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Not That Funny
"Not That Funny" is a song by British-American rock band Fleetwood Mac, released in 1980. Composed and sung by guitarist Lindsey Buckingham, it was written as a response to the punk movement in the late 1970s. The song shares some lyrics with "I Know I'm Not Wrong", another Buckingham penned song that appeared on the ''Tusk (album), Tusk'' album. In select European counties, "Not That Funny" was issued as the third single from the ''Tusk'' album, although the song failed to chart. Since its release, the song has been performed live on several Fleetwood Mac tours. Background "Not That Funny" was derived from an unused Buckingham song titled "Needles and Pins", originally recorded in June 1978. "Needles and Pins" later split into two different songs, "Not That Funny" and "I Know I'm Not Wrong", both of which share the "don't blame me" lyrics found in the refrain, chorus and the "here comes the nighttime" lyrics found in the bridge (music), bridge. Carol Ann Harris, who was in a roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fleetwood Mac
Fleetwood Mac are a British-American Rock music, rock band formed in London in 1967 by the singer and guitarist Peter Green (musician), Peter Green. Green named the band by combining the surnames of the drummer, Mick Fleetwood, and the bassist, John McVie, who have remained with the band throughout its many line-up changes. Fleetwood Mac have sold more than 120 million records worldwide, making them one of the List of best-selling music artists, world's best-selling bands. Primarily a British blues band in their early years, Fleetwood Mac achieved a UK number one single in 1968 with the instrumental "Albatross (instrumental), Albatross" and had other UK top ten hits with "Man of the World (song), Man of the World", "Oh Well (song), Oh Well" (both 1969), and "The Green Manalishi (With the Two Prong Crown)" (1970). Green left the band in May 1970 and McVie's wife, Christine McVie, joined as an official member on vocals and keyboards two months later, having previously contribute ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stevie Nicks
Stephanie Lynn Nicks (born May 26, 1948) is an American singer-songwriter, known for her work with the band Fleetwood Mac and as a solo artist. After starting her career as a duo with her then-boyfriend Lindsey Buckingham, releasing the album '' Buckingham Nicks'' to little success, Nicks joined Fleetwood Mac in 1975, helping the band to become one of the best-selling music acts of all time with over 120 million records sold worldwide. '' Rumours'', the band's second album with Nicks, became one of the best-selling albums worldwide, being certified 20× platinum in the US. In 1981, while remaining a member of Fleetwood Mac, Nicks began her solo career, releasing the studio album '' Bella Donna'', which topped the ''Billboard'' 200 and has reached multiplatinum status. She has released eight studio albums as a solo artist and seven with Fleetwood Mac, selling a certified total of 65 million copies in the U.S. alone. After the release of her first solo album, ''Rolling Stone'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christine McVie
Christine Anne McVie (; Perfect; 12 July 1943 – 30 November 2022) was an English musician. She was the keyboardist and one of the vocalists and songwriters of the rock band Fleetwood Mac. McVie was a member of several bands, notably Chicken Shack, in the mid-1960s British blues scene. She initially began working with Fleetwood Mac as a session player in 1968, before officially joining the band two years later. Her first compositions with Fleetwood Mac appeared on their fifth album, ''Future Games''. She remained with the band through many changes of line-up, writing songs and performing Lead vocalist, lead vocals before partially retiring in 1998. McVie was described as "the prime mover behind some of Fleetwood Mac's biggest hits" and eight songs she wrote or co-wrote, including "Say You Love Me (Fleetwood Mac song), Say You Love Me", "Don't Stop (Fleetwood Mac song), Don't Stop", "Everywhere (Fleetwood Mac song), Everywhere" and "Little Lies", appeared on Fleetwood Mac's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ostinato
In music, an ostinato (; derived from the Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's ''Boléro'' and the '' Carol of the Bells'', and popular songs such as John Lennon’s “Mind Games” (1973), Donna Summer and Giorgio Moroder's " I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's " Baba O'Riley" (1971), The Verve's " Bitter Sweet Symphony" (1997), and Flo Rida's " Low" (2007). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term cover ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fill (music)
In popular music, a fill is a short musical passage, riff, or rhythmic sound which helps to sustain the listener's attention during a break between the phrases of a melody. "The terms riff and fill are sometimes used interchangeably by musicians, but hilethe term riff usually refers to an exact musical phrase repeated throughout a song", a fill is an improvised phrase played during a section where nothing else is happening in the music. While riffs are repeated, fills tend to be varied over the course of a song. For example, a drummer may fill in the end of one phrase with a sixteenth note hi-hat pattern, and then fill in the end of the next phrase with a snare drum figure. In drumming, a fill is defined as a "short break in the groove—a lick that 'fills in the gaps' of the music and/or signals the end of a phrase. It's akin to a mini- solo." A fill may be played by rock or pop instruments such as the electric Electricity is the set of physical phenomena associ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Drum
A tom drum (also known as a tom-tom) is a cylindrical drum with no snares, named from the Anglo-Indian and Sinhala language. It was added to the drum kit in the early part of the 20th century. Most toms range in size between in diameter, though floor toms can go as large as . Design history The drum called "Thammattama", played by the Sinhalese people of Sri Lanka, is used in a number of Buddhist rituals in that country. It is commonly heard in Theravada Buddhist temple Vihāras paired along with the reed instrument called horanava. This may be etymologically derived from the Tamil term "Thappattam" or "Thappu", a frame drum associated with South Indian Tamil culture. However, the tom-tom drums on the Western drum set clearly resemble the Sri Lankan version more than the frame drum. The British colonists complained loudly about the noise generated by the "tom-toms" of the natives throughout South Asia. It is likely that the term tom-toms thus comes from their experiences ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sixteenth Note
