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No Protection (Dual Disc Version) (album)
No Protection may refer to: * ''No Protection'' (Starship album), a 1987 Starship album * ''No Protection'' (Massive Attack album), a 1995 Massive Attack album remixed by Mad Professor * ''No Protection'' (Justin Lo album), a 2006 Justin Lo album {{disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
No Protection (Starship Album)
''No Protection'' is the second studio album by American rock band Starship. It was released on July 6, 1987, by Grunt Records and RCA Records. The album featured the number-one single "Nothing's Gonna Stop Us Now", and the top-10 single "It's Not Over ('Til It's Over)", the former of which appears in the fantasy comedy film ''Mannequin'' and the latter of which was a tune originally performed the previous year by one-time Manfred Mann's Earth Band frontman Chris Thompson for the soundtrack to the film '' Playing for Keeps''. Third single "Beat Patrol" was #46 on Billboard's Hot 100. This was the last album which was released through Grunt Records, and the final Starship album to feature vocalist Grace Slick, who left the band in 1988 and rejoined Jefferson Airplane for their reunion tour and self-titled reunion album, ''Jefferson Airplane'', in 1989. The Diane Warren-penned ballad " Set the Night to Music" was covered in 1991 as a duet between R&B singer Roberta Flack and regg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
No Protection (Massive Attack Album)
''No Protection'' is a 1995 dub remix of Massive Attack's second album ''Protection'' by the British dub producer Mad Professor. Background Mad Professor was contacted by Massive Attack after ''Protection'' was released to remix a song for a single. After the single was remixed, the band asked Mad Professor to listen to more of the album to explore the possibility of further remixes. The project then became a track by track remix of almost the entire album. Mad Professor heavily edited the original material to form a slow, pulsating mix in which the beat is emphasised, reverb is extensively used and the occasional vocals (many of the tracks are almost entirely instrumental) fade in-and-out in typical dub fashion. Critical reception According to music journalist Robert Christgau, ''No Protection'' was the most ballyhooed album during dub music's revival in the mid-1990s and In his review for ''The Village Voice'', he found the music well defined and textured: "It also sus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |