|
Norbert Dufourcq
Norbert Stéphane Jean-Marie Dufourcq (21 September 1904 – 19 December 1990) was a French organist, music educator, musicologist and musicographer. Biography Norbert Dufourcq was born in 1904 in Saint-Jean-de-Braye in the Loiret department of France. His parents were the historian Albert Dufourcq who worked as a professor at the University of Bordeaux and Madeleine Dufourcq, née Prot. His maternal grandfather, Paul Prot, owned Parfums Lubin. He was the third of six children. He was named after his paternal grandfather, Bernard-Norbert Dufourcq. Trained at the École des chartes and holder of a doctorate of literature, and an archivist/palaeographer, Norbert Dufourcq nonetheless devoted himself to music. An amateur organist (pupil of André Marchal), he served as titular organist of the organ of the Saint-Merri church in Paris from 1923 to his death. The Clicquot/ Cavaillé-Coll pipe organ was restored by the company in a under the direction of its owner between 1946 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint-Jean-de-Braye
Saint-Jean-de-Braye () is a commune in the Loiret department in north-central France. It is an eastern suburb of Orléans. The organist and musicologist Norbert Dufourcq (1904–1990) was born in the commune. On 14 February 2020, the municipal council voted unanimously to suspend the twin towns partnership with the Polish Tuchów as a result of the controversial anti-LGBT resolution passed by the Tuchów authorities.Yacha Hajzler,Homophobie : Saint-Jean-de-Braye rompt ses relations avec la ville jumelle polonaise de Tuchów, France 3, 16 February 2020 Population See also * Communes of the Loiret department The following is the list of the 325 communes of the Loiret department of France. The communes cooperate in the following intercommunalities (as of 2025): [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint-Merri
The Church of Saint-Merri or ''Église Saint-Merry'') is a parish church in Paris, located near the Centre Pompidou along the rue Saint Martin, in the 4th arrondissement on the Rive Droite (Right Bank). It is dedicated to the 7th century abbot of Autun Abbey, Saint Mederic, who came to Paris on pilgrimage and later died there in the year 700. In 884 Mederic was declared patron saint of the Right Bank. History A small chapel, called Saint-Pierre-des-Bois, existed in what was then a clearing. In about 700 AD. Saint Merri was buried there. Mederic, the future Saint Merri, was born in Autun in Burgundy, and is believed to have lived in the Benedictine Abbey there. He later went into the desert as a hermit. On his return, he moved to Paris, because he wished to live near the Tomb of Saint Symphorien, founder of the Abbey of Autun, which was within the Church of Saint-Germain-des-Pres in Paris. In 884 he was chosen as the patron saint of the Right Bank of Paris.Dumoulin, Ardisso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Lebègue
Nicolas-Antoine Lebègue (also ''Le Bègue''; c. 16316 July 1702) was a French Baroque composer, organist and harpsichordist. He was born in Laon and in the 1650s settled in Paris, quickly establishing himself as one of the best organists of the country. He lived and worked in Paris until his death, and frequently made trips to other cities to consult on organ building and maintenance matters. Lebègue's reputation today rests on his keyboard music. He made particularly important contributions to the development of the French organ school by devising pieces with independent pedal parts and developing the ''Tierce en taille'' genre. His oeuvre also includes the earliest published unmeasured preludes, as well as some of the earliest known noëls (Christmas songs). Life Lebègue was born in Laon, and nothing certain is known about his early years or training. It may be possible that his uncle (also named Nicolas Lebègue), a ''maître joueur d'instrument'', played some role in Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilles Jullien
Gilles Jullien (c. 1651/165314 September 1703) was a French Baroque composer and organist. He is credited with bringing the style of French organ music then current in Paris to Chartres.Apel 1973, 734. Almost nothing is known about Jullien's life or training. His burial certificate indicates he was 50 or slightly younger when he died, so he must have been born between 1651 and 1653. It is assumed that he became organist of the Chartres Cathedral on 6 December 1667. The date is questionable, but the fact that Jullien was appointed organist of the cathedral while still very young is indisputable. He occupied this position until his death in Chartres in 1703. He was succeeded at the cathedral by his eldest son, Jean-François Jullien. All of Jullien's surviving music is contained in his ''Premier Livre d'orgue'' (Paris, 1690). It consists of around 80 pieces (most influenced by Nicolas Lebègue's work), organized into eight organ suites in the eight church modes. According to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume-Gabriel Nivers
Guillaume-Gabriel Nivers (c. 1632, Paris – 13 November 1714) was a French organist, composer and theorist. His first ''livre d'orgue'' is the earliest surviving published collection with traditional French organ school forms (a collection by Louis Couperin that is in manuscript does not seem to have been published. See Guy Oldham, "Louis Couperin: A New Source of French Keyboard Music of the Mid-17th Century", Recherches sur la musique française classique, Vol. I (1960), pp. 51–59). Nivers's other music is less known; however, his treatises on Gregorian chant and basso continuo are still considered important sources on 17th century liturgical music and performance practice. Life Nivers was born into a prosperous Parisian family: his father was a fermier générale (tax collector) for the bishop. Nothing is known of his early years or his musical training except that he may have received a degree from the University of Paris. In the early 1650s Nivers became organist of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Livre D'orgue
