Old Jack (album)
''Old Jack'' is the first album from Brazilian blues/rock band O Bando do Velho Jack, and was recorded in 1998. This album was not officially released. Track listing # " Rock and Roll, Hoochie Koo" # "Listen to the Music" # "Lucille" # "Cão de guarda" # " While My Guitar Gently Weeps" # " Not Fade Away" # "Hoochie Koochie Man" # "Born on the Bayou" # "Layla "Layla" is a song written by Eric Clapton and Jim Gordon, originally recorded by Derek and the Dominos, as the thirteenth track from their only studio album, ''Layla and Other Assorted Love Songs'' (1970). Its contrasting movements were compose ..." # "Ohio" # "Whiskey Man" # "Walk Away" References O Bando do Velho Jack albums 1998 debut albums {{Brazil-album-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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O Bando Do Velho Jack
O Bando do Velho Jack (in English: "Old Jack's Gang" or "Old Jack's Band"), or simply "O Bando", is a Brazilian rock/blues band formed in 1995 in the city of Campo Grande, capital of the Mato Grosso do Sul state, located in the central-west region of Brazil. The band's name is a reference to the famous Tennessee whiskey Jack Daniel's. Considered one of the most influent bands on the Brazilian classic rock music scenario, the band has five albums (four officially released), mixing autoral music with some covers. History The band was formed in 1995 from the union of two bands: "Blues Band", as the name says a blues band, and "Alta Tensão" (in English: "High Tension"), a heavy metal band. The first formation was: Alex Batata (lead singer and harmonica), Fábio Brum (guitar), Marcos Yallouz (bass guitar), and João Bosco (drums). In January 1997, Fábio Brum goes to the United States of America, and in his place enters Fábio Terra, aka "Corvo" (in English: "Crow"), brin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common c ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rock Music
Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk music, folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a Time signature, time signature using ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Procurado
''Procurado'' is the second album from Brazilian blues/rock band ''O Bando do Velho Jack O Bando do Velho Jack (in English: "Old Jack's Gang" or "Old Jack's Band"), or simply "O Bando", is a Brazilian rock/blues band formed in 1995 in the city of Campo Grande, capital of the Mato Grosso do Sul state, located in the central-west reg ...'', and was released in 1999. Track listing #"Cão de guarda" #"Trem do pantanal" #"De ninguém" #"I Fell Free" #"Ando meio desligado" #"Corda bamba" #" Born to Be Wild" #"Dreams" #"Palavras erradas" #"A minha vida é rock and roll" #"Dead Flowers" #" Great Balls of Fire" References O Bando do Velho Jack albums 2000 albums {{Brazil-album-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rock And Roll, Hoochie Koo
"Rock and Roll, Hoochie Koo" is a rock song written by American musician Rick Derringer. It was first recorded in 1970 by Johnny Winter and his band Johnny Winter And, of which Derringer was a member. In 1973, Derringer recorded a solo version, which was his only Top 40 chart hit as a solo artist in the U.S. It became a staple of 1970s classic rock radio and rock music compilations. Both Winter and Derringer have recorded multiple live versions of the song. Original version "Rock and Roll, Hoochie Koo" was initially recorded by Johnny Winter in 1970 with his band "Johnny Winter And", which included Rick Derringer and other former members of the McCoys. According to Derringer: However, Winter noted, "The reviewers liked it. I didn't think 'Rock and Roll, Hoochie Koo' would do as well as it did 'cause it was a little corny. Rock and Roll, Hoochie Koo. You don't ever know". The song is included on the ''Johnny Winter And'' album, which reached number 154 on the ''Billboard'' 20 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Listen To The Music
"Listen to the Music" is a song recorded by the Doobie Brothers on their second album '' Toulouse Street''. The song was the Doobie Brothers' first big hit in 1972. It was written by Tom Johnston. Song Writer Tom Johnston described the motivation for the song as a call for world peace: "The chord structure of it made me think of something positive, so the lyrics that came out of that were based on this utopian idea that if the leaders of the world got together on some grassy hill somewhere and either smoked enough dope or just sat down and just listened to the music and forgot about all this other bullshit, the world would be a much better place. It was very utopian and very unrealistic (laughs). It seemed like a good idea at the time." The studio recording used both a banjo and a prominent flanging effect, audible from the bridge until the fadeout. When released as a single by Warner Bros. Records, the song peaked at number 11 on the ''Billboard'' Hot 100 in November 1972. T ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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While My Guitar Gently Weeps