Figure 1. A 16th note with stem facing up, a 16th note with stem facing down, and a 16th rest. Figure 2. Four 16th notes beamed together. In music, a 1/16, sixteenth note ( American) or semiquaver (British) is a note played for half the duration of an eighth note (quaver), hence the names. It is the equivalent of the semifusa in mensural notation, first found in 15th-century notation. Sixteenth notes are notated with an oval, filled-in note head and a straight note stem with two flags (see Figure 1). A single sixteenth note is always stemmed with flags, while two or more are usually beamed in groups. A corresponding symbol is the sixteenth rest (or semiquaver rest), which denotes a silence for the same duration. As with all notes with stems, sixteenth notes are drawn with stems to the right of the notehead, facing up, when they are below the middle line of the musical staff (or on the middle line, in vocal music). When they are on the middle line (in instrumental music) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eighth Note
180px, Figure 1. An eighth note with stem extending up, an eighth note with stem extending down, and an eighth rest. 180px, Figure 2. Four eighth notes beamed together. An eighth note ( American) or a quaver ( British) is a musical note played for one eighth the duration of a whole note (semibreve). Its length relative to other rhythmic values is as expected—e.g., half the duration of a quarter note (crotchet), one quarter the duration of a half note (minim), and twice the value of a sixteenth note. It is the equivalent of the ''fusa'' in mensural notation. Notation Eighth notes are notated with an oval, filled-in note head and a straight note stem with one note flag (see Figure 1). The stem is on the right of the notehead extending upwards or on the left extending downwards, depending primarily on where the notehead lies relative to the middle line of the staff. A related symbol is the eighth rest (or quaver rest), which denotes a silence for the same duration. E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Box
A music box (American English) or musical box (British English) is an automatic musical instrument in a box that produces Musical note, musical notes by using a set of pins placed on a revolving cylinder (geometry), cylinder or disc to pluck the tuned teeth (or lamellophone, ''lamellae'') of a steel comb#Making music, comb. The popular device best known today as a "music box" developed from musical decorative boxes#Snuff box, snuff boxes of the 18th century and were originally called (French for "chimes of music"). Some of the more complex boxes also contain a tiny drum and/or bells in addition to the metal comb. History The Symphonium company started business in 1885 as the first manufacturers of disc-playing music boxes. Two of the founders of the company, Gustave Brachhausen and Paul Riessner, left to set up a new firm, Polyphon, in direct competition with their original business and their third partner, Oscar Paul Lochmann. Following the establishment of the Original Mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichord
A harpsichord is a musical instrument played by means of a musical keyboard, keyboard. Depressing a key raises its back end within the instrument, which in turn raises a mechanism with a small plectrum made from quill or plastic that plucks one or more strings. The strings are under tension on a Sound board (music), soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard Manual (music), manual and even a #Pedal harpsichord, pedal board. Harpsichords may also have Organ stop, stop levers which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, virginals#Muselars, m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mixing Console
A mixing console or mixing desk is an electronic device for Audio mixing (recorded music), mixing audio signals, used in sound recording and reproduction and sound reinforcement systems. Inputs to the console include microphones, signals from electric or electronic instruments, or recorded sounds. Mixers may control analog or Digital signal (signal processing), digital signals. The modified signals are summation, summed to produce the combined output signals, which can then be broadcast, amplified through a sound reinforcement system or recorded. Mixing consoles are used for applications including recording studios, public address systems, sound reinforcement systems, nightclubs, broadcasting, and post-production. A typical, simple application combines signals from microphones on stage into an amplifier that drives one set of loudspeakers for the audience. A DJ mixer may have only two channels, for mixing two record players. A coffeehouse's small stage might only have a six-c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phase (waves)
In physics and mathematics, the phase (symbol φ or ϕ) of a wave or other periodic function F of some real variable t (such as time) is an angle-like quantity representing the fraction of the cycle covered up to t. It is expressed in such a scale that it varies by one full turn as the variable t goes through each period (and F(t) goes through each complete cycle). It may be measured in any angular unit such as degrees or radians, thus increasing by 360° or 2\pi as the variable t completes a full period. This convention is especially appropriate for a sinusoidal function, since its value at any argument t then can be expressed as \varphi(t), the sine of the phase, multiplied by some factor (the amplitude of the sinusoid). (The cosine may be used instead of sine, depending on where one considers each period to start.) Usually, whole turns are ignored when expressing the phase; so that \varphi(t) is also a periodic function, with the same period as F, that repeatedly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
