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Octavarium (song)
"Octavarium" is a song by progressive metal/rock band Dream Theater, from the album of the same name. Composition The song starts with Jordan Rudess using his Haken Continuum Fingerboard (an addition to the keyboard that allows for smooth sliding between notes) and his lap steel guitar, drawing references from Pink Floyd's "Shine On You Crazy Diamond", Tangerine Dream, Marty Friedman's '' Scenes'', and Queen's " Bijou". Octavarium also pays homage to progressive rock bands such as Pink Floyd by having a runtime of 24 minutes and exploring many complex rhythmic and melodic ideas. Dream Theater also uses a sixteen piece orchestra in this song, and throughout the rest of the album of the same name. This gives the album an orchestral feel that is fairly common within the progressive rock genre. Movements Octavarium has five parts, and starts out an octave higher than The Root Of All Evil. I. Someone Like Him * 0:00 - 8:47 (8:47) * ''Lyrics by John Petrucci'' Beginning with a ...
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Dream Theater
Dream Theater is an American progressive metal band formed in 1985 under the name Majesty by John Petrucci, John Myung and Mike Portnoy while they attended Berklee College of Music in Boston, Massachusetts. They subsequently dropped out of their studies to concentrate further on the band that would eventually become Dream Theater. Their current lineup consists of Petrucci, Myung, vocalist James LaBrie, keyboardist Jordan Rudess and drummer Mike Mangini. Over the course of various lineup changes, Petrucci and Myung have been the only two constant members, and Portnoy remained with the band until 2010, when he left to pursue other musical endeavors and he has since been replaced by Mangini. After a brief stint with Chris Collins (singer), Chris Collins, followed by Charlie Dominici (who was dismissed from Dream Theater not long after the release of their When Dream and Day Unite, first album), LaBrie was hired as the band's singer in 1991. Dream Theater's first keyboardist, Kevin ...
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Scenes (album)
''Scenes'' is the second studio album by guitarist Marty Friedman, released on November 17, 1992 through Shrapnel Records (United States) and Roadrunner Records (Europe). It is a notable stylistic departure from Friedman's first album, ''Dragon's Kiss'' (1988), as well as his heavier work with Cacophony and Megadeth, in that it predominantly features mellow, clean-tone playing instead of his usual distortion. The final track, "Triumph", is a remake of "Thunder March" from ''Dragon's Kiss''. Friedman, Marty (2002-09-02)"Story Behind The Song - Scenes" martyfriedman.com. Retrieved 2015-11-09. The album also features then-Megadeth bandmate Nick Menza on drums. Critical reception Robert Taylor at AllMusic gave ''Scenes'' three stars out of five, saying that "This recording marked the true arrival of one of the most important and original guitarists to emerge from the neo-classical genre", and that it "revealed a level of depth and maturity that equally surprised Megadeth and guitar ...
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Carpe Diem
is a Latin aphorism, usually translated "seize the day", taken from book 1 of the Roman poet Horace's work '' Odes'' (23 BC). Translation is the second-person singular present active imperative of '' carpō'' "pick or pluck" used by Horace to mean "enjoy, seize, use, make use of". ''Diem'' is the accusative of ''dies'' "day". A more literal translation of would thus be "pluck the day s it is ripe—that is, enjoy the moment. It has been argued by various authors that this interpretation is closer to Horace's original meaning. History Sources Text from '' Odes'' 1.11: In ancient literature Perhaps the first written expression of the concept is the advice given by Siduri to Gilgamesh, telling him to forgo his mourning and embrace life, although some scholars see it as simply urging Gilgamesh to abandon his mourning, "reversing the liminal rituals of mourning and returning to the normal and normative behaviors of Mesopotamian society." Meaning In Horace, the phrase is ...
