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Nun Danket Alle Gott, BWV 192
(Now thank ye all our God), BWV 192, is a church cantata for Trinity Sunday composed by Johann Sebastian Bach in Leipzig in 1730. It is an incomplete cantata, because its tenor part is missing. It is a chorale cantata, setting the unmodified three stanzas of Martin Rinckart's "Nun danket alle Gott" (" Now Thank We All Our God"). It has been regarded as an expansion of Bach's chorale cantata cycle. History and text Bach composed ''Nun danket alle Gott'' as a chorale cantata for Trinity, setting the unmodified text of the three stanzas of Martin Rinckart's hymn of thanksgiving " Nun danket alle Gott". It was first performed on 4 June 1730. Alfred Dürr assumed that it could have been written for a wedding. It has also been regarded as a cantata for Reformation Day. The cantata is not always seen as included in Bach's chorale cantata cycle. The original score is held by the Staatsbibliothek zu Berlin. The tenor part was lost and has been reconstructed by several scholars; e.g., ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Cantata (Bach)
There are 52 chorale cantatas by Johann Sebastian Bach surviving in at least one complete version. Around 40 of these were composed during his second year as Thomaskantor in Leipzig, which started after Trinity Sunday 4 June 1724, and form the backbone of his Bach's chorale cantata cycle, chorale cantata cycle. The eldest known Bach cantata, cantata by Bach, an early version of ''Christ lag in Todes Banden, BWV 4, Christ lag in Todes Banden'', Bach-Werke-Verzeichnis, BWV 4, presumably written in 1707, was a chorale cantata. The last chorale cantata he wrote in his second year in Leipzig was Wie schön leuchtet der Morgenstern, BWV 1, ''Wie schön leuchtet der Morgenstern'', BWV 1, first performed on Palm Sunday, 25 March 1725. In the ten years after that he wrote at least a dozen further chorale cantatas and other cantatas that were added to his chorale cantata cycle. Lutheran hymns, also known as chorales, have a prominent place in the liturgy of that Christian denomination, denomi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Cantata Cycle
Johann Sebastian Bach's chorale cantata cycle is the Cantata cycle (Bach), year-cycle of Church cantata (Bach), church cantatas he started composing in Leipzig from the first Sunday after Trinity Sunday, Trinity in 1724. It followed the cantata cycle he had composed from his appointment as Thomaskantor after Trinity in 1723. Bach's second cantata cycle is commonly used as a synonym for his List of chorale cantatas by Johann Sebastian Bach, chorale cantata cycle, but strictly speaking both cycles overlap only for 40 cantatas. Two further chorale cantatas may belong to both cycles: the final version of , and the earliest version of ; it is, however, uncertain whether these versions were first presented in Bach's second year in Leipzig. Bach composed a further 13 cantatas in his second year at Leipzig, none of them chorale cantatas, although two of them became associated with the chorale cantata cycle. After his second year in Leipzig, he composed at least eight further cantatas for in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ritornello
A ritornello (Italian; "little return") is a recurring passage in Renaissance music and Baroque music for orchestra or chorus. Early history The earliest use of the term "ritornello" in music referred to the final lines of a fourteenth-century madrigal, which were usually in a rhyme scheme and meter that contrasted with the rest of the song. Scholars suggest that the word "ritornello" comes either from the Italian word ''ritorno'' (meaning return), or from ''tornando'' (meaning turnaround or flourish). Literally, in Italian it means "little return". Baroque music The ritornello as a recurring tutti passage can be traced back to the music of sixteenth-century Venetian composer Giovanni Gabrieli. According to Richard Taruskin, these repeating passages are "endemic to the ''concertato'' style" which Gabrieli is credited with developing. The idea of an orchestral ritornello played an important role in the structure of opera in the eighteenth century. The most common form for an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Fantasia
Chorale fantasia is a type of large composition based on a chorale melody, both works for Pipe organ, organ, and vocal settings, for example the opening movements of Chorale cantata (Bach), Bach's chorale cantatas, with the chorale melody as a cantus firmus. History Chorale fantasias first appeared in the 17th century in the works of German organ schools, North German composers such as Jan Pieterszoon Sweelinck (who arguably had the greatest influence on the genre), Heinrich Scheidemann and Franz Tunder (who, however, rarely used the term). Their works would treat each phrase of a chorale differently, thus becoming large, sectional compositions with elaborate development of the chorale melody. By mid-18th century this type of organ composition was practically non-existent. Johann Sebastian Bach used the term first to designate a whole variety of different organ chorale types (during his period in Weimar), and then limited its use to large compositions with the chorale melody prese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano" ''Encyclopædia Britannica'' as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Günter Raphael
Günter Raphael (30 April 1903 – 19 October 1960) was a German composer. Born in Berlin, Raphael was the grandson of composer Albert Becker (composer), Albert Becker. His first symphony was premiered by Wilhelm Furtwängler in 1926 in Leipzig with the Leipzig Gewandhaus Orchestra, Gewandhaus Orchestra. From 1926 to 1934 he taught in Leipzig, but illness and the rise of Fascism – he was declared a "half-Jew" – made this difficult for him. He received the Franz Liszt Award for composition in 1948. His students include Kurt Hessenberg. His compositions include five symphony, symphonies, concertos for violin and for organ, six string quartets, numerous solos and duos for strings and winds with and without piano of which several have been recorded. Raphael also composed organ, piano and choral works. He was also responsible for arranging a performance version of Antonín Dvořák's ''Cello Concerto in A major (Dvořák), Cello Concerto in A major'' (1865) when its piano and cello ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staatsbibliothek Zu Berlin
The Berlin State Library (; officially abbreviated as ''SBB'', colloquially ''Stabi'') is a universal library in Berlin, Germany, and a property of the German public cultural organization the Prussian Cultural Heritage Foundation (). Founded in 1661, it is among the largest libraries in Europe, and one of the most important academic research libraries in the German-speaking world. It collects texts, media and cultural works from all fields across many languages, from all time periods and all countries of the world, and offer them for academic and research purposes. Prominent items in its collection include the oldest biblical illustrations in the fifth-century Quedlinburg Itala fragment, a Gutenberg Bible, the main autograph collection of Goethe, the world's largest collection of Johann Sebastian Bach's and Wolfgang Amadeus Mozart's manuscripts, and the original score of Ludwig van Beethoven's Symphony No. 9. Central functions and cooperation with other libraries The SBB is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breitkopf & Härtel
Breitkopf & Härtel () is a German Music publisher, music publishing house. Founded in 1719 in Leipzig by Bernhard Christoph Breitkopf, it is the world's oldest music publisher. Overview The catalogue contains over 1,000 composers, 8,000 works and 15,000 music editions or books on music. The name "Härtel" was added when Gottfried Christoph Härtel took over the company in 1795. In 1807, Härtel began to manufacture pianos, an endeavour which lasted until 1870. Breitkopf pianos were highly esteemed in the 19th century by such pianists as Franz Liszt and Clara Schumann. In the 19th century the company was for many years the publisher of the ''Allgemeine musikalische Zeitung'', an influential music journal. The company has consistently supported composers and had close editorial collaboration with Ludwig van Beethoven, Beethoven, Joseph Haydn, Haydn, Felix Mendelssohn, Mendelssohn, Robert Schumann, Schumann, Frédéric Chopin, Chopin, Franz Liszt, Liszt, Richard Wagner, Wagner a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach-Gesellschaft Ausgabe
Joh. Seb. Bach's Werke () is the Bach Gesellschaft's collected edition of Johann Sebastian Bach's compositions, published in 61 volumes in the second half of the 19th century. The series is also known as Bach-Gesellschaft edition (; BGA), or as ''Bach-Gesamtausgabe'' (BG; ). It is a German-language edition: title pages and notes by editors are exclusively in German. A supplemental volume was published in 1926, a quarter of a century after the Bach Gesellschaft's dissolution. Another late addition to the series was Max Schneider (music historian), Max Schneider's 1935 revision of the fourth volume. All volumes, including the 20th-century additions, were published by Breitkopf & Härtel. As a complete edition of Bach's works it was succeeded by the New Bach Edition, published between 1954 and 2007. Volumes The Year (Yr.) in the second column refers to the volume's date of publication, that is the date of the editor's ('Preface') if different from the date on the title page. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach's Chorale Cantata Cycle
Johann Sebastian Bach's chorale cantata cycle is the Cantata cycle (Bach), year-cycle of Church cantata (Bach), church cantatas he started composing in Leipzig from the first Sunday after Trinity Sunday, Trinity in 1724. It followed the cantata cycle he had composed from his appointment as Thomaskantor after Trinity in 1723. Bach's second cantata cycle is commonly used as a synonym for his List of chorale cantatas by Johann Sebastian Bach, chorale cantata cycle, but strictly speaking both cycles overlap only for 40 cantatas. Two further chorale cantatas may belong to both cycles: the final version of , and the earliest version of ; it is, however, uncertain whether these versions were first presented in Bach's second year in Leipzig. Bach composed a further 13 cantatas in his second year at Leipzig, none of them chorale cantatas, although two of them became associated with the chorale cantata cycle. After his second year in Leipzig, he composed at least eight further cantatas for in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Dürr
Alfred Dürr (3 March 1918 – 7 April 2011) was a German musicologist. He was a principal editor of the Neue Bach-Ausgabe, the second edition of the complete works of Johann Sebastian Bach. Professional career Dürr studied musicology and Classical philology at the Georg-August-Universität Göttingen from 1945 to 1950. He wrote his thesis about Bach's early Bach cantata, cantatas. From 1951 until his retirement in 1983 he was an employee of the Johann Sebastian Bach Institute in Göttingen, West Germany, from 1962 to 1981 its deputy director. His work involved collaboration with colleagues in East Germany. He was a principal editor of the Neue Bach-Ausgabe, a project which was divided between the Johann Sebastian Bach Institute and the Bach-Archiv Leipzig in East Germany. From 1953 to 1974 Dürr was editor of the ''Bach-Jahrbuch'' (Bach almanach), together with Werner Neumann, the founder and director of the Bach-Archiv Leipzig. Dürr received honorary doctorates of music fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