"While My Guitar Gently Weeps" is a song by the English rock band the Beatles from their 1968 double album ''The Beatles'' (also known as "the White Album"). It was written by George Harrison, the band's lead guitarist. Harrison wrote "While My Guitar Gently Weeps" as an exercise in randomness inspired by the Chinese '' I Ching''. The song conveys his dismay at the world's unrealised potential for universal love, which he refers to as "the love there that's sleeping". The song also serves as a comment on the disharmony within the Beatles after their return from studying Transcendental Meditation in India in early 1968. This lack of camaraderie was reflected in the band's initial apathy towards the composition, which Harrison countered by inviting his friend and occasional collaborator, Eric Clapton, to contribute to the recording. Clapton overdubbed a lead guitar part, although he was not formally credited for his contribution. Harrison first recorded it with a sparse backin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Not Fade Away (song)
"Not Fade Away" is a song credited to Buddy Holly (originally under his first and middle names, Charles Hardin) and Norman Petty (although Petty's co-writing credit is likely to have been a formality) and first recorded by Holly and his band, the Crickets. Original song Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, the same day the song " Everyday" was recorded. The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, with the second stress occurring on the second rather than third beat of the first measure, which was an update of the "hambone" rhythm, or patted juba from West Africa. Jerry Allison, the drummer for the Crickets, pounded out the beat on a cardboard box. Allison, Holly's best friend, wrote some of the lyrics, though his name never appeared in the songwriting credits. Joe Mauldin played the double bass on this recording. It is likely that the backing vocalists were Holly, Allison, and Niki Sullivan, but this i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Born On The Bayou
"Born on the Bayou" (1969) is the first track on Creedence Clearwater Revival's second album, ''Bayou Country (album), Bayou Country'', released in 1969. It was released as the A-side and B-side, B-side of the single "Proud Mary" that reached No. 2 on the ''Billboard Hot 100, Billboard'' Billboard Hot 100, charts. The song was covered by Little Richard. Background Songwriter John Fogerty set the song in Southern United States, the South, despite neither having lived nor widely traveled there. He commented: "Born on the Bayou" is an example of "swamp rock", a genre associated with Fogerty, Little Feat/Lowell George, the Band, J.J. Cale and Tony Joe White. The guitar setting for the intro is over-driven with amp tremolo on a slow setting; Fogerty uses a Gibson ES-175 (which was stolen from his car soon after recording this track). Creedence Clearwater Revival drummer Doug Clifford has said of the song in 1998: According to Clifford, "Born on the Bayou" was originally suppos ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Layla
"Layla" is a song written by Eric Clapton and Jim Gordon, originally recorded by Derek and the Dominos, as the thirteenth track from their only studio album, '' Layla and Other Assorted Love Songs'' (1970). Its contrasting movements were composed separately by Clapton and Gordon. The piano part has also been controversially credited to Rita Coolidge, Gordon's girlfriend at the time. The song was inspired by a love story that originated in 7th-century Arabia and later formed the basis of '' The Story of Layla and Majnun'' by the 12th-century Persian poet Nizami Ganjavi, a copy of which Ian Dallas had given to Clapton. The book moved Clapton profoundly, because it was the tale of a young man who fell hopelessly in love with a beautiful young girl, went crazy and so could not marry her. The song was further inspired by Clapton's secret love for Pattie Boyd, the wife of his friend and fellow musician George Harrison. After Harrison and Boyd divorced, Clapton and Boyd eventually ma ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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O Bando Do Velho Jack Albums
O, or o, is the fifteenth letter and the fourth vowel letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''o'' (pronounced ), plural ''oes''. History Its graphic form has remained fairly constant from Phoenician times until today. The name of the Phoenician letter was '' ʿeyn'', meaning "eye", and indeed its shape originates simply as a drawing of a human eye (possibly inspired by the corresponding Egyptian hieroglyph, cf. Proto-Sinaitic script). Its original sound value was that of a consonant, probably , the sound represented by the cognate Arabic letter ع ''ʿayn''. The use of this Phoenician letter for a vowel sound is due to the early Greek alphabets, which adopted the letter as O "omicron" to represent the vowel . The letter was adopted with this value in the Old Italic alphabets, including the early Latin alphabet. In Greek, a variation of th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |