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Oberon (Weber)
''Oberon, or The Elf-King's Oath'' ( J. 306) is a 3-act romantic opera with spoken dialogue composed in 1825–26 by Carl Maria von Weber. The only English opera ever set by Weber, the libretto by James Robinson Planché was based on the German poem ''Oberon'' by Christoph Martin Wieland, which itself was based on the epic romance '' Huon de Bordeaux'', a French medieval tale. It was premiered in London on 12 April 1826. Against his doctor's advice, Weber undertook the project commissioned by the actor-impresario Charles Kemble for financial reasons. Having been offered the choice of Faust or Oberon as subject matter, he travelled to London to complete the music, learning English to be better able to follow the libretto, before the premiere of the opera. However, the pressure of rehearsals, social engagements and composing extra numbers destroyed his health, and Weber died in London on 5 June 1826. The autograph manuscript of the opera was donated by Emperor Alexander II to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Operas By Carl Maria Von Weber
The German composer Carl Maria von Weber (1786–1826) is best known for his operas, of which he wrote 10 between 1798 and 1826. His first four exist in various states: ' ( 1798) is completely lost; two fragments survive for ''Das Waldmädchen'' (1800); the libretto to ''Peter Schmoll und seine Nachbarn'' (1803) is lost; and only three numbers from ''Rübezahl'' ( 1804–05) survive. Weber's mature operas—''Silvana (opera), Silvana'' (1810), ''Abu Hassan'' (1811), ''Der Freischütz'' (1821), ''Die drei Pintos'' ( 1820–21), ''Euryanthe'' (1823), ''Oberon (Weber), Oberon'' (1826)—all survive intact; they were all performed within his lifetime, except ''Die drei Pintos'' which was posthumously completed by Gustav Mahler. His contributions to the genre were crucial in the development of German ''Romantische Oper'' (German Romantic Opera) and its national identity, exhibiting much influence on Richard Wagner. ''Der Freischütz'', his most famous and significant work, remains am ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germany
Germany, officially the Federal Republic of Germany, is a country in Central Europe. It lies between the Baltic Sea and the North Sea to the north and the Alps to the south. Its sixteen States of Germany, constituent states have a total population of over 84 million in an area of , making it the most populous member state of the European Union. It borders Denmark to the north, Poland and the Czech Republic to the east, Austria and Switzerland to the south, and France, Luxembourg, Belgium, and the Netherlands to the west. The Capital of Germany, nation's capital and List of cities in Germany by population, most populous city is Berlin and its main financial centre is Frankfurt; the largest urban area is the Ruhr. Settlement in the territory of modern Germany began in the Lower Paleolithic, with various tribes inhabiting it from the Neolithic onward, chiefly the Celts. Various Germanic peoples, Germanic tribes have inhabited the northern parts of modern Germany since classical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name recitativo () is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by Basso continuo, continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artur Bodanzky
Artur Bodanzky (also written as Artur Bodzansky) (16 December 1877 – 23 November 1939) was an Austrian-American conductor particularly associated with the operas of Wagner. He conducted Enrico Caruso's last performance at the Metropolitan Opera House on Christmas Eve 1920. The son of Jewish merchants, Bodanzky studied the violin and composition with Alexander Zemlinsky. Bodanzky then became conducting assistant to Gustav Mahler in Vienna, later going on to jobs in Berlin, the Neues Deutsches Theater in Prague (August 1907), where he was briefly a colleague of Otto Klemperer and Mannheim. In 1915 he emigrated to the United States to work for the Metropolitan Opera, being replaced at Mannheim by Wilhelm Furtwängler. He was head of German repertory at the Met, being accepted by Arturo Toscanini on the recommendation of Ferruccio Busoni. In 1921 he was engaged by the New York Philharmonic as a guest conductor. In 1928, Bodanzky announced his resignation from the Met an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosa Ponselle
Rosa Ponzillo, known as Rosa Ponselle (January 22, 1897 – May 25, 1981) was an American operatic dramatic soprano. She sang mainly at the New York Metropolitan Opera and is generally considered to have been one of the greatest sopranos of the 20th century."Rosa Ponselle, dramatic soprano dies" by Allen Hughes, '''', May 26, 1981 Early life [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Opera
The Metropolitan Opera is an American opera company based in New York City, currently resident at the Metropolitan Opera House (Lincoln Center), Metropolitan Opera House at Lincoln Center, situated on the Upper West Side of Manhattan. Referred to colloquially as the Met, the company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as the general manager. The company's music director has been Yannick Nézet-Séguin since 2018. The Met was founded in 1883 as an alternative to the previously established Academy of Music (New York City), Academy of Music opera house and debuted the same year in a new Metropolitan Opera House (39th Street), building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. The company presents about 18 different operas each year from late September through early June. The operas are presente ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berlioz
Louis-Hector Berlioz (11 December 1803 – 8 March 1869) was a French Romantic music, Romantic composer and conductor. His output includes orchestral works such as the ''Symphonie fantastique'' and ''Harold en Italie, Harold in Italy'', choral pieces including the Requiem (Berlioz), Requiem and ''L'Enfance du Christ'', his three operas ''Benvenuto Cellini (opera), Benvenuto Cellini'', ''Les Troyens'' and ''Béatrice et Bénédict'', and works of hybrid genres such as the "dramatic symphony" ''Roméo et Juliette (Berlioz), Roméo et Juliette'' and the "dramatic legend" ''La Damnation de Faust''. The elder son of a provincial physician, Berlioz was expected to follow his father into medicine, and he attended a Parisian medical college before defying his family by taking up music as a profession. His independence of mind and refusal to follow traditional rules and formulas put him at odds with the conservative musical establishment of Paris. He briefly moderated his style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolphe Deloffre
Louis Michel Adolphe Deloffre (28 July 1817 – 8 January 1876) was a French violinist and conductor active in London and Paris, who conducted several important operatic premieres in the latter city, particularly by Charles Gounod and Georges Bizet. Walsh TJ. ''Second Empire Opera – The Théâtre-Lyrique Paris 1851-1870.'' John Calder Ltd, London, 1981. Career Born in Paris, Deloffre's initial musical training was from his father, a violinist and guitarist. His violin teachers later included Bellon, de Lafont and Baillot, and he became recognised for his fine playing. He then set out from Paris for London with the French conductor Jullien and later became principal violinist at Her Majesty's Theatre under Balfe; he also played with the Philharmonic Society, the Sacred Harmony Society and the Musical Union. He would return each year to give concerts in Paris with his wife, a distinguished pianist, and a cellist from the Opéra, Pilet. He returned permanently to Paris to s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Lyrique
The Théâtre Lyrique () was one of four opera companies performing in Paris during the middle of the 19th century (the other three being the Paris Opera, Opéra, the Opéra-Comique, and the Théâtre-Italien (1801–1878), Théâtre-Italien). The company was founded in 1847 as the Opéra-National by the French composer Adolphe Adam and renamed Théâtre Lyrique in 1852. It used four different theatres in succession, the Cirque Olympique (boulevard du Temple), Cirque Olympique, the Théâtre Historique, the Salle du Théâtre-Lyrique (now the Théâtre de la Ville), and the Salle de l'Athénée, until it ceased operations in 1872.Charlton 1992, p. 871. The diverse repertoire of the company "cracked the strict organization of the Parisian operatic world by breaking away from the principle that institution and genre were of one substance." The company was generally most successful with revivals of foreign works translated into French, particularly operas by Gluck, Mozart, Carl Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comédie-Italienne
Comédie-Italienne () or Théâtre-Italien () are French names which have been used to refer to Italian-language theatre and opera when performed in France. The earliest recorded visits by Italian players were ''commedia dell'arte'' companies employed by the French court under the Italian-born queens Catherine de' Medici and Marie de' Medici. These troupes also gave public performances in Paris at the theatre of the Hôtel de Bourgogne, probably the earliest public theatre to be built in France. The first official use of the name Comédie-Italienne was in 1680, when it was given to the ''commedia dell'arte'' troupe at the Hôtel de Bourgogne, to distinguish it from the French troupe, the Comédie-Française, which was founded that year, and just as the name Théâtre-Français was commonly applied to the latter, Théâtre-Italien was used for the Italians. Over time French phrases, songs, whole scenes, and eventually entire plays were incorporated into the Comédie-Italienne's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Park Theatre (Manhattan)
The Park Theatre, originally known as the New Theatre, was a playhouse in New York City, located at 21–25 Park Row in the present Civic Center neighborhood of Manhattan, about east of Ann Street and backing Theatre Alley. The location, at the north end of the city, overlooked the park that would soon house City Hall. French architect Marc Isambard Brunel collaborated with fellow émigré Joseph-François Mangin and his brother Charles on the design of the building in the 1790s. Construction costs mounted to precipitous levels, and changes were made in the design; the resulting theatre had a rather plain exterior. The doors opened in January 1798. In its early years, the Park enjoyed little to no competition in New York City. Nevertheless, it rarely made a profit for its owners or managers, prompting them to sell it in 1805. Under the management of Stephen Price and Edmund Simpson in the 1810s and 1820s, the Park enjoyed its most successful period. Price and Simpson ini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Liszt
Franz Liszt (22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic music, Romantic period. With a diverse List of compositions by Franz Liszt, body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era, and his piano works continue to be widely performed and recorded. Liszt achieved success as a concert pianist from an early age, and received lessons from the esteemed musicians Carl Czerny and Antonio Salieri. He gained further renown for his performances during tours of Europe in the 1830s and 1840s, developing a reputation for technical brilliance as well as physical attractiveness. In a phenomenon dubbed "Lisztomania", he rose to a degree of stardom and popularity among the public not experienced by the virtuosos who preceded him. During this period and into his later life, Liszt was a friend, musical promoter and benefactor to many composer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
