|
Bach-Gesellschaft Ausgabe
Joh. Seb. Bach's Werke () is the Bach Gesellschaft's collected edition of Johann Sebastian Bach's compositions, published in 61 volumes in the second half of the 19th century. The series is also known as Bach-Gesellschaft edition (; BGA), or as ''Bach-Gesamtausgabe'' (BG; ). It is a German-language edition: title pages and notes by editors are exclusively in German. A supplemental volume was published in 1926, a quarter of a century after the Bach Gesellschaft's dissolution. Another late addition to the series was Max Schneider (music historian), Max Schneider's 1935 revision of the fourth volume. All volumes, including the 20th-century additions, were published by Breitkopf & Härtel. As a complete edition of Bach's works it was succeeded by the New Bach Edition, published between 1954 and 2007. Volumes The Year (Yr.) in the second column refers to the volume's date of publication, that is the date of the editor's ('Preface') if different from the date on the title page. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Gesellschaft
The German Bach-Gesellschaft (Bach Society) was a society formed in 1850 for the express purpose of publishing the complete works of Johann Sebastian Bach without editorial additions. The collected works are known as the Bach-Gesellschaft-Ausgabe. On completion of the project, the Society dissolved itself. The nineteenth-century society should be distinguished from its successor, the Neue Bachgesellschaft (New Bach Society), founded in 1900. Origins of the Bach-Gesellschaft The founders of the society were Moritz Hauptmann, cantor of the St. Thomas Church, Leipzig, (and thus a successor of Bach); Otto Jahn, author of a famous biography of Wolfgang Amadeus Mozart, Mozart; Carl Ferdinand Becker (organist), Carl Ferdinand Becker, teacher at the Leipzig Conservatory; and the composer Robert Schumann. Publication history The Bach-Gesellschaft began publishing Bach's works in 1851 with a volume that started with Bach-Werke-Verzeichnis, BWV 1, the cantata ''Wie schön leuchtet der ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BGA Vol
BGA may refer to: Organizations * Battle Ground Academy, a private school in Franklin, Tennessee, US * Behavior Genetics Association * Boldklubberne Glostrup Albertslund, a Danish football club * British Gear Association * British Gliding Association * British Go Association * British Geophysical Association * British-German Association * Bumitama Gunajaya Agro, an Indonesian palm oil company * Bundesverband Großhandel, Außenhandel, Dienstleistungen (The Federation of German Wholesale, Foreign Trade and Services) Transport * Brundall Gardens railway station, Norfolk, England, by National Rail station code * Palonegro International Airport, Colombia, by IATA code Other uses * Ball grid array, a type of surface-mount packaging used for integrated circuits * Cyanobacteria (blue-green algae) * Break glass alarm, a type of manually activated fire alarm; see Fire alarm pull station * ''Bach-Gesellschaft Ausgabe Joh. Seb. Bach's Werke () is the Bach Gesellschaft's collected e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello Suites (Bach)
The six Cello Suites, BWV 1007–1012, are suites for unaccompanied cello by Johann Sebastian Bach (1685–1750). They are some of the most frequently performed solo compositions ever written for cello. Bach most likely composed them during the period 1717–1723, when he served as ''Kapellmeister'' in Köthen. The title given on the cover of the Anna Magdalena Bach manuscript was ''Suites à Violoncello Solo senza Basso'' (Suites for cello solo without bass). As usual in a Baroque musical suite, after the prelude which begins each suite, all the other movements are based around baroque dance types.Wittstruck, Anna."Dancing with J.S. Bach and a Cello – Introduction". Stanford University. ''Stanford.edu''. 2012. The cello suites are structured in six movements each: prelude, allemande, courante, sarabande, two minuets or two bourrées or two gavottes, and a final gigue. Gary S. Dalkin of MusicWeb International called Bach's cello suites "among the most profound of all classica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonatas And Partitas For Solo Violin (Bach)
The Sonatas and Partitas for Solo Violin (BWV 1001–1006) are a set of six works composed by Johann Sebastian Bach. They are sometimes referred to in English as the Sonatas and for Solo Violin in accordance with Bach's headings in the autograph manuscript: "Partia" (plural "Partien") was commonly used in German-speaking regions during Bach's time, whereas the Italian "partita" was introduced to this set in the 1879 Bach Gesellschaft edition, having become standard by that time. The set consists of three sonatas da chiesa in four movements and three partitas (or partias) in Baroque suite dance-form movements. The 2nd Partita is widely known for its Chaconne, considered one of the most masterful and expressive works ever written for solo violin. The set was completed by 1720 but was not published until 1802 by Nikolaus Simrock in Bonn. Even after publication, it was largely ignored until the celebrated violinist Joseph Joachim started performing these works. Today, Bach's 'So ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Art Of Fugue
''The Art of Fugue'', or ''The Art of the Fugue'' (), BWV 1080, is an incomplete musical work of unspecified instrumentation by Johann Sebastian Bach. Written in the last decade of his life, ''The Art of Fugue'' is the culmination of Bach's experimentation with monothematic instrumental works. This work consists of fourteen fugues and four canons in D minor, each using some variation of a single principal subject, and generally ordered to increase in complexity. "The governing idea of the work", as put by Bach specialist Christoph Wolff, "was an exploration in depth of the contrapuntal possibilities inherent in a single musical subject." The word "contrapunctus" is often used for each fugue. Sources Mus. ms. autogr. P 200 The earliest extant source of the work is an autograph manuscript possibly written from 1740 to 1746, usually referred to by its call number as Mus. ms. autogr. P 200 in the Berlin State Library. Bearing the title ''Die / Kunst der Fuga ' / ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Dörffel