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Orchestral Manoeuvres In The Dark
Orchestral Manoeuvres in the Dark (OMD) are an English electronic band formed in Wirral, Merseyside, in 1978. The group consists of co-founders Andy McCluskey (vocals, bass guitar) and Paul Humphreys (keyboards, vocals), along with Martin Cooper (keyboards, saxophone) and Stuart Kershaw (drums); McCluskey has been the only constant member. Regarded as pioneers of electronic music, OMD combined an experimental, minimalist ethos with pop sensibilities, becoming key figures in the late-1970s/early-1980s emergence of synth-pop. The band were also one of the original acts involved in the MTV-driven Second British Invasion of the US. McCluskey and Humphreys led precursor group the Id from 1977–1978, and re-recorded their track "Electricity" as OMD's debut single in 1979. Weathering an "uncool" image and a degree of hostility from music critics, the band achieved popularity throughout Europe with the 1980 anti-war song " Enola Gay", and gained further recognition via '' A ...
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Sailing On The Seven Seas
"Sailing on the Seven Seas" is a song by English electronic music band Orchestral Manoeuvres in the Dark (OMD), released as the first single from their eighth studio album, '' Sugar Tax'', on 18 March 1991. Along with 1981's "Souvenir", it is the band's highest-charting UK hit to date, peaking at number three on the UK Singles Chart. It also charted at number three in Austria and Sweden, number five in Ireland and number nine in Germany. The single was the first to be released by OMD without co-founder Paul Humphreys, who had left to form his own band The Listening Pool. The song pays homage to various rock groups. The Velvet Underground song "Sister Ray" is directly referenced (OMD had previously covered "I'm Waiting for the Man" as a B-side to 1980 single "Messages"), and the line "people try to drag us down" is similar in melody and lyrical content to the opening line of The Who's "My Generation"; singer Andy McCluskey also noted that the track includes "Glitter Band-style" d ...
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The Wall
''The Wall'' is the eleventh studio album by the English progressive rock band Pink Floyd, released on 30 November 1979 by Harvest/EMI and Columbia/ CBS Records. It is a rock opera that explores Pink, a jaded rock star whose eventual self-imposed isolation from society forms a figurative wall. The album was a commercial success, topping the US charts for 15 weeks and reaching number three in the UK. It initially received mixed reviews from critics, many of whom found it overblown and pretentious, but later received accolades as one of the greatest albums of all time and one of the band's finest works. Bassist Roger Waters conceived ''The Wall'' during Pink Floyd's 1977 In the Flesh tour, modelling the character of Pink after himself and former bandmate Syd Barrett. Recording spanned from December 1978 to November 1979. Producer Bob Ezrin helped to refine the concept and bridge tensions during recording, as the band members were struggling with personal and financial issu ...
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Genesis (band)
Genesis are an English rock band formed at Charterhouse School, Godalming, Surrey, in 1967. The band's most commercially successful line-up consisted of keyboardist Tony Banks, bassist/guitarist Mike Rutherford and drummer/singer Phil Collins. The 1970s line-up, featuring singer Peter Gabriel and guitarist Steve Hackett, was among the pioneers of progressive rock. The group were formed by five Charterhouse pupils, including Banks, Rutherford, Gabriel, and Anthony Phillips, and named by former Charterhouse pupil Jonathan King, who arranged for them to record several singles and their debut album '' From Genesis to Revelation'' in 1968. After splitting from King, the band began touring, signed with Charisma Records and became a progressive rock band on '' Trespass'' (1970). Following Phillips' departure, Genesis recruited Collins and Hackett and recorded ''Nursery Cryme'' (1971). Their live shows began to feature Gabriel's theatrical costumes and performances. '' Foxtro ...
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Centonization
In music centonization (from Latin ''cento'' or patchwork) is a theory about the composition of a melody, melodies, or piece based on pre-existing melodic figures and formulas. A piece created using centonization is known as a "centonate". The concept of centonization was borrowed from literary theory, and first applied to Gregorian chant in 1934 by Dom Paolo Ferretti. Centonization, according to Ferretti's theory, is a very old and widespread technique. The musical modes used in Gregorian chant are supposed to reflect this use; according to the theory, the modes were more collections of appropriate melodic formulas than a set of pitches. Similar ideas appear in the music theory of other cultures; for example, the maqam of Arab music, the raga of Indian music, or the pathet of Indonesian music. These do not designate merely scales, but sets of appropriate melodies and specific ornaments on certain tones (they are sometimes called "melody types"). The originality of the composer lie ...
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Awakenings
''Awakenings'' is a 1990 American drama film directed by Penny Marshall. It is written by Steven Zaillian, who based his screenplay on Oliver Sacks's 1973 memoir '' Awakenings''. It tells the story of neurologist Dr. Malcolm Sayer ( Robin Williams), who is based on Sacks, who discovers the beneficial effects of the drug L-Dopa in 1969. He administers it to catatonic patients who survived the 1917–1928 epidemic of encephalitis lethargica. Leonard Lowe (Robert de Niro) and the rest of the patients are awakened after decades and have to deal with a new life in a new time. Julie Kavner, Ruth Nelson, John Heard, Penelope Ann Miller, Peter Stormare, and Max von Sydow also star. ''Awakenings'' was produced by Walter Parkes and Lawrence Lasker, who first encountered Sacks's book as undergraduates at Yale and optioned it a few years later. The film was a critical and commercial success, earning $108.7 million on a $29 million budget, and was nominated for three Academy Aw ...
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Catatonia
Catatonia is a complex neuropsychiatric behavioral syndrome that is characterized by abnormal movements, immobility, abnormal behaviors, and withdrawal. The onset of catatonia can be acute or subtle and symptoms can wax, wane, or change during episodes. There are several subtypes of catatonia: akinetic catatonia, excited catatonia, malignant catatonia, delirious mania, and self-injurious behaviors in autism. Although catatonia has historically been related to schizophrenia (catatonic schizophrenia), catatonia is most often seen in mood disorders. It is now known that catatonic symptoms are nonspecific and may be observed in other mental, neurological, and medical conditions. Catatonia is not a stand-alone diagnosis (although some experts disagree), and the term is used to describe a feature of the underlying disorder. Recognizing and treating catatonia is very important as failure to do so can lead to poor outcomes and can be potentially fatal. Treatment with benzodiazepines ...
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The Astonishing
''The Astonishing'' is the thirteenth studio album by American progressive metal band Dream Theater, released on January 29, 2016 through Roadrunner Records. It is the band's second concept album, with a story conceived by guitarist John Petrucci and music written by Petrucci and keyboardist Jordan Rudess. Composer David Campbell assisted with orchestrating the album's strings and choirs. The band recorded their parts for the album throughout 2015 at Cove City Sound Studios in Long Island, New York, with the exception of vocals, which were recorded in Canada. Mixing and sound engineering were performed by the band's longtime collaborator, Richard Chycki, with Petrucci producing. ''The Astonishing'' is set in a dystopian future United States and follows the Ravenskill Rebel Militia in their efforts to defy the Great Northern Empire of the Americas using the magical power of music. It was inspired by contemporary fantasy and science fiction franchises such as ''Game of Thrones' ...
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Scenes From A Memory
''Metropolis Pt. 2: Scenes from a Memory'' is the fifth studio album and first concept album by American progressive metal band Dream Theater, released on October 26, 1999 through Elektra Records. It was recorded at BearTracks Studios in Suffern, New York, where the band had previously recorded their second studio album, ''Images and Words'' (1992), and the EP ''A Change of Seasons'' (1995). The album is the sequel to " Metropolis—Part I: 'The Miracle and the Sleeper', a song featured on the band's 1992 album ''Images and Words''. It was the first album to feature Jordan Rudess on keyboards. For the album's twentieth anniversary, the band performed the album live in its entirety throughout the Distance over Time Tour (as documented on ''Distant Memories - Live in London''). History Fans had previously requested a sequel to the song "Metropolis—Part I" from ''Images and Words'', but the band had not yet been able—nor had they originally intended—to make one. The "P ...
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