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Obbligato
In Western classical music, ''obbligato'' (, also spelled ''obligato'') usually describes a musical line that is in some way indispensable in performance. Its opposite is the marking '' ad libitum''. It can also be used, more specifically, to indicate that a passage of music was to be played exactly as written, or only by the specified instrument, without changes or omissions. The word is borrowed from Italian (an adjective meaning ''mandatory''; from Latin ''obligatus'' p.p. of '' obligare'', to oblige); the spelling ''obligato'' is not acceptable in British English, but it is often used as an alternative spelling in the US. The word can stand on its own, in English, as a noun, or appear as a modifier in a noun phrase (e.g. ''organ obbligato''). The term has also come to refer to a countermelody. Independence ''Obbligato'' includes the idea of independence, as in C. P. E. Bach's 1780 Symphonies (with twelve ''obbligato'' parts) by which Bach was referring to the independent w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Classical Music
Classical music generally refers to the art music of the Western world, considered to be #Relationship to other music traditions, distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" can also be applied to List of classical and art music traditions, non-Western art musics. Classical music is often characterized by formality and complexity in its musical form and Harmony, harmonic organization, particularly with the use of polyphony. Since at least the ninth century, it has been primarily a written tradition, spawning a sophisticated music notation, notational system, as well as accompanying literature in music analysis, analytical, music criticism, critical, Music history, historiographical, musicology, musicological and Philosophy of music, philosophical practices. A foundational component of Western culture, classical music is frequently seen from the perspective of individual or com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wer Sich Selbst Erhöhet, Der Soll Erniedriget Werden, BWV 47
Johann Sebastian Bach composed the church cantata (Whoever exalts himself, will be abased / King James Version, KJV: For whosoever exalteth himself shall be abased), 47, in Leipzig for the 17th Sunday after Trinity Sunday, Trinity and first performed it on 13 October 1726. History and words Bach wrote the cantata in his fourth year in Leipzig for the List of church cantatas by liturgical occasion#17th Sunday after Trinity (Trinity XVII), 17th Sunday after Trinity. It is regarded as part of his third annual cycle of cantatas. The prescribed readings for the Sunday were from the Epistle to the Ephesians, the admonition to keep the unity of the Spirit (), and from the Gospel of Luke, healing a man with dropsy on the Sabbath (). The poet Johann Friedrich Helbig (1680–1722) was a court poet at the ducal court of Saxe-Eisenach from 1718. He published an annual cycle of cantatas in 1720, (Encouragement of Devotion), which included this cantata. It is the only cantata text of Helbig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malcolm Arnold
Sir Malcolm Henry Arnold (21 October 1921 – 23 September 2006) was an English composer. His works feature music in many genres, including a cycle of nine symphonies, numerous concertos, concert works, chamber music, choral music and music for brass band and wind band. His style is tonal and rejoices in lively rhythms, brilliant orchestration, and an unabashed tunefulness. He wrote extensively for the theatre, with five ballets specially commissioned by the Royal Ballet, as well as two operas and a musical. He also produced scores for more than a hundred films, among these ''The Bridge on the River Kwai'' (1957), for which he won an Oscar. Early life Malcolm Arnold was born in Northampton, Northamptonshire, England, the youngest of five children from a prosperous Northampton family of shoemakers. Although shoemakers, his family was full of musicians; both of his parents were pianists, and his aunt was a violinist. His great great grandfather was the composer William Hawes (co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Cage
John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and Extended technique, non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives. Cage's teachers included Henry Cowell (1933) and Arnold Schoenberg (1933–35), both known for their radical innovations in music, but Cage's major influences lay in various Eastern world, East and South Asia, South Asian cultures. Through his studies of Indian philosophy and Zen Buddhism in the late 1940s, Cage came to the idea of Aleatoric music, aleatoric or Indeterminism#Philosophy, chance-controlled music, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmony
In music, harmony is the concept of combining different sounds in order to create new, distinct musical ideas. Theories of harmony seek to describe or explain the effects created by distinct pitches or tones coinciding with one another; harmonic objects such as chords, textures and tonalities are identified, defined, and categorized in the development of these theories. Harmony is broadly understood to involve both a "vertical" dimension (frequency-space) and a "horizontal" dimension (time-space), and often overlaps with related musical concepts such as melody, timbre, and form. A particular emphasis on harmony is one of the core concepts underlying the theory and practice of Western music. The study of harmony involves the juxtaposition of individual pitches to create chords, and in turn the juxtaposition of chords to create larger chord progressions. The principles of connection that govern these structures have been the subject of centuries worth of theoretical work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Stars And Stripes Forever
"The Stars and Stripes Forever" is a patriotic American march written and composed by John Philip Sousa in 1896. By a 1987 act of the U.S. Congress, it is the official National March of the United States of America. History In his 1928 autobiography, ''Marching Along'', Sousa wrote that he composed the march on Christmas Day, 1896. Sousa was on board an ocean liner on his way home from a vacation with his wife in Europe and had just learned of the recent death of David Blakely, the manager of the Sousa Band. He composed the march in his head and committed the notes to paper on arrival in the United States. It was first performed at the Philadelphia Academy of Music on May 14, 1897, and was immediately greeted with enthusiasm. Following an Act of Congress in 1987, it was officially adopted as the national march of the United States of America. Historically, in show business and particularly in theater and the circus, this piece is called "the Disaster March". In the earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Philip Sousa
John Philip Sousa ( , ; November 6, 1854 – March 6, 1932) was an American composer and conductor of the late Romantic music, Romantic era known primarily for American military March (music), marches. He is known as "The March King" or the "American March King", to distinguish him from his British counterpart Kenneth J. Alford. Among Sousa's best-known marches are "The Stars and Stripes Forever" (National March of the United States of America), "Semper Fidelis (march), Semper Fidelis" (official march of the United States Marine Corps), "The Liberty Bell (march), The Liberty Bell", "The Thunderer", and "The Washington Post (march), The Washington Post". Sousa began his career playing violin and studying music theory and composition under John Esputa and George Felix Benkert. Sousa's father enlisted him in the United States Marine Band as an apprentice in 1868. Sousa left the band in 1875, and over the next five years, he performed as a violinist and learned to conduct. In 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphoniae Sacrae I
(literally: Sacred Symphonies, Book One) is a collection of different pieces of vocal sacred music on Latin texts, composed by Heinrich Schütz, published in 1629. He set mostly psalms and excerpts from the Song of Solomon for one to three voices, with various instruments and continuo. Its twenty pieces were assigned 257 to 276 in the ' (SWV), the catalogue of his works. Two later volumes came, but with German texts: Symphoniae sacrae II in 1647 and Symphoniae sacrae III in 1650. History Schütz composed the first collection during his second study trip to Venice. During his first visit he studied the Venetian polychoral style with Giovanni Gabrieli. Returning in 1628 after Gabrieli's death, he studied with his successor at St Mark's Basilica, Claudio Monteverdi. Schütz was in the service of the Protestant Elector of Saxony Johann Georg I, and dedicated the collection to the Elector's son, crown prince Johann Georg II, then 16 years old. The texts are mostly taken fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Schütz
Heinrich Schütz (; 6 November 1672) was a German early Baroque music, Baroque composer and organ (music), organist, generally regarded as the most important German composer before Johann Sebastian Bach and one of the most important composers of the 17th century. He is credited with bringing the Italian style to Germany and continuing its evolution from the Renaissance music, Renaissance into the early Baroque music, Baroque. Most of his surviving music was written for the Lutheran church, primarily for the Augustus, Duke of Saxe-Lauenburg, Electoral Chapel in Dresden. He wrote what is traditionally considered the first German opera, ''Dafne (Opitz-Schütz), Dafne'', performed at Torgau in 1627, the music of which has since been lost, along with nearly all of his ceremonial and theatrical scores. Schütz was a prolific composer, with more than 500 surviving works. He is commemorated as a musician in the Calendar of Saints (Lutheran), Calendar of Saints of some North American Luth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danse Macabre (Saint-Saëns)
''Danse macabre'', Op. 40, is a symphonic poem for orchestra, written in 1874 by the French composer Camille Saint-Saëns. It premiered 24 January 1875. It is in the key of G minor. It started out in 1872 as an art song for voice and piano with a French text by the poet Henri Cazalis. In 1874, the composer expanded and reworked the piece into a symphonic poem, replacing the vocal line with a solo violin part. Analysis According to legend, Death appears at midnight every year on Halloween. Death calls forth the dead from their graves to dance for him while he plays his fiddle (here represented by a solo violin). His skeletons dance for him until the cockerel crows at dawn, when they must return to their graves until the next year. The piece opens with a harp playing a single note, D, twelve times (the twelve strokes of midnight) which is accompanied by soft chords from the string section. The solo violin enters playing the tritone, which was known as the '' diabolus in mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonic Poem
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term (tone poem) appears to have been first used by the composer Carl Loewe in 1828. The Hungarian composer Franz Liszt first applied the term to his 13 works in this vein, which commenced in 1848. Background While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as sonata form. This intention to inspire listeners was a direct consequence of Romanticism, which encouraged literary, pictorial and dramati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Saint-Saëns
Charles-Camille Saint-Saëns (, , 9October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano Concerto No. 2 (Saint-Saëns), Second Piano Concerto (1868), the Cello Concerto No. 1 (Saint-Saëns), First Cello Concerto (1872), ''Danse macabre (Saint-Saëns), Danse macabre'' (1874), the opera ''Samson and Delilah (opera), Samson and Delilah'' (1877), the Violin Concerto No. 3 (Saint-Saëns), Third Violin Concerto (1880), the Symphony No. 3 (Saint-Saëns), Third ("Organ") Symphony (1886) and ''The Carnival of the Animals'' (1886). Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, Paris, La Madeleine, the official church of the Second French Empire, Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
