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Noah Howard Quartet
''Noah Howard Quartet'' is the debut album by alto saxophonist Noah Howard. It was recorded in New York City during January 1966, and was released later that year by ESP-Disk. On the album, Howard is joined by trumpeter Ric Colbeck, bassist Scotty Holt, and percussionist Dave Grant. Reception In a review for AllMusic, Michael G. Nastos called the album a "pivotal recording in the development of early avant garde jazz," and wrote: "Howard proves himself as an innovator who boldly goes where Ornette Coleman, Marion Brown, or Frank Wright did not fear to tread. His alto saxophone sound and ideas clearly mirror Coleman, reaching for upper atmospheric, warp signatures, and also playing warm lyrical phrases... This is... a stark reminder of how he was in on the ground floor of this progressive movement." The authors of ''The Penguin Guide to Jazz Recordings'' stated that Howard's sound at this point in his career was "different and idiosyncratic, but not yet fully realized," but prais ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noah Howard
Noah Howard (April 6, 1943 – September 3, 2010) was an American free jazz alto saxophonist. Biography Born in New Orleans, Howard played music from childhood in his church. He first learned trumpet and later switched to alto, tenor and soprano saxophone. He was an innovator influenced by John Coltrane and Albert Ayler. He studied with Dewey Johnson, first in Los Angeles and later on in San Francisco. When he moved to New York City he started playing with Sun Ra. He recorded his first LP as a leader, '' Noah Howard Quartet'', in 1966, and his second LP '' At Judson Hall'' later that year, both for ESP Records, but found little critical acclaim in the US. In the 1960s and 1970s he performed regularly in the US and Europe, moving to Paris in 1968. In 1969, he appeared on Frank Wright's album '' One for John'' and on '' Black Gipsy'' with Archie Shepp. As leader he recorded ''The Black Ark'' with Arthur Doyle among others. In 1971 he created his own record label, AltSax, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Jazz
Free jazz, or free form in the early to mid-1970s, is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, Musical tone, tones, and chord changes. Musicians during this period believed that the bebop and modal jazz that had been played before them was too limiting, and became preoccupied with creating something new. The term "free jazz" was drawn from the 1960 Ornette Coleman recording ''Free Jazz: A Collective Improvisation''. Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big band, big bands have existed. Although musicians and critics claim it is innovative and forward-looking, it draws on early styles of jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ESP-Disk
ESP-Disk is a New York–based record company and label founded in 1963 by lawyer Bernard Stollman. History Though it originally existed to release Esperanto-based music, beginning with its second release (Albert Ayler's ''Spiritual Unity''), ESP became the most important exponent of what is commonly referred to as free jazz. Early releases included albums by Paul Bley, Pharoah Sanders and Sun Ra. ESP also released recordings by uncommercial underground rock acts including the Fugs, The Godz and Pearls Before Swine. The label's motto is "The artists alone decide what you will hear." Bernard Stollman faced allegations of not paying royalties to the artists that were signed to ESP-Disk. Tom Rapp of the band Pearls Before Swine claimed that: "We never got any money from ESP. Never, not even like a hundred dollars or something. My real sense is that he tollmanwas abducted by aliens, and when he was probed it erased his memory of where all the money was". Peter Stampfel of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
At Judson Hall
''At Judson Hall'' is a live album by alto saxophonist Noah Howard. It was recorded at Judson Hall in New York City on October 19, 1966, and was released in 1968 by ESP-Disk. On the album, Howard is joined by trumpeter Ric Colbeck, cellist Catherine Norris, pianist Dave Burrell, bassist Norris Jones, and percussionist Robert Kapp. Reception The authors of ''The Penguin Guide to Jazz Recordings'' called the album "one of the iconic recordings of the period," and stated that Howard "plays with fire and attitude" on the tribute to John Coltrane. ''The Guardians John Fordham noted that the album "was explicitly connected to the Coltrane/Coleman lineage, but also exhibited the mixture of Ayler's anguished soulfulness and an unexpectedly tender folksiness that would be Howard's signature sound." Track listing All compositions by Noah Howard. # "This Place Called Earth" – 18:19 # "Homage to Coltrane" – 19:01 Personnel * Noah Howard – alto saxophone, bells * Ric Colbeck â ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scotty Holt
Scotty Holt is an American jazz bassist. He is known for his work with Jackie McLean for Blue Note Records in the 1960s, on albums such as '' New and Old Gospel'' and '' Hipnosis''. He also performed in McLean's quartet, along with Billy Higgins and LaMont Johnson. An example of their work in concert is provided by the SteepleChase Records LP, ''Dr. Jackle''. He also recorded with Woody Shaw, Bud Powell, and Ornette Coleman. He toured Europe with Art Blakey in 1969, and has not recorded since.Bob Blumenthal, "A New Look at ''New and Old Gospel''", notes to ''New and Old Gospel'' (Blue Note RVG Edition 0946 3 74234 2 4) Discography As sideman With Noah Howard * '' Noah Howard Quartet'' (ESP-Disk, 1966) With Jackie McLean * '' New and Old Gospel'' (Blue Note, 1967 968 * '' 'Bout Soul'' (Blue Note, 1967 969 * '' Demon's Dance'' (Blue Note, 1967 970 * '' Hipnosis'' (Blue Note, 1962 & 1967 978 * ''Dr. Jackle'' (SteepleChase, 1966 979 * ''Tune Up'' (SteepleChase, 1966 981 With Woody ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All-Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Musical ensemble, bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All-Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar, and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as compact discs (CDs) replaced LP record, LPs and cassette (format), cassettes as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007 – 4 January 2008. It is published by the Oxford University Press and was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Jazz Recordings
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Guardian
''The Guardian'' is a British daily newspaper. It was founded in Manchester in 1821 as ''The Manchester Guardian'' and changed its name in 1959, followed by a move to London. Along with its sister paper, ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust Limited. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in its journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Fordham (jazz Critic)
John Fordham is a British jazz critic and writer. As well as being the main jazz critic for ''The Guardian'', he publishes a monthly column for the newspaper. He is the author of several books on jazz, and has reported on it for publications including '' Time Out'', ''City Limits'', '' Sounds'', ''Jazz UK'' and ''The Wire''. He is a former editor of ''Time Out'', ''City Limits'' and ''Jazz UK''. He has contributed to documentaries for radio and television, as well as regularly to BBC Radio 3's programme ''Jazz on 3''. Awards Fordham has won the Parliamentary Jazz Awards "Jazz Journalist of the Year" award three times since 2005. Selected bibliography *1986: ''Let's Join Hands and Contact The Living'' (Elm Tree Books) *1989: ''The Sound of Jazz'' (Hamlyn) *1991: ''Jazz on CD: the essential guide'' (Kyle Cathie) *1993: ''Jazz'' (Dorling Kindersley Dorling Kindersley Limited (branded as DK) is a British multinational publishing company specialising in illustrated reference bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stereogum
''Stereogum'' is a daily Internet publication that focuses on music news, reviews, interviews, and commentary. The site was created in January 2002 by Scott Lapatine. ''Stereogum'' was one of the first MP3 blogs and has received several awards and citations, including the PLUG Award for Music Blog of the Year, '' Blender''s Powergeek 25, and '' Entertainment Weekly''s Best Music Websites. The site was named an Official Honoree of the Webby Awards in the music category and won the OMMA Award for Web Site Excellence in the Entertainment/Music category. In 2011, ''Stereogum'' won '' The Village Voice''s Music Blog of the Year. History The site was named after a lyric from the song "Radio #1" by the French electronic duo Air. In late 2006, ''Stereogum'' received an investment from Bob Pittman's private investment entity The Pilot Group. In November 2007, it was purchased by SpinMedia (formerly known as Buzz Media). April 2008 saw the launch of '' Videogum'', a sister site f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