Alfred Dörffel (24 January 1821 – 22 January 1905) was a German pianist, music publisher and librarian. Career Dörffel was born in Waldenburg, Saxony, the son of August Friedrich Dörffel and his wife Christiane Charlotte, née Kröhne. He received his first musical training by the Waldenburg organist Johann Adolf Trube. He later studied in Leipzig with Gottfried Wilhelm Fink, Felix Mendelssohn and Robert Schumann. Dörffel was editor for Breitkopf & Härtel and Edition Peters. He published a ' (Guide to the musical world), translated the ' (Instruction on scoring) by Hector Berlioz, published in 1864. He edited several volumes of the first complete edition of the Works of Johann Sebastian Bach by the ''Bach-Gesellschaft'', known as the ', beginning with cantatas in 1876 and ending with the '' '' (then attributed to Bach) in 1898. He wrote reviews for the ' and the ''Musikalisches Wochenblatt'' (Musical weekly). In 1881, Dörffler wrote the review of 100 years Gewandhaus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Easter Oratorio
The ''Easter Oratorio'' (; ), 249, is an oratorio by Johann Sebastian Bach. He wrote an autograph score in Leipzig in 1738 under this title, matching his ''Christmas Oratorio'' and '' Ascension Oratorio''. Bach had already composed the work in 1725, when he used most of its music for two compositions, the congratulatory '' Shepherd Cantata'', BWV 249a (BWV 249.1), and a church cantata for Easter Sunday, ('Come, go and hurry'), BWV 249.3, that later became the oratorio. Both works are musical dramas involving characters: in the secular cantata two shepherds and two shepherdesses, and in the Easter cantata four Biblical figures from the Easter narratives in the Gospel of Luke and other Evangelists. Bach performed the ''Shepherd Cantata'' on 23 February 1725 for his patron Christian, Duke of Saxe-Weissenfels. Its text was written by Picander, in his first documented collaboration with Bach. Picander may also have adapted his text for the Easter cantata that Bach first performed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brandenburg Concertos
The ''Brandenburg Concertos'' ( BWV 1046–1051) by Johann Sebastian Bach are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt, in 1721 (though probably composed earlier). The original French title is ''Six Concerts Avec plusieurs instruments'', meaning "Six Concertos for several instruments". Some of the pieces feature several solo instruments in combination. They are widely regarded as some of the greatest orchestral compositions of the Baroque era. History It is uncertain when most of the material for the Brandenburg Concertos was written. It is clear that the first movement of Concerto No. 1 (BWV 1046) was based on an introduction to Bach's 1713 cantata '' Was mir behagt'', and the second and last may have been as well. It also seems likely that Concerto No. 5 was the last to be written; it features a prominent harpsichord part, which is presumed to be for a new instrument ordered for Prince Leopold from th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Well-Tempered Clavier
''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time ''clavier'' referred to a variety of keyboard instruments, namely the harpsichord, the clavichord and the organ (which operates using air instead of strings), but not excluding the regal and the then newly-invented fortepiano. The modern German spelling for the collection is ' (WTK; ). Bach gave the title ' to a book of preludes and fugues in all 24 keys, major and minor, dated 1722, composed "for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study". Some 20 years later, Bach compiled a second book of the same kind (24 pairs of preludes and fugues), which became known as ''The Well-Tempered Clavier'', Part Two (in German: ''Zweyter Theil'', modern spelling: ''Zweiter Teil''). Modern editions usually refer to both parts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mourning Ode
Mourning is the emotional expression in response to a major life event causing grief, especially loss. It typically occurs as a result of someone's death, especially a loved one. The word is used to describe a complex of behaviors in which the bereaved participate or are expected to participate, the expression of which varies by culture. Wearing black clothes is one practice followed in many countries, though other forms of dress are seen. Those most affected by the loss of a loved one often observe a period of mourning, marked by withdrawal from social events and quiet, respectful behavior in some cultures, though in others mourning is a collective experience. People may follow religious traditions for such occasions. Mourning may apply to the death of, or anniversary of the death of, an important individual such as a local leader, monarch, religious figure, or member of family. State mourning may occur on such an occasion. In recent years, some traditions have given way t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Suites (Bach)
The ''French Suites'', BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier ( harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext Although Suites Nos. 1 to 4 are typically dated to 1722, it is possible that the first was written somewhat earlier. Style The suites were later given the name 'French' (first recorded usage by Friedrich Wilhelm Marpurg in 1762). Likewise, the '' English Suites'' received a later appellation. The name was popularised by Bach's biographer Johann Nikolaus Forkel, who wrote in his 1802 biography of Bach, "One usually calls them French Suites because they are written in the French manner." This claim, however, is inaccurate: like Bach's other suites, they follow a largely Italian convention. There is no surviving definitive manuscript of these suites, and ornamentation varies both in type and in degree across manuscripts. The courantes of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
