|
Non-lexical Vocables In Music
Non-lexical vocables, also known as wordless vocals, are a form of nonsense syllable used in a wide variety of music. Common English examples are "la la la", "na na na" and "da da da", or the improvised nonsense sounds used in scat singing. Non-lexical vocables are found in a wide range of music from around the world and across many genres of music, and may be mixed with meaningful text in a given song or performance. Traditional music Non-lexical vocables are used in yodeling, Blackfoot music and other Native American music, Pygmy music, the music of the Maldives. In Irish traditional music and Music of Scotland, Highland Scots music, it is called lilting, and in English folk music, English traditional music it is called lilting, diddling. Vocables frequently act as formal markers, indicating the beginning and end of phrases, sections or songs themselves, and also as Onomatopoeia, onomatopoeic references, cueing devices, and other purposes. The Blackfeet, Blackfoot, like other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocable
In the broadest sense of the word, a vocable (from ) is any identifiable utterance or writing, such as a word or term, that is fixed by their language and culture. The use of the term for words in the broad sense is archaic and the term is instead used for utterances which are not considered words, such as the English interjections of assent and denial, ''uh-huh'' and ''uh-uh'' , or the interjection of error, ''uh-oh'' . Such non-lexical vocables are often Non-lexical vocables in music, used in music, for example ''la la la'' or ''dum dee dum'', or in magical incantations, such as ''abra-cadabra''. Scat singing is essentially all vocables. Many Native American music, Native American songs consist entirely of vocables; this may be due to both phonetic substitution to increase the Sonorant, resonance of the song, and to the trade of songs between nations speaking different languages. Jewish Nigunim also feature wordless melodies composed entirely of vocables such as ''Yai nai nai'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vowel
A vowel is a speech sound pronounced without any stricture in the vocal tract, forming the nucleus of a syllable. Vowels are one of the two principal classes of speech sounds, the other being the consonant. Vowels vary in quality, in loudness and also in Vowel length, quantity (length). They are usually voice (phonetics), voiced and are closely involved in Prosody (linguistics), prosodic variation such as tone (linguistics), tone, intonation (linguistics), intonation and Stress (linguistics), stress. The word ''vowel'' comes from the Latin word , meaning "vocal" (i.e. relating to the voice). In English, the word ''vowel'' is commonly used to refer both to vowel sounds and to the written symbols that represent them (, , , , , and sometimes and ). Definition There are two complementary definitions of vowel, one Phonetics, phonetic and the other Phonology, phonological. *In the phonetic definition, a vowel is a sound, such as the English language, English "ah" or "oh" , produ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Armstrong
Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz. Armstrong received numerous accolades including the Grammy Award for Best Male Pop Vocal Performance, Grammy Award for Best Male Vocal Performance for ''Hello, Dolly! (song), Hello, Dolly!'' in 1965, as well as a posthumous win for the Grammy Lifetime Achievement Award in 1972. His influence crossed musical genres, with inductions into the DownBeat, ''DownBeat'' Jazz Hall of Fame, the Rock and Roll Hall of Fame, and the National Rhythm & Blues Hall of Fame, among others. Armstrong was born and raised in New Orleans. Coming to prominence in the 1920s as an inventive trumpet and cornet player, he was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby McFerrin
Robert Keith McFerrin Jr. (born March 11, 1950) is an American singer, songwriter, and conductor (music), conductor. His Vocal pedagogy, vocal techniques include singing fluidly but with quick and considerable jumps in Pitch (music), pitch—for example, sustaining a melody while also rapidly alternating with arpeggios and harmonies—as well as scat singing, Polyphony, polyphonic overtone singing, and improvisational vocal percussion. He performs and records regularly as an unaccompanied solo vocal artist. He has frequently collaborated with other artists from both the jazz and Classical music, classical scenes. McFerrin's song "Don't Worry, Be Happy" is the only A cappella, acapella track to ever reach No. 1 in the US, which it reached in 1988 and additionally won Grammy Award for Song of the Year, Song of the Year and Grammy Award for Record of the Year, Record of the Year honors at the 31st Annual Grammy Awards, 1989 Grammy Awards. McFerrin has also worked in collaboration ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scatman John
John Paul Larkin (March 13, 1942 – December 3, 1999), known professionally under the alias Scatman John, was an American musician. A prolific jazz pianist and vocalist for several decades, he rose to prominence in 1994 through his fusion of scat singing and dance music. He recorded five albums, which were released between 1986 and 2002. In the United States and Europe, Larkin is recognized for his singles " Scatman (Ski-Ba-Bop-Ba-Dop-Bop)" and " Scatman's World". He achieved his greatest success in Japan, where his album '' Scatman's World'' (1995) sold over a million copies. Outside of his musical activities, he had deepened exchanges with stuttering organizations and established the Scatland Foundation in 1996 with the purpose of furthering research of and educating the public on stuttering. Larkin was a recipient of the American Speech–Language–Hearing Association's Annie Glenn Award for outstanding service to the stuttering community and a posthumous inductee to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scat Singing
Originating in vocal jazz, scat singing or scatting is vocal Musical improvisation, improvisation with Non-lexical vocables in music, wordless vocables, Pseudoword#Nonsense syllables, nonsense syllables or without words at all. In scat singing, the singer improvises melodies and rhythms using the voice solely as an Musical instrument, instrument rather than a Speech, speaking medium. This is different from vocalese, which uses recognizable lyrics that are sung to pre-existing instrumental solos. Characteristics Structure and syllable choice Though scat singing is improvised, the melodic lines are often variations on Musical scale, scale and arpeggio fragments, lick (music), stock patterns and riffs, as is the case with instrumental improvisers. As well, scatting usually incorporates musical Musical form, structure. All of Ella Fitzgerald's scat performances of "How High the Moon", for instance, use the same tempo, begin with a chorus of a straight reading of the lyric, move to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ululation
Ululation (, ), trilling or lele, is a long, wavering, high-pitched vocal sound resembling a Howl (sound), howl with a Trill (music), trilling quality. It is produced by emitting a high pitched loud voice accompanied with a rapid back and forth movement of the tongue and the uvula. Around the world Ululation is practiced either alone or as part of certain styles of singing, on various occasions of communal ritual events (like weddings) used to express strong emotion. Ululation is practised in all parts of Africa, the Middle East, Americas and as far east as Central Asia, Central and South Asia. It is also practiced in a few places in Europe among the diaspora community originating from these areas. Middle East Ululation is commonly used in Middle Eastern weddings. In the Arab world, ''zaghārīt'' (Arabic: زغاريت) is a ululation performed to honor someone. For example, zagharits are widely performed and documented in Egyptian movies featuring traditional Egyptian wedding ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sami People
Acronyms * SAMI, ''Synchronized Accessible Media Interchange'', a closed-captioning format developed by Microsoft * Saudi Arabian Military Industries, a government-owned defence company * South African Malaria Initiative, a virtual expertise network of malaria researchers People * Sami (name), including lists of people with the given name or surname * Sámi people, the indigenous people of Norway, Sweden, the Kola Peninsula and Finland * Samantha Shapiro (born 1993), American gymnast nicknamed "Sami" Places * Sami (ancient city), an ancient Greek city in the Peloponnese * Sami, Burkina Faso, a district * Sämi, a village in Lääne-Viru County in northeastern Estonia * Sami District, Gambia * Sami, Cephalonia, Greece, a municipality ** Sami Bay, east of Sami, Cephalonia * Sami, Gujarat, India, a town * Sami, Paletwa, Myanmar, a town Other uses * Sámi languages, languages spoken by the Sámi * Sami (chimpanzee), kept at the Belgrade Zoo * Sami, a common name fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joik
A joik or yoik (anglicised, where the latter spelling in English conforms with the pronunciation; also named , , , or in the Sámi languages) is a traditional form of song in Sámi music performed by the Sámi people of Sápmi in Northern Europe. A performer of joik is called a (in Finnish), a (in Norwegian, and anglicised) or (in Swedish). Originally, ''joik'' referred to only one of several Sami singing styles, but in English the word is often used to refer to all types of traditional Sami singing. As an art form, each joik is meant to reflect or evoke a person, animal, or place. The sound of joik is comparable to the traditional chanting of some Native American cultures. Joik shares some features with the shamanistic cultures of Siberia, which mimic the sounds of nature. History As the Sami culture had no written language in the past, the origins of joik are not documented. According to oral traditions, the fairies and elves of the arctic lands gave joiks to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nigun
A nigun (, 'tune' or 'melody'; pl. nigunim) or niggun (pl. niggunim) is a form of Ashkenazi Jewish vocal music sung in group settings. ''Nigunim'' are melodic tunes, often using repetitive non-lexical vocables such as "bim-bim-bam", "lai-lai-lai", "yai-yai-yai", or "ai-ai-ai" rather than with formal lyrics. Sometimes, a ''nigun'' is expressed as a mystical musical form of Jewish prayer or glossolalia. Hebrew Biblical verses or quotes from other classical Jewish texts are sometimes sung repetitively to form a ''nigun''. Some ''nigunim'' are sung as prayers of lament, while others may be joyous or victorious in theme. Musar Movement Nigunim The Musar movement has also used ''nigunim'', based on the realization of how music affects the inner (i.e., spiritual) life. In the 19th century, the Musar movement developed its own distinctive nigun chanting traditions. In the 21st century, ''nigunim'' may be used at the start and end of Musar study sessions, potentially fostering ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puirt à Beul
Puirt à beul (, literally "tunes from a mouth") is a traditional form of song native to Scotland (known as ''portaireacht'' in Ireland) that sets Gaelic lyrics to instrumental tune melodies. Historically, they were used to accompany dancing in the absence of instruments and to transmit instrumental tunes orally. Term The Scottish Gaelic term ''port à beul'' refers to "a tune from a mouth—specifically a ''cheerful'' tune—which in the plural becomes ''puirt à beul''". In Scotland, they are usually referred to as ''puirt à beul'' but a variety of other spellings and misspellings also exists, for example ''port-a-beul'', ''puirt a bheul'', ''puirt a' bhéil'', etc. These are mostly because a number of grammatical particles in Gaelic are very similar in nature, such as the definite article ''a'', the prepositions "of" and "to" which can both be ''a'' and the preposition ''á'' "from" which can appear without the acute accent. Modern Irish dictionaries give ''port (aireacht) b� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indigenous Languages Of The Americas
The Indigenous languages of the Americas are the languages that were used by the Indigenous peoples of the Americas before the arrival of non-Indigenous peoples. Over a thousand of these languages are still used today, while many more are now extinct. The Indigenous languages of the Americas are not all related to each other; instead, they are classified into a hundred or so language families and isolates, as well as several extinct languages that are unclassified due to the lack of information on them. Many proposals have been made to relate some or all of these languages to each other, with varying degrees of success. The most widely reported is Joseph Greenberg's Amerind hypothesis, which, however, nearly all specialists reject because of severe methodological flaws; spurious data; and a failure to distinguish cognation, contact, and coincidence. According to UNESCO, most of the Indigenous languages of the Americas are critically endangered, and many are dormant (wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
