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Nympheus (mythology)
In Greek mythology, Proteus ( ; ) is an early prophetic sea god or god of rivers and oceanic bodies of water, one of several deities whom Homer calls the "Old Man of the Sea" (''hálios gérôn''). Some who ascribe a specific domain to Proteus call him the god of "elusive sea change", which suggests the changeable nature of the sea or the liquid quality of water. He can foretell the future, but, in a mytheme familiar to several cultures, will change his shape to avoid doing so; he answers only to those who are capable of capturing him. From this feature of Proteus comes the adjective protean, meaning "versatile", "mutable", or "capable of assuming many forms". "Protean" has positive connotations of flexibility, versatility and adaptability. Name origin Proteus's name suggests the "first" (from Greek "" , "first"), as () is the "primordial" or the "firstborn". It is not certain to what this refers, but in myths where he is the son of Poseidon, it possibly refers to his being ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lycophron
Lycophron ( ; ; born about 330–325 BC) was a Hellenistic Greek tragic poet, grammarian, and commentator on comedy, to whom the poem ''Alexandra'' is attributed (perhaps falsely). Life and miscellaneous works He was born at Chalcis in Euboea, and flourished at Alexandria in the time of Ptolemy Philadelphus (285–247 BC). According to the ''Suda'', the massive tenth century Byzantine Greek historical encyclopaedia, he was the son of Socles, but was adopted by Lycus of Rhegium. It is believed that Lycophron was acquaintances with Greek philosopher Menedemus, who may have influenced some of Lycophron's tragedies and even wrote a satyr drama about the man. At an unknown date Lycophron was intrigued by the literary movement in Alexandria and settled there. He was entrusted by Ptolemy with the task of arranging the comedies in the Library of Alexandria; as the result of his labours he composed a treatise ''On Comedy''. Lycophron is also said to have been a skillful writer of anagra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heracles
Heracles ( ; ), born Alcaeus (, ''Alkaios'') or Alcides (, ''Alkeidēs''), was a Divinity, divine hero in Greek mythology, the son of ZeusApollodorus1.9.16/ref> and Alcmene, and the foster son of Amphitryon.By his adoptive descent through Amphitryon, Heracles receives the epithet Alcides, as "of the line of Alcaeus (mythology), Alcaeus", father of Amphitryon. Amphitryon's own, mortal son was Iphicles. He was a descendant and half-brother (as they are both sired by the god Zeus) of Perseus. He was the greatest of the Greek heroes, the ancestor of royal clans who claimed to be Heracleidae (), and a champion of the Twelve Olympians, Olympian order against chthonic monsters. In Roman mythology, Rome and the modernity, modern western world, West, he is known as Hercules, with whom the later Roman emperors, in particular Commodus and Maximian, often identified themselves. Details of his cult (religion), cult were adapted to Rome as well. Origin Many popular stories were told ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telegonus
Telegonus (; Ancient Greek: Τηλέγονος means "born afar") is the name shared by three different characters in Greek mythology. * Telegonus, a king of Egypt who was sometimes said to have married the nymph Io. * Telegonus, a Thracian son of Proteus by Torone ( Chrysonoe) of Phlegra, daughter of King Cleitus of Sithones. He was the brother of Polygonus ( Tmolus). Because of Telegonus' and his brother's great violence towards strangers, Proteus prayed to their grandsire Poseidon to carry him back to Egypt. They met their demise when they challenged Heracles to wrestle at the behest of Hera but lost their life in the battle. * Telegonus, the youngest son of Circe and Odysseus.Apollodorus, Epitomebr>7.16/ref> Notes References * Apollodorus, ''The Library'' with an English Translation by Sir James George Frazer, F.B.A., F.R.S. in 2 Volumes, Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1921. Online version at the Perseus Digital Library. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tmolus (father Of Tantalus)
In Greek mythology, Tmolus (; , ''Tmōlos'') may refer to the following figures: * Tmolus, a king of Lydia, and the husband of Omphale to whom he bequeathed his kingdom. * Tmolus, the god of Mount Tmolus in Lydia, who was the judge of a musical contest between the gods Apollo and Pan (or the satyr Marsyas). When Tmolus awarded the victory to Apollo, Midas the king of Phrygia disagreed, Apollo transformed Midas' ears into the ears of an ass. * Tmolus, the father of Tantalus by Pluto. However the father of Tantalus (by Pluto) was usually said to be Zeus. * Tmolus, a son of Proteus, who along with his brother Telegonus was killed by Heracles. However according to the mythographer Apollodorus, the two sons of Proteus killed by Heracles were named Telegonus and Polygonus. * Tmolus, a son of Ares and Theogone, was a king of Lydia. While hunting on a mountain, Tmolus raped a companion of Artemis, who then hung herself. Angry, Artemis caused Tmolus to be killed by a raging bull. Theoc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polygonus (mythology)
In Greek mythology, Polygonus (Ancient Greek: Πολύγονος means 'prolific') was the Thracian son of the sea god Proteus by Torone ( Chrysonoe) of Phlegra. He was the brother of Telegonus. Polygonus was also called Tmolus in some accounts. Mythology Due to Polygonus' and Telegonus' "stranger-slaying wrestling", Proteus prayed to his father Poseidon to carry him back to Egypt away from them. Under the command of Hera, the brothers challenged the hero Heracles to wrestle but lost their lives in the battle.Tzetzes, ''Chiliades'' 2.320 Notes References * Apollodorus, ''The Library'' with an English Translation by Sir James George Frazer, F.B.A., F.R.S. in 2 Volumes, Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1921. ISBN 0-674-99135-4Online version at the Perseus Digital Library. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phlegra (mythology)
Phlegra () is both a real and a mythical location in both Greek and Roman mythology. Phlegra is a peninsula of Macedonia (more specifically in Chalkidike) in modern Greece; it is an ancient name for Pallene in historical Thrace, the latter as per the toponymy of the ancients; Pallene – and Phlegra – is most commonly called nowadays Kassandra, or Peninsula of Kassandra. In Greek mythology, it is the site of Zeus's overthrowing of the Giants (Gigantes) at the end of the Gigantomachy. Ferrari, Anna''Dizionario dei luoghi del mito - Geografia reale e immaginaria del mondo classico'': "Flegra" Milano: Bur, 2011. Alighieri, Dante.''The Divine Comedy: Inferno''(commentary by Charles S. Singleton). Volumes 1-2 Princeton University Press, 1990. The Greek geographer Strabo (c.63 BC – c. 24 AD) writes: Nevertheless, various places have been associated with the Gigantomachy. The presence of volcanic phenomena, and the frequent unearthing of the fossilized bones of large prehist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torone (mythology)
In Greek mythology, Torone () of Phlegra, also called Chrysonoe (Χρυσονόη), was a Sithonian princess as the daughter of King Cleitus and Pallene. Family Torone was the wife of Proteus and mother of Telegonus and Polygonus ( Tmolus). Mythology Chrysonoe was given in marriage to Proteus by her father Cleitus after the Egyptian foreigner came to Thrace and became his friend. Chrysonoe's sons had the habit of guest-slaying which forced Proteus to pray for his father Poseidon to carry him back to Egypt away from them. Torone's sons were ultimately killed by Heracles when they challenged the hero to wrestle them. The city of Torone in Sithonia was named after her.Stephanus of Byzantium, s.v. Torōnē' Notes References * Apollodorus, ''The Library'' with an English Translation by Sir James George Frazer, F.B.A., F.R.S. in 2 Volumes, Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1921. ISBN 0-674-99135-4Online version at the Perseus Digit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Phoenician Women
''The Phoenician Women'' (, ''Phoinissai'') is a tragedy by Euripides, based on the same story as Aeschylus' play ''Seven Against Thebes''. It was presented along with the tragedies '' Hypsipyle'' and '' Antiope.'' With this trilogy, Euripides won the second prize. The title refers to the Greek chorus, which is composed of Phoenician women on their way to Delphi who are trapped in Thebes by the war. Unlike some of Euripides' other plays, the chorus does not play a significant role in the plot, but represents the innocent and neutral people who very often are found in the middle of war situations. Patriotism is a significant theme in the story, as Polynices talks a great deal about his love for the city of Thebes but has brought an army to destroy it; Creon is also forced to make a choice between saving the city and saving the life of his son. Plot The play opens with a summary of the story of Oedipus and its aftermath told by Jocasta, who in this version has not committed suicid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euripides
Euripides () was a Greek tragedy, tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the ''Suda'' says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete (''Rhesus (play), Rhesus'' is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declinedMoses Hadas, ''Ten Plays by Euripides'', Bantam Classic (2006), Introduction, p. ixhe became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander.L.P.E.Parker, ''Euripides: Alcestis'', Oxford University Press (2007), Introduction p. lx Euripides is identified with theatrical innovations that have profoundly influ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scholia
Scholia (: scholium or scholion, from , "comment", "interpretation") are grammatical, critical, or explanatory comments – original or copied from prior commentaries – which are inserted in the margin of the manuscript of ancient authors, as glosses. One who writes scholia is a scholiast. The earliest attested use of the word dates to the 1st century BC. History Ancient scholia are important sources of information about many aspects of the ancient world, especially ancient literary history. The earliest scholia, usually anonymous, date to the 5th or 4th century BC (such as the ''scholia minora'' to the ''Iliad''). The practice of compiling scholia continued to late Byzantine times, outstanding examples being Archbishop Eustathius' massive commentaries to Homer in the 12th century and the ''scholia recentiora'' of Thomas Magister, Demetrius Triclinius and Manuel Moschopoulos in the 14th. Scholia were altered by successive copyists and owners of the manusc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phoenicia
Phoenicians were an Ancient Semitic-speaking peoples, ancient Semitic group of people who lived in the Phoenician city-states along a coastal strip in the Levant region of the eastern Mediterranean, primarily modern Lebanon and the Syria, Syrian coast. They developed a Maritime history, maritime civilization which expanded and contracted throughout history, with the core of their culture stretching from Arwad in modern Syria to Mount Carmel. The Phoenicians extended their cultural influence through trade and colonization throughout the Mediterranean, from Cyprus to the Iberian Peninsula, evidenced by thousands of Canaanite and Aramaic inscriptions, Phoenician inscriptions. The Phoenicians directly succeeded the Bronze Age Canaanites, continuing their cultural traditions after the decline of most major Mediterranean basin cultures in the Late Bronze Age collapse and into the Iron Age without interruption. They called themselves Canaanites and referred to their land as Canaan, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
