expenditures totaling $1.06 billion for the 2023 fiscal year. It joined the Association of American Universities in 1929. The university houses seven museums and seventeen libraries, including the Lyndon Baines Johnson Library and Museum, Lyndon B. Johnson Presidential Library and the Blanton Museum of Art, and operates various auxiliary research facilities, such as the J. J. Pickle Research Campus and McDonald Observatory. UT Austin's athletics constitute the Texas Longhorns. The Longhorns have won four NCAA Division I National Football Championships, six NCAA Division I National Baseball Champions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Music
Alfred Music is an American music publishing company. Founded in New York in 1922, it is headquartered in Van Nuys, California, with additional branches in Miami, New York, Germany, Singapore, and the United Kingdom. History In New York City’s Tin Pan Alley in 1922, Sam Manus, a violinist and importer of mood music for silent films, started a music publishing company and named it Manus Music. The company published primarily popular sheet music. In 1930, Sam acquired the music publisher, Alfred & Company, founded by Alfred Haase. Sam decided to combine the names and shortened it to Alfred Music, which the company is still known as today. Sam's son, Morty ''(né'' Morton Manus; 1926–2016), clarinetist and pianist, began working for Alfred Music in the late 1940s and met his wife Iris at the company when the bookkeeper, Rose Kopelman, brought her daughter to work one day. Inspired by the need for quality music educational products. Morty, a clarinetist and pianist, oversaw t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Head (jazz)
In its broadest sense, the head of a piece of music is its main theme, particularly in jazz, where the term takes on a more specific set of innovation. In other types of music, "head" may refer to the first or most prominent section of a song. The term may, though obtusely, be applied to classical music, insofar as classical pieces generally bear similar thematic elements, but the preferred term in this instance is (main) theme or subject. The term "head" is most often used in jazz and may refer to the thematic melody, an instance of it in a performance of the song, or a more abstract compilation of ideas as to what the song is. It may also, though uncommonly, refer to the first section of the melody, or the theme riff in the melody. There is a slightly related musical direction, D.C. or da capo (Italian, ''from head''), which means to go back to the very beginning of the sheet music and play to the end, typically ignoring all repeat signs. What's in a head A ''head'' represent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