Livre d'orgue ('organ book') is a French term which usually designates a collection of pieces for organ. It may refer to many such publications, including: * Livre d'orgue (Messiaen), by 20th century French composer Olivier Messiaen * Livre d'orgue de Montréal, a manuscript collection, brought to North America from France, dating from the early 18th century *, a manuscript collection dating from the early 18th century *Livre d'orgue by André Raison (1688) *Livre d'orgue by Pierre du Mage (1708), only extant work. *Livre d'orgue by Louis-Nicolas Clérambault (1710) *Three livres d'orgue by Nicolas Lebègue (1676, 1678 & 1685) *Livre d'orgue by Nicolas de Grigny (1699, with a posthumous edition in 1711). See also * French organ Mass *French organ school The French organ school formed in the first half of the 17th century. It progressed from the strict polyphonic music of Jean Titelouze (c. 1563–1633) to a unique, richly ornamented style with its own characteristic forms that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bérenger De Miramon Fitz-James
Berengar is a masculine name derived from Germanic roots meaning "bear" and "spear". The name appears frequently among certain noble families during the Middle Ages, especially the Unruochings and those related. Bérenger is the French form, while Berengario is the Italian form, Berenguer is the Catalan form, and Berenguier or Berengier is the Occitan form. The Latin form is ''Berengarius'' and the female equivalent is '' Berengaria''. Other forms of the name include Berenger, Bérenger, Bérangier, or Beringer. Personal name *Berengar of Toulouse, Frankish nobleman (fl. ninth century) *Berengar I of Neustria, Frankish nobleman (fl. ninth century) *Berengar II of Neustria, Frankish nobleman (d. 896) *Berengar I of Italy, King of Italy (c. 845–924) *Berengar II of Italy, King of Italy (c. 900–966) *Judicael Berengar, Breton nobleman (fl. tenth century) *Berengar of Tours, theologian (c. 999–1088) *Berengar (bishop of Venosa) (fl. eleventh century) *Berengar of Poitiers (fl. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichord
A harpsichord is a musical instrument played by means of a musical keyboard, keyboard. Depressing a key raises its back end within the instrument, which in turn raises a mechanism with a small plectrum made from quill or plastic that plucks one or more strings. The strings are under tension on a Sound board (music), soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard Manual (music), manual and even a #Pedal harpsichord, pedal board. Harpsichords may also have Organ stop, stop levers which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, virginals#Muselars, m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ (music)
Carol Williams performing at the West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means (generally woodwind or electronic musical instrument, electric) for producing tones. The organs have usually two or three, sometimes up to five or more, manuals for playing with the hands and a pedalboard for playing with the feet. With the use of registers, several groups of pipes can be connected to one manual. The organ has been used in various musical settings, particularly in classical music. Music written specifically for the organ is common from the Renaissance to the present day. Pipe organs, the most traditional type, operate by forcing air through pipes of varying sizes and materials, each producing a different pitch and tone. These instruments are commonly found in churches and co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
École Normale De Musique De Paris
The École Normale de Musique de Paris "Alfred Cortot" (ENMP) is a leading conservatoire located in the 17th arrondissement of Paris. The school was founded in 1919 by Auguste Mangeot and Alfred Cortot. The term ''école normale'' (English: normal school) meant a teacher training institution, and the school was intended to produce music teachers as well as concert performers. It is officially recognised by the Ministry of Culture and Communication and is under the patronage of the Ministry of Foreign Affairs. The school is not recognised by the Bologna Process. History The École was founded on 6 October 1919 as a private institution by French pianist Alfred Cortot and Auguste Mangeot, director of the magazine ''Le Monde musical''. In 1927, the school moved from a building in the rue Jouffroy-d'Abbans to 114 bis boulevard Malesherbes, a Belle Époque mansion given by the Marquise of Maleissye, where it is situated to this day. In 1962, after Cortot's death, composer Pie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicology
Musicology is the academic, research-based study of music, as opposed to musical composition or performance. Musicology research combines and intersects with many fields, including psychology, sociology, acoustics, neurology, natural sciences, formal sciences and computer science. Musicology is traditionally divided into three branches: music history, systematic musicology, and ethnomusicology. Historical musicologists study the history of musical traditions, the origins of works, and the biographies of composers. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthetics, pedagogy, musical acoustics, the science and technology of musical instruments, and the musical implications of physiology, psychology, sociology, philosophy and computing. Cognitive musicology is the set of phenomena surrounding the cognitive modeling of music. When musicologists carry out ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music History
Music history, sometimes called historical musicology, is a highly diverse subfield of the broader discipline of musicology that studies music from a historical point of view. In theory, "music history" could refer to the study of the history of any type or genre of music (e.g., the history of Nigerian music or the history of rock); in practice, these research topics are often categorized as part of ethnomusicology or cultural studies, whether or not they are ethnographically based. The terms "music history" and "historical musicology" usually refer to the history of the notated music of Western elites, sometimes called "art music" (by analogy to art history, which tends to focus on elite art). The methods of music history include source studies (esp. manuscript studies), paleography, philology (especially textual criticism), style criticism, historiography (the choice of historical method), musical analysis, and iconography. The application of musical analysis to further t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
